LAPD Luitenant Paul Cutler wordt overgeplaatst naar Detroit om er een lokaal SWAT-team aan een training te onderwerpen. Hij wordt echter het nieuwe doelwit van een moorddadig genie dat beschermd wordt door overheidsfunctionarissen. Paul zal nu alles op alles moeten zetten om niet aan hem ten prooi te vallen.
Ja! de film S.W.A.T.: Firefight is nu beschikbaar om te kijken op Netflix in Nederland.
Nee, helaas is S.W.A.T.: Firefight nog niet beschikbaar op Netflix in Nederland.
| Production | Amanda Lewis | Producer |
| Directing | Benny Boom | Director |
| Production | Neal H. Moritz | Producer |
| Writing | Reed Steiner | Screenplay |
| Production | Scott Putman | Executive Producer |
| Camera | Don Davis | Director of Photography |
| Production | Benny Boom | Co-Producer |
| Production | Rui Costa Reis | Executive Producer |
| Sound | John Paesano | Music |
| Writing | Reed Steiner | Story |
| Writing | Randy Walker | Story |
| Production | Eliad Josephson | Executive Producer |
| Production | Dyan Traynor | Co-Producer |
| Production | Jeni Mulein | Co-Producer |
| Writing | Michael Albanese | Story |
| Writing | Ed Arneson | Story |
| Crew | Troy Gilbert | Stunts |
| Costume & Make-Up | Jeannette Moriarty | Key Hair Stylist |
| Costume & Make-Up | Francine Jamison-Tanchuck | Costume Design |
| Art | Bruton Jones | Production Design |
| Costume & Make-Up | Kimberly Jones | Makeup Department Head |
| Directing | Mike Ellis | First Assistant Director |
| Art | Vicki Stefanopoulos | Art Department Coordinator |
| Art | Selina van den Brink | Set Decoration |
| Art | Sarah M. Pott | Set Designer |
| Art | Sean Clouser | Construction Coordinator |
| Production | Daniel A. Mondschain | Production Supervisor |
| Costume & Make-Up | John Tarro | Hair Department Head |
| Sound | Dean Andre | Sound Recordist |
| Costume & Make-Up | Jayne Laube | Key Makeup Artist |
| Costume & Make-Up | Vicente Parada | Key Costumer |
| Camera | Christopher Bottoms | Camera Operator |
| Visual Effects | Cyryl Koshyk | Visual Effects Supervisor |
| Sound | Greg Vines | Music Editor |
| Sound | Trent Richmond | Foley Editor |
| Visual Effects | Joe Pancake | Pyrotechnic Supervisor |
| Production | Bridget Reddeman | Location Manager |
| Sound | Kier Lehman | Music Supervisor |
| Crew | Richard L. Hill | Pyrotechnician |
| Lighting | Michael W. Anderson | Lighting Technician |
| Camera | Andy Hoehn | First Assistant Camera |
| Sound | Benjamin L. Cook | Supervising Sound Editor |
| Lighting | Anthony 'Spike' Simms | Gaffer |
| Sound | Tim Tuchrello | Sound Editor |
| Production | Michael S. Jones | Location Manager |
| Sound | Jacob Riehle | Dialogue Editor |
| Camera | Reed Koppen | First Assistant Camera |
| Visual Effects | Russell Tyrrell | Special Effects Supervisor |
| Camera | Kevin D. Hewitt | Camera Operator |
| Camera | William Eichler | Steadicam Operator |
| Visual Effects | Paul Andraos | Visual Effects Producer |
| Camera | Erik F. Hill | Dolly Grip |
| Crew | Sam Arthurs | Armorer |
| Sound | Craig Dollinger | Boom Operator |
| Camera | Alicia Gbur | Still Photographer |
| Costume & Make-Up | Stanley Moore | Costume Supervisor |
| Lighting | Michael J. Conner | Best Boy Electric |
| Sound | Joe Dzuban | Supervising Sound Editor |
| Sound | Jeffrey A. Pitts | Sound Effects Editor |
| Crew | Jessica Harbeck | Stunt Double |
| Crew | Mike Smith | Stunt Coordinator |
