Peter probeert een weg te vinden door de moderne online datingcultuur. Nadat een grillige, romantische avond eindigt met Peter die alleen wakker wordt, probeert hij de nacht achter zich te laten door zich te wenden tot een mythisch effectieve datingsite die gegarandeerd zijn perfecte match zal vinden. Maar bij elke date via die site ontdekt Peter vreemde overeenkomsten tussen elke vrouw en die geweldige eerste date.
Nee, helaas is The Way You Look Tonight nog niet beschikbaar op Netflix in Nederland.
| Production | Jordan Bass | Casting |
| Production | Julia Angley | Producer |
| Editing | John Cerrito | Editor |
| Editing | Will Bryson | Editor |
| Production | Masaya Tajika | Producer |
| Production | Lauren Bass | Casting |
| Writing | Westray Tackett | Original Story |
| Production | Adanne Ebo | Associate Producer |
| Production | Bill Townsend | Executive Producer |
| Art | Monika Dovnar | Production Design |
| Camera | Marcus Patterson | Director of Photography |
| Costume & Make-Up | Keelin Quigley | Costume Designer |
| Production | John Cerrito | Producer |
| Production | Marcel Perez | Producer |
| Directing | John Cerrito | Director |
| Writing | John Cerrito | Writer |
| Art | Stephanie Jiang | Art Direction |
| Camera | Michael Thomas | First Assistant Camera |
| Camera | Patricia Delgado | Second Assistant Camera |
| Camera | Kristi Hoi | Second Assistant Camera |
| Camera | Daniela Herrera | Second Assistant Camera |
| Directing | Adamma Ebo | Script Supervisor |
| Directing | Bisi Chung | Script Supervisor |
| Sound | Scott Marshall | Sound Mixer |
| Sound | Scott Marshall | Boom Operator |
| Sound | Destiny Farrant | Sound Mixer |
| Sound | Destiny Farrant | Boom Operator |
| Lighting | Pratik Shah | Gaffer |
| Camera | Gelareh Soofi | Key Grip |
| Camera | Kevin Lee | Key Grip |
| Camera | Turner Spurlin | Best Boy Grip |
| Art | Kristina Vanderhout | Property Master |
| Art | Samantha Vinzon | Set Decoration |
| Costume & Make-Up | Alejandra Madrigal-Aviña | Costume Supervisor |
| Costume & Make-Up | Caroline Skubik | Costumer |
| Costume & Make-Up | Jared Davis | Costumer |
| Costume & Make-Up | Shealyn Biron | Costumer |
| Costume & Make-Up | Girstin Bergquist | Makeup & Hair |
| Camera | Brooks Yang | Digital Imaging Technician |
| Editing | Brooks Yang | Assistant Editor |
| Camera | John Clifton | Digital Imaging Technician |
| Editing | John Clifton | Assistant Editor |
| Camera | Arkesh Ajay | Digital Imaging Technician |
| Visual Effects | Melissa Kan | Visual Effects Supervisor |
| Directing | Jessica Morrison | Second Assistant Director |
| Directing | Nick Adams | Second Assistant Director |
| Directing | Myra Aquino | Second Assistant Director |
| Production | Garrett Gault | Accountant |
| Production | Dennis Mahaketa | Production Assistant |
| Production | Jialu Li | Production Assistant |
| Production | Slater Tow | Production Assistant |
| Production | Victoria Delgado | Production Assistant |
| Production | Patrick Boyd | Production Assistant |
| Sound | Brian Peyton | Sound Re-Recording Mixer |
| Sound | Julia Owen | Sound Effects Editor |
| Sound | Scott Brewster | Dialogue Editor |
| Sound | Brian Peyton | Foley Artist |
| Editing | Michael Thomas | Colorist |
| Visual Effects | Thomas Brecheisen | VFX Artist |
| Visual Effects | Michael Thomas | VFX Artist |
| Art | Brooks Yang | Opening Title Sequence |
| Crew | Victoria Delgado | Thanks |
| Crew | Garrett Gault | Thanks |
| Crew | Timothy A. Good | Thanks |
| Crew | J.R. Hughto | Thanks |
| Crew | Bill Townsend | Thanks |
| Crew | Plummy Tucker | Thanks |
| Crew | Gina Kim | Thanks |
| Production | Julia Angley | Unit Production Manager |
| Directing | Alicia Herder | First Assistant Director |
| Directing | Anthony Giacomelli | Second Assistant Director |
| Directing | Melissa Kan | Second Assistant Director |
| Directing | Devin Loring | Second Assistant Director |
