In het Napels van de jaren 70 heeft maffioso Peppino Lo Cicero de Camorra verlaten. Hij besluit echter weer in actie te komen, nadat zijn zoon Nino is vermoord. Omdat hij denkt dat de dood van zijn zoon het gevolg is van verraad, huurt Peppino vier huurmoordenaars in om samen met hen zijn wraakplan uit te voeren.
Nee, helaas is 5 è il numero perfetto nog niet beschikbaar op Netflix in Nederland.
| Production | Mattia Oddone | Producer |
| Production | Elda Ferri | Producer |
| Production | Patrick Sibourd | Co-Producer |
| Production | Mauro Calevi | Delegated Producer |
| Directing | Dario Cioni | First Assistant Director |
| Production | Costanza Boccardi | Casting |
| Costume & Make-Up | Nicoletta Taranta | Costume Design |
| Editing | Jan Hameeuw | Co-Editor |
| Sound | D-Ross & Startuffo | Original Music Composer |
| Production | Laura Basile | Production Coordinator |
| Production | Sabina Tornatore | Location Manager |
| Production | Gennaro Aquino | Location Manager |
| Production | Maria Raffaella Faggiano | Location Manager |
| Production | Vincenzo La Gatta | Unit Manager |
| Production | Rosario Mercurio | Unit Manager |
| Directing | Maria Vittoria Abbrugiati | Script Supervisor |
| Directing | Alberto Mangiapane | Second Assistant Director |
| Art | Cristiano Donzelli | Storyboard Artist |
| Camera | Emiliano Leurini | Camera Operator |
| Camera | Sandro De Pascalis | Camera Operator |
| Camera | Andrea Quaglio | Assistant Camera |
| Sound | Maximilien Gobiet | Boom Operator |
| Art | Giampietro Huber | Set Decoration |
| Art | Pasquale Tricoci | Set Decoration |
| Art | Federica Sciacca | Assistant Production Design |
| Art | Mattia Lorusso | Assistant Production Design |
| Costume & Make-Up | Adreina Becagli | Makeup Designer |
| Costume & Make-Up | Adreina Becagli | Makeup Supervisor |
| Costume & Make-Up | Alberta Giuliani | Hair Department Head |
| Crew | Alessandro Borgese | Stunt Coordinator |
| Crew | Fabio Traversari | Special Effects Coordinator |
| Lighting | Alessio Bramucci | Gaffer |
| Camera | Massimo Rinella | Key Grip |
| Crew | Carla Mori | Post Production Supervisor |
| Visual Effects | Giuseppe Squillaci | Visual Effects Supervisor |
| Editing | Manuel Grieco | Assistant Editor |
| Sound | Giuseppe D'Amato | Sound Editor |
| Sound | Antonio Giannantonio | Sound Editor |
| Sound | Francesco Albertelli | Sound Effects Editor |
| Sound | Fabrizio Alviti | Sound Effects Editor |
| Sound | Mauro Eusepi | Foley Artist |
| Sound | Marcos Molina | Sound Mixer |
| Visual Effects | Ivan Cappiello | VFX Supervisor |
| Production | Paolo Del Brocco | Co-Producer |
| Directing | Igort | Director |
| Writing | Igort | Screenplay |
| Writing | Igort | Graphic Novel |
| Production | Marina Alessandra Marzotto | Producer |
| Camera | Nicolai Brüel | Director of Photography |
| Art | Nello Giorgetti | Production Design |
| Production | Raphaël Berdugo | Co-Producer |
| Production | Antoine de Clermont-Tonnerre | Co-Producer |
| Production | Peter De Maegd | Co-Producer |
| Production | Jan Hameeuw | Co-Producer |
| Production | Tom Hameeuw | Co-Producer |
| Production | Gabriele Oricchio | Executive Producer |
| Production | Gabriele Pacitto | Line Producer |
| Editing | Esmeralda Calabria | Editor |
| Editing | Walter Fasano | Editor |
| Sound | Daniele Maraniello | Sound |
