De 20-jarige Paul is net aangekomen in New York en staat te wachten op het centrale busstation. Hij komt er in contact met de iets oudere Wye, met wie hij in het geheim afspreekt. De twee beginnen een intense relatie die in het gedrang komt wanneer Paul erachter komt dat Wye een transgendervrouw is. Paul wordt met zijn eigen identiteit geconfronteerd.
Nee, helaas is Port Authority nog niet beschikbaar op Netflix in Nederland.
| Directing | Danielle Lessovitz | Director |
| Production | Martin Scorsese | Executive Producer |
| Production | Rodrigo Teixeira | Producer |
| Camera | Jomo Fray | Director of Photography |
| Production | Virginie Lacombe | Producer |
| Production | Sophie Mas | Executive Producer |
| Production | Zachary Luke Kislevitz | Producer |
| Production | Lourenço Sant'Anna | Executive Producer |
| Production | Emma Tillinger Koskoff | Executive Producer |
| Production | Frédéric de Goldschmidt | Executive Producer |
| Production | Bobby Allen | Executive Producer |
| Production | Efe Çakarel | Executive Producer |
| Editing | Matthew C. Hart | Editor |
| Editing | Clémence Samson | Editor |
| Art | Emmeline Wilks-Dupoise | Production Design |
| Costume & Make-Up | Chester Algernal Gordon | Costume Designer |
| Sound | Matthew Herbert | Original Music Composer |
| Writing | Danielle Lessovitz | Screenplay |
| Production | Kate Antognini | Associate Producer |
| Production | Damian Bao | Associate Producer |
| Production | Fernando Fraiha | Executive Producer |
| Production | Jari Jones | Associate Producer |
| Production | Amanda Messenger | Line Producer |
| Production | Arnaud Quesada | Associate Producer |
| Production | Lawrence Snookie Taylor | Executive Producer |
| Production | Celina Torrealba | Executive Producer |
| Art | Erin Blake | Art Direction |
| Art | Eric Tumolo | Set Decoration |
| Sound | Gilles Bénardeau | Sound Re-Recording Mixer |
| Sound | Philippe Desloovere | Sound Effects Editor |
| Sound | Chris Foster | Sound Designer |
