Beth wordt wakker in een bad vol met ijs in een oud afgelegen slachthuis. Ze komt erachter dat haar baby verwijderd is uit haar lichaam. Als ze bezig is een uitweg te zoeken, komt ze drie vrouwen tegen die in hetzelfde schuitje als haar zitten. De vier vrouwen komen er al snel achter dat het ieder voor zich is, en dat ze zich bevinden in een dodelijk spel.
Nee, helaas is The Clinic nog niet beschikbaar op Netflix in Nederland.
| Camera | Jessica Clarke-Nash | Data Wrangler |
| Lighting | Matt Begg | Electrician |
| Sound | Jeff Richardson | ADR Editor |
| Camera | Scott Brokate | Grip |
| Camera | Nir Shelter | Data Wrangler |
| Camera | Pat Nash | Key Grip |
| Lighting | Anthony Tulloch | Electrician |
| Camera | Anthony Polkinghorne | Focus Puller |
| Camera | Mal Booth | Grip |
| Camera | Rebecca Lean | Focus Puller |
| Costume & Make-Up | Rick Connelly | Prosthetic Makeup Artist |
| Costume & Make-Up | Sarah Brest | Costume Standby |
| Camera | Roger Buckingham | Second Unit Director of Photography |
| Costume & Make-Up | Dan Owen | Costume Assistant |
| Camera | Brad Shield | Director of Photography |
| Camera | Pim Kulk | Clapper Loader |
| Crew | Ken Jones | Armorer |
| Sound | Brendon Morrow | ADR Recordist |
| Sound | Manel López | Boom Operator |
| Editing | Warren Lynch | Colorist |
| Directing | Kira Bohn | Continuity |
| Sound | Leon Anderson | ADR Recordist |
| Sound | Helen Brown | Foley Artist |
| Visual Effects | Claire Pollock | VFX Artist |
| Sound | Dan Johnston | Foley Artist |
| Sound | Dan Johnston | Foley Editor |
| Sound | Duncan McAllister | Foley Editor |
| Visual Effects | Demis Lyall-Wilson | Digital Compositor |
| Directing | Miranda Colman | Second Assistant Director |
| Camera | Nathan Hart | Grip |
| Visual Effects | Kurtis Richmond | Matte Painter |
| Directing | Jamie Crooks | First Assistant Director |
| Sound | Jeff Richardson | Dialogue Editor |
| Production | Lucy Vorst | Production Accountant |
| Sound | Tim Lloyd | Sound Recordist |
| Visual Effects | Claudia Lecaros | Visual Effects Production Manager |
| Sound | John Dennison | Sound Supervisor |
| Sound | Tony Vaccher | Sound Supervisor |
| Directing | James Rabbitts | Director |
| Sound | Jason Fernandez | Music |
| Sound | Angela Little | Music |
| Production | Marianne Jade | Casting |
| Sound | Kirke Godfrey | Music |
| Production | Samuel Pinczewski | Producer |
| Costume & Make-Up | Catherine Wallace | Costume Design |
| Art | Sam Lukins | Art Direction |
| Editing | Ryan Boucher | Editor |
| Art | Nicholas McCallum | Production Design |
| Production | Emily Cameron | Production Manager |
| Sound | Nicholas Byrnes | Sound Editor |
| Costume & Make-Up | Susy Kelly | Makeup Department Head |
| Sound | Sean O'Reilly | Sound Effects Editor |
| Lighting | Mark Jefferies | Gaffer |
| Sound | John Dennison | Sound Re-Recording Mixer |
| Crew | Dean Gould | Stunt Coordinator |
| Visual Effects | Dave Morley | Visual Effects Supervisor |
| Visual Effects | Kent Boswell | Visual Effects Producer |
| Camera | Luke Nixon | Steadicam Operator |
| Production | Peter Harris | Location Manager |
| Sound | Tony Vaccher | Sound Re-Recording Mixer |
| Editing | Laurie Hughes | First Assistant Editor |
| Costume & Make-Up | Aline Joyce | Makeup Artist |
| Writing | James Rabbitts | Writer |
| Crew | Andy Clarke | Stunt Coordinator |
