Italië tijdens de Tweede Wereldoorlog. Plaats van handeling: een afgelegen landhuis aan het Gardameer. Een hertog, een bankier, een politicus en een geestelijke laten negen jongens en negen meisjes bijeenbrengen. Terwijl drie courtisanes scabreuze verhalen vertellen ter inspiratie, vergrijpen de mannen zich op allerlei manieren aan de gevangenen. Een scala van sadistische en scatologische perversiteiten passeert de revue, uitmondend in een gruwelijke moordpartij waarbij de achttien jongens en meisjes worden doodgemarteld, terwijl de mannen om beurten met een verrekijker toekijken.
Nee, helaas is Salò o le 120 giornate di Sodoma nog niet beschikbaar op Netflix in Nederland.
| Writing | Pupi Avati | Writer |
| Writing | Sergio Citti | Writer |
| Art | Dante Ferretti | Production Design |
| Costume & Make-Up | Danilo Donati | Costume Design |
| Sound | Ennio Morricone | Music Consultant |
| Production | Maurizio Forti | Administration |
| Production | Pietro Innocenti | Administration |
| Crew | Roland Barthes | Thanks |
| Crew | Maurice Blanchot | Thanks |
| Crew | Simone de Beauvoir | Thanks |
| Crew | Pierre Klossowski | Thanks |
| Crew | Philippe Sollers | Thanks |
| Production | Nico Naldini | Publicist |
| Crew | Alberto Grimaldi | Presenter |
| Directing | Beatrice Banfi | Script Supervisor |
| Sound | Arnaldo Graziosi | Musician |
| Production | Enzo Ocone | Post Production Coordinator |
| Editing | Alfredo Menchini | Assistant Editor |
| Editing | Ugo De Rossi | Assistant Editor |
| Costume & Make-Up | Vanni Castellani | Costume Assistant |
| Camera | Carlo Tafani | Camera Operator |
| Camera | Giancarlo Granatelli | Second Assistant Camera |
| Camera | Emilio Bestetti | Camera Operator |
| Camera | Deborah Imogen Beer | Still Photographer |
| Camera | Sandro Battaglia | First Assistant Camera |
| Crew | Alfredo Tiberi | Special Effects |
| Sound | Giuseppina Sagliano | Boom Operator |
| Sound | Domenico Pasqua Di Bisceglie | Sound |
| Sound | Giorgio Loviscek | Sound |
| Sound | Massimo Anzellotti | Sound Effects Editor |
| Sound | Fausto Ancillai | Sound Mixer |
| Art | Italo Tomassi | Painter |
| Art | Maria Teresa Barbasso | Draughtsman |
| Directing | Fiorella Infascelli | Second Assistant Director |
| Directing | Umberto Angelucci | First Assistant Director |
| Production | Angelo Zemella | Production Supervisor |
| Production | Alessandro Mattei | Production Supervisor |
| Production | Antonio Girasante | Production Manager |
| Production | Alberto De Stefanis | Unit Manager |
| Production | Renzo David | Production Supervisor |
| Costume & Make-Up | Alfredo Tiberi | Makeup Artist |
| Costume & Make-Up | Osvaldo Desideri | Makeup Artist |
| Costume & Make-Up | Giusy Bovino | Hairstylist |
| Art | Osvaldo Desideri | Set Decoration |
| Editing | Nino Baragli | Editor |
| Camera | Tonino Delli Colli | Director of Photography |
| Production | Antonio Girasante | Producer |
| Production | Alberto De Stefanis | Producer |
| Production | Alberto Grimaldi | Producer |
| Writing | Donatien Alphonse François de Sade | Novel |
| Writing | Pier Paolo Pasolini | Writer |
| Directing | Pier Paolo Pasolini | Director |
| Sound | Ennio Morricone | Music |
