De ouder wordende Koning Lear heerst over Engeland met zijn dochters Goneril, Regan en Cordelia. Wanneer hij beslist afstand te nemen van twee van zijn corrupte dochters én zijn liefdevolle en eerlijke derde dochter verwerpt, is het een begin van alle ellende.
Nee, helaas is King Lear nog niet beschikbaar op Netflix in Nederland.
| Writing | Richard Eyre | Writer |
| Art | Kevin Day | Standby Property Master |
| Directing | Richard Eyre | Director |
| Production | Ben Gladstone | Location Manager |
| Production | Noëlette Buckley | Producer |
| Production | Colin Callender | Executive Producer |
| Writing | William Shakespeare | Theatre Play |
| Directing | Luc Gavigan | Third Assistant Director |
| Visual Effects | Chris Reynolds | Special Effects Supervisor |
| Sound | Simon Clark | Production Sound Mixer |
| Production | Sonia Friedman | Executive Producer |
| Art | Astrid Sieben | Art Direction |
| Editing | Helena Evans | Assistant Editor |
| Art | Charlotte Dirickx | Set Decoration |
| Costume & Make-Up | Sara Kramer | Key Makeup Artist |
| Costume & Make-Up | Lolly Goodship | Makeup & Hair |
| Camera | Ben Smithard | Director of Photography |
| Production | Nina Gold | Casting Director |
| Production | Scott Huff | Executive Producer |
| Costume & Make-Up | Doone Forsyth | Makeup & Hair |
| Crew | Gisela Evert | Post Production Supervisor |
| Sound | Andrew Caller | Sound Re-Recording Mixer |
| Costume & Make-Up | Sara Kramer | Key Hairdresser |
| Costume & Make-Up | Naomi Donne | Makeup Designer |
| Directing | Alex Gavigan | Second Assistant Director |
| Costume & Make-Up | Fotini Dimou | Costume Design |
| Production | Lucy Richer | Executive Producer |
| Production | Fergus Haycock | Executive Producer |
| Art | Matt Curtis | Title Designer |
| Editing | Dan Farrell | Editor |
| Production | Michelle Mullen | Line Producer |
| Sound | Emilie O'Connor | Dialogue Editor |
| Sound | Emilie O'Connor | ADR Editor |
| Sound | Stephen Warbeck | Original Music Composer |
| Directing | Karen Savage | Script Supervisor |
| Production | Sharon Moran | Production Manager |
| Production | Laura Macara | Executive Producer |
| Costume & Make-Up | Tessa Phillips | Costume Supervisor |
| Sound | Brendan Nicholson | Sound Re-Recording Mixer |
| Directing | Nick Shuttleworth | First Assistant Director |
| Costume & Make-Up | Naomi Donne | Hair Designer |
| Art | Peter Francis | Production Design |
| Production | Elyse Dolbec | Associate Producer |
| Crew | Annabelle Hood | Floor Runner |
| Sound | Mark Heslop | Sound Effects Editor |
| Crew | Rachel McLean | Set Medic |
| Crew | Andreas Petrides | Stunt Coordinator |
| Sound | Peter Burgis | Foley Artist |
| Costume & Make-Up | Laura Panayiotou | Tailor |
| Camera | Tristan Haley | First Assistant "A" Camera |
| Camera | Moe Owoborode | Camera Trainee |
| Production | Martin Ware | Casting Associate |
| Lighting | Michael McDermott | Gaffer |
| Production | Lauren Evans | Casting Associate |
| Crew | Sam Dormer | Armorer |
| Sound | Glen Gathard | Foley Editor |
| Sound | Sam Walsh | Foley Mixer |
| Production | Martin Walker | Unit Manager |
| Art | Sam Farr | Set Dresser |
| Sound | Adam Oakley | Foley Editor |
| Camera | John L. Wilson | Still Photographer |
| Art | Paul Carter | Property Master |
| Visual Effects | Chiara Finello | Visual Effects Coordinator |
| Camera | Arron Monkman | Second Assistant "A" Camera |
| Sound | Zoe Freed | Foley Artist |
| Camera | Lorena Pagés | Second Assistant "B" Camera |
| Lighting | James Smith-Pryor | Rigging Gaffer |
| Camera | Simon Baker | Steadicam Operator |
| Visual Effects | Mark Wellband | Visual Effects Producer |
| Lighting | Richard Harrowing | Electrician |
| Sound | Jason Swanscott | Foley Artist |
| Lighting | Pawel Polak | Lighting Technician |
| Sound | Lewis Morison | Music Editor |
