Na het verlies van hun zoon verlaten de gepensioneerde sheriff George Blackledge en zijn vrouw Margaret hun ranch in Montana. Ze willen hun jonge kleinzoon redden uit de klauwen van een gevaarlijke criminele familie, geleid door matriarch Blanche Weboy, in de Dakota's. Als ze ontdekken dat de Weboys niet van plan zijn het kind te laten gaan, hebben George en Margaret geen andere keus dan voor hun gezin te vechten.
Nee, helaas is Let Him Go nog niet beschikbaar op Netflix in Nederland.
| Directing | Mark Ambury | First Assistant Director |
| Art | Amanda Nicholson | Set Designer |
| Art | Marion Spencer | Assistant Art Director |
| Art | Donald Thomson | Set Dresser |
| Costume & Make-Up | Tannis Moore | Costume Set Supervisor |
| Sound | Oleg Kulchytskyi | Sound Re-Recording Mixer |
| Art | Nathan Overstrom | Creative Director |
| Art | Heather Brooks | Set Decoration Buyer |
| Camera | Michael Dymock | Second Assistant Camera |
| Visual Effects | Vincent Burt | Digital Compositor |
| Visual Effects | Craig Crawford | Visual Effects Supervisor |
| Production | Wendy Longeway | First Assistant Accountant |
| Costume & Make-Up | Danielle Hanson | First Assistant Makeup Artist |
| Costume & Make-Up | Yvonne Cox | Special Effects Makeup Artist |
| Sound | Davi Aquino | Foley Recordist |
| Sound | Lee Salevan | Sound Effects Editor |
| Visual Effects | Mike C. Pare | Digital Compositor |
| Visual Effects | Mitch Campbell | Visual Effects Producer |
| Camera | Luke Towers | First Assistant Camera |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Chris Chae | Assistant Sound Editor |
| Sound | Jack Heeren | Foley Mixer |
| Art | Chris John Jones | Creative Director |
| Directing | Sandi Cameron | Script Supervisor |
| Camera | Carey Toner | "A" Camera Operator |
| Lighting | Martin Keough | Gaffer |
| Costume & Make-Up | Laura De Moissac | Hair Department Head |
| Production | Linda Rogers-Ambury | Production Manager |
| Art | Ty Semaka | Graphic Designer |
| Art | Stacey Gooch | Set Dresser |
| Costume & Make-Up | Michael Devanney | First Assistant Hairstylist |
| Costume & Make-Up | David Trainor | Makeup Effects Designer |
| Art | Tom Johnson | Paint Coordinator |
| Camera | Craig Jewell | First Assistant "A" Camera |
| Costume & Make-Up | Devora Brown | Truck Supervisor |
| Crew | David Eschrich | CG Supervisor |
| Camera | Kyle Curran | Grip |
| Lighting | Gordon Schmidt | Rigging Gaffer |
| Sound | Jeffrey Murias | Boom Operator |
| Visual Effects | John Dimare | VFX Editor |
| Production | Dann Fink | ADR Voice Casting |
| Art | Dawn-Anne Coulson | Construction Buyer |
| Camera | Gary Winter | Grip |
| Lighting | Connor Couzens | Lighting Technician |
| Sound | Wyatt Sprague | Sound Effects Editor |
| Visual Effects | Rebecca Manning | 2D Supervisor |
| Directing | Chris Cinnamon | Second Assistant Director |
| Costume & Make-Up | Samantha J. Rumball | Makeup Department Head |
| Camera | Tyler Jinx Moore | Dolly Grip |
| Camera | Kimberly French | Still Photographer |
| Sound | Kristin Catuogno | ADR Recordist |
| Art | Cory Wills | Assistant Property Master |
| Production | Barbara Unrau | Payroll Accountant |
| Costume & Make-Up | Mario Michisanti | Makeup & Hair |
| Camera | Carey Toner | Steadicam Operator |
| Sound | Jac Rubenstein | ADR Supervisor |
| Visual Effects | Evander Major | Digital Compositor |
| Camera | Tim Milligan | "B" Camera Operator |
| Visual Effects | Travis Pinsonnault | CG Artist |
| Visual Effects | David J. Gutierrez | Digital Compositor |
| Visual Effects | Ken Bitz | Visual Effects Supervisor |
| Visual Effects | Bilali Mack | Visual Effects Supervisor |
| Visual Effects | John Grimaldi Jr. | Digital Compositor |
| Production | Bruce Winant | ADR Voice Casting |
| Sound | Paul Urmson | Sound Re-Recording Mixer |
| Visual Effects | Kristen Drosinos | Pipeline Technical Director |
| Production | Harrison Nesbit | Casting Associate |
| Art | Randall Balsmeyer | Title Designer |
| Art | Nathan Blackie | Assistant Art Director |
| Costume & Make-Up | Michelle Carr | Assistant Costume Designer |
| Visual Effects | Nathan Overstrom | VFX Supervisor |
| Visual Effects | Paul Chambers | VFX Artist |
| Production | Chantel Clark | Casting Assistant |
| Production | Mara Stevens | Extras Casting Assistant |
| Production | Colleen Hiltz | Production Coordinator |
| Costume & Make-Up | Terry Pitts | Costume Illustrator |
| Sound | Michael Playfair | Production Sound Mixer |
| Sound | Valerie Siu | Sound Assistant |
| Sound | Paul Urmson | Supervising Sound Editor |
| Production | Curtis Cripps | Extras Casting |
| Visual Effects | James Michael Miller | Visual Effects Producer |
| Production | Steve Tsang | Extras Casting Assistant |
| Art | Ken Wills | Property Master |
| Art | Evan Spence | Set Designer |
| Sound | Kevin Schultz | Foley Mixer |
| Visual Effects | Jeremy Beadell | Visual Effects Producer |
| Crew | Steven McMichael | Stunt Coordinator |
| Sound | Stephen M. Davis | Music Editor |
| Production | Tiffany Tiesiera | Production Executive |
| Production | Randy Hutchings | Extras Casting Assistant |
| Sound | Igor Nikolic | Foley Editor |
| Visual Effects | Aaron Chiesa | VFX Artist |
| Production | Sarah Ellis | Production Assistant |
| Writing | Thomas Bezucha | Writer |
| Crew | Sally Bishop | Stunt Double |
| Directing | Thomas Bezucha | Director |
| Production | Kevin Costner | Executive Producer |
| Production | Kimi Armstrong Stein | Executive Producer |
| Writing | Larry Watson | Novel |
| Production | Jeffrey Lampert | Executive Producer |
| Production | Thomas Bezucha | Producer |
| Art | Cathy Cowan | Art Direction |
| Costume & Make-Up | Carol Case | Costume Design |
| Art | Amber Humphries | Set Decoration |
| Camera | Guy Godfree | Director of Photography |
| Art | Trevor Smith | Production Design |
| Production | Avy Kaufman | Casting Director |
| Production | Josh McLaughlin | Executive Producer |
| Production | Paula Mazur | Producer |
| Production | Mitchell Kaplan | Producer |
| Editing | Meg Reticker | Editor |
| Sound | Michael Giacchino | Original Music Composer |
| Editing | Jeffrey Ford | Editor |
