Mickey O'Neill is de uitbater van een oude nachtclub in Liverpool die zich op de Ierse gemeenschap richt. Om klanten te trekken, moet hij voor entertainment zorgen. Daarbij is hij aangewezen op het derderangscircuit van pseudo-sterren als Franc Cinatra. Om zijn klanten te paaien belooft hij ze de terugkeer van de vermaarde tenor Josef Locke.
Nee, helaas is Hear My Song nog niet beschikbaar op Netflix in Nederland.
| Directing | Peter Chelsom | Director |
| Writing | Peter Chelsom | Story |
| Camera | Sue Gibson | Director of Photography |
| Production | Jane Frisby | Casting |
| Crew | Dorothy Ford | Stunts |
| Directing | Lisa Mulcahy | Third Assistant Director |
| Camera | Donal Gilligan | Clapper Loader |
| Sound | Michael Rudman | Assistant Sound Editor |
| Costume & Make-Up | Wendy Asher | Wardrobe Assistant |
| Costume & Make-Up | Ailbhe Lemass | Assistant Makeup Artist |
| Costume & Make-Up | Carole Dunne | Assistant Hairdresser |
| Directing | June McDonald | Script Supervisor |
| Art | Annie Siggins | Assistant Art Director |
| Art | Frank Hallinan-Flood | Assistant Art Director |
| Production | Fiona Traynor | Production Coordinator |
| Costume & Make-Up | Anne Dunne | Hairdresser |
| Production | Robert Quinn | Assistant Location Manager |
| Sound | Philip Bothamley | Dialogue Editor |
| Crew | Steve Emerson | Stunts |
| Camera | Peter Versey | Camera Operator |
| Sound | Mervyn Moore | Boom Operator |
| Sound | Peter Holt | Foley Editor |
| Crew | John Downes | Post Production Supervisor |
| Production | Gemma Fallon | Production Manager |
| Sound | Glenn Freemantle | Sound Editor |
| Crew | Terry Cade | Stunts |
| Production | Sally Woodward Gentle | Production Coordinator |
| Sound | Bob Robinson | Assistant Dialogue Editor |
| Directing | Michael Rowland | Second Assistant Director |
| Camera | Shane O'Neill | Focus Puller |
| Crew | Marc Boyle | Stunt Coordinator |
| Production | Jeanne Liscombe | Production Coordinator |
| Production | Paul Myler | Production Accountant |
| Production | John McDonnell | Location Manager |
| Art | Kave Quinn | Art Direction |
| Crew | Peter Diamond | Stunt Coordinator |
| Production | Maggie mooney | Production Secretary |
| Production | Casper Campbell | Production Assistant |
| Production | Jud Cooper | Location Manager |
| Directing | Peter Diamond | Second Unit Director |
| Costume & Make-Up | Debbie Scott | Assistant Costume Designer |
| Directing | Crispin Reece | First Assistant Director |
| Camera | Luke Quigley | Key Grip |
| Sound | Peter Lindsay | Sound Mixer |
| Editing | Daryl Jordan | First Assistant Editor |
| Art | Joe Nevin | Property Buyer |
| Lighting | Jim Farrell | Best Boy Electric |
| Crew | Arthur Dunne | Transportation Captain |
| Editing | Sylvia Wheeler | Negative Cutter |
| Lighting | George Fullegar | Gaffer |
| Camera | Tom Collins | Still Photographer |
| Lighting | Terry Mulligan | Electrician |
| Lighting | Noel Cullen | Electrician |
| Production | John Paul Chapple | Executive Producer |
| Costume & Make-Up | Toni Delaney | Makeup Artist |
| Costume & Make-Up | Anne Dunne | Hair Designer |
| Writing | Adrian Dunbar | Screenplay |
| Production | David Brown | Associate Producer |
| Writing | Peter Chelsom | Screenplay |
| Sound | John Altman | Music |
| Production | Simon Fields | Executive Producer |
| Production | Alison Owen | Producer |
| Art | Caroline Hanania | Production Design |
| Costume & Make-Up | Lindy Hemming | Costume Design |
| Editing | Martin Walsh | Editor |
| Production | Russ Russell | Executive Producer |
