Italië tijdens de Tweede Wereldoorlog. Plaats van handeling: een afgelegen landhuis aan het Gardameer. Een hertog, een bankier, een politicus en een geestelijke laten negen jongens en negen meisjes bijeenbrengen. Terwijl drie courtisanes scabreuze verhalen vertellen ter inspiratie, vergrijpen de mannen zich op allerlei manieren aan de gevangenen. Een scala van sadistische en scatologische perversiteiten passeert de revue, uitmondend in een gruwelijke moordpartij waarbij de achttien jongens en meisjes worden doodgemarteld, terwijl de mannen om beurten met een verrekijker toekijken.
Nee, helaas is Salò o le 120 giornate di Sodoma nog niet beschikbaar op Netflix in Nederland.
| Writing | Sergio Citti | Writer |
| Writing | Pupi Avati | Writer |
| Production | Pietro Innocenti | Administration |
| Art | Dante Ferretti | Production Design |
| Sound | Ennio Morricone | Music Consultant |
| Crew | Simone de Beauvoir | Thanks |
| Crew | Maurice Blanchot | Thanks |
| Crew | Philippe Sollers | Thanks |
| Costume & Make-Up | Danilo Donati | Costume Design |
| Crew | Roland Barthes | Thanks |
| Production | Maurizio Forti | Administration |
| Crew | Pierre Klossowski | Thanks |
| Directing | Fiorella Infascelli | Second Assistant Director |
| Camera | Carlo Tafani | Camera Operator |
| Editing | Ugo De Rossi | Assistant Editor |
| Costume & Make-Up | Vanni Castellani | Costume Assistant |
| Camera | Deborah Imogen Beer | Still Photographer |
| Sound | Arnaldo Graziosi | Musician |
| Camera | Giancarlo Granatelli | Second Assistant Camera |
| Camera | Emilio Bestetti | Camera Operator |
| Sound | Giuseppina Sagliano | Boom Operator |
| Camera | Sandro Battaglia | First Assistant Camera |
| Sound | Giorgio Loviscek | Sound |
| Crew | Alfredo Tiberi | Special Effects |
| Editing | Alfredo Menchini | Assistant Editor |
| Sound | Domenico Pasqua Di Bisceglie | Sound |
| Art | Maria Teresa Barbasso | Draughtsman |
| Sound | Fausto Ancillai | Sound Mixer |
| Art | Italo Tomassi | Painter |
| Sound | Massimo Anzellotti | Sound Effects Editor |
| Production | Nico Naldini | Publicist |
| Crew | Alberto Grimaldi | Presenter |
| Directing | Beatrice Banfi | Script Supervisor |
| Production | Enzo Ocone | Post Production Coordinator |
| Production | Angelo Zemella | Production Supervisor |
| Writing | Pier Paolo Pasolini | Writer |
| Production | Alberto De Stefanis | Unit Manager |
| Camera | Tonino Delli Colli | Director of Photography |
| Costume & Make-Up | Giusy Bovino | Hairstylist |
| Directing | Pier Paolo Pasolini | Director |
| Costume & Make-Up | Osvaldo Desideri | Makeup Artist |
| Production | Alberto De Stefanis | Producer |
| Production | Antonio Girasante | Production Manager |
| Production | Alberto Grimaldi | Producer |
| Art | Osvaldo Desideri | Set Decoration |
| Production | Antonio Girasante | Producer |
| Editing | Nino Baragli | Editor |
| Writing | Donatien Alphonse François de Sade | Novel |
| Directing | Umberto Angelucci | First Assistant Director |
| Costume & Make-Up | Alfredo Tiberi | Makeup Artist |
| Production | Alessandro Mattei | Production Supervisor |
| Production | Renzo David | Production Supervisor |
| Sound | Ennio Morricone | Music |
