Het jaar 1989. De jonge vertaalster Lucy Fly woont al vijf jaar in Tokio. Ze ontmoet de knappe fotograaf Teiji, die ze niet meer uit haar hoofd kan krijgen. Alles wordt ingewikkelder wanneer de verpleegster Lily in de hoofdstad arriveert en er een driehoeksverhouding ontstaat. Wanneer Lily vermist wordt, is Lucy de hoofdverdachte.
Ja! de film Earthquake Bird is nu beschikbaar om te kijken op Netflix in Nederland.
| Crew | Kelly Reichardt | Thanks |
| Directing | Wash Westmoreland | Director |
| Writing | Susanna Jones | Novel |
| Sound | Atticus Ross | Original Music Composer |
| Art | 種田陽平 | Production Design |
| Sound | Leopold Ross | Original Music Composer |
| Camera | 정정훈 | Director of Photography |
| Editing | Jonathan Alberts | Editor |
| Production | Yōko Narahashi | Casting |
| Production | Masa Kokubo | Line Producer |
| Production | Kevin J. Walsh | Producer |
| Production | Kenji Isomura | Executive Producer |
| Production | Michael A. Pruss | Producer |
| Production | Ann Ruark | Producer |
| Production | Victor Paul Wajnberg | Associate Producer |
| Production | Georgina Pope | Producer |
| Writing | Wash Westmoreland | Screenplay |
| Sound | Claudia Sarne | Original Music Composer |
| Directing | Chris Carroll | First Assistant Director |
| Sound | Julian Slater | Sound Designer |
| Sound | Benjamin L. Cook | Sound Designer |
| Costume & Make-Up | 小川久美子 | Costume Designer |
| Art | Miyuki Kitagawa | Art Direction |
| Art | Katsuya Imai | Set Designer |
| Sound | Julian Slater | Sound Re-Recording Mixer |
| Crew | Michael Douglas | Thanks |
| Production | Ann Ruark | Unit Production Manager |
| Production | Mitsutoshi Hamazaki | Unit Production Manager |
| Art | 茂木豊 | Set Decoration |
| Art | Masami Tanaka | Art Direction |
| Visual Effects | Robert Stadd | Visual Effects Supervisor |
| Crew | Kate Capshaw | Thanks |
| Costume & Make-Up | Wakana Yoshihara | Makeup & Hair |
| Directing | Hiro Kitagawa | First Assistant Director |
| Directing | Shohei Wakabayashi | Second Assistant Director |
| Camera | Murray Close | Still Photographer |
| Art | Michiyo Moriya | Property Master |
| Sound | Benjamin L. Cook | Supervising Sound Editor |
| Crew | Nick Chuba | Additional Music |
| Sound | Linda Cohen | Music Supervisor |
| Production | Ridley Scott | Producer |
| Art | Makoto Asano | Set Designer |
| Directing | Genevieve Martin | Second Assistant Director |
| Crew | Akihiro Noguchi | Stunt Coordinator |
| Art | Yōko Sagae | Set Designer |
| Sound | Julian Slater | Supervising Sound Editor |
| Crew | Yoko Ono | Thanks |
| Crew | Todd Haynes | Thanks |
| Directing | Jean-Paul Chreky | Script Supervisor |
| Sound | Edward Tise | Sound Mixer |
| Sound | Adrian Medhurst | Foley Artist |
| Visual Effects | Chuji Shimajiri | Special Effects Supervisor |
| Sound | Benjamin L. Cook | Sound Re-Recording Mixer |
| Costume & Make-Up | Michael Wilkinson | Costume Consultant |
