Vier studenten reizen naar Fort Lauderdale voor hun paasweek van de voorjaarsvakantie en raken betrokken bij een reeks avonturen en tegenslagen.
Nee, helaas is Where the Boys Are nog niet beschikbaar op Netflix in Nederland.
| Directing | Hy Averback | Director |
| Camera | James A. Contner | Director of Photography |
| Production | Allan Carr | Producer |
| Production | Terence A. Donnelly | Executive Producer |
| Production | Jeff Apple | Executive Producer |
| Production | Denis Pregnolato | Associate Producer |
| Sound | Sylvester Levay | Original Music Composer |
| Editing | Bobbie Shapiro | Editor |
| Editing | Melvin Shapiro | Editor |
| Production | Joe Reich | Casting |
| Sound | Sylvester Levay | Conductor |
| Art | Michael Baugh | Production Design |
| Costume & Make-Up | Bobbie To | Costume Design |
| Directing | Maximilian Bing | First Assistant Director |
| Art | O.C. Whiddon | Construction Foreman |
| Production | Judy Thomason | Assistant Production Coordinator |
| Crew | J.B. Jones | Special Effects |
| Sound | Jack Kirschner | Sound Editor |
| Sound | Chester Slomka | Sound Editor |
| Sound | David J. Hudson | Sound Re-Recording Mixer |
| Crew | M. James Arnett | Stunt Coordinator |
| Production | Mimi Stacey | Production Coordinator |
| Production | Howard P. Alston | Executive In Charge Of Production |
| Production | Terence A. Donnelly | Unit Production Manager |
| Camera | Bert Bertolami | Best Boy Grip |
| Art | Gabriel C. Ell | Construction Coordinator |
| Costume & Make-Up | Mary Lou Byrd | Costumer |
| Sound | Ray West | Sound Re-Recording Mixer |
| Crew | M. James Arnett | Stunt Double |
| Lighting | Walter G. Morris Jr. | Gaffer |
| Art | George Fidler | Assistant Property Master |
| Directing | John Syrjamaki | Second Assistant Director |
| Costume & Make-Up | Verne Caruso | Hairstylist |
| Production | Beverly McDermott | Casting |
| Crew | Alex Edlin | Stunts |
| Crew | Artie Malesci | Stunts |
| Camera | Ron Phillips | Still Photographer |
| Crew | Bill Rogers | Transportation Captain |
| Crew | William Foster | Transportation Co-Captain |
| Lighting | Norman Zuckerman | Best Boy Electric |
| Costume & Make-Up | Linda Benedict | Costumer |
| Sound | Robert W. Glass Jr. | Sound Re-Recording Mixer |
| Crew | Courtney Brown | Stunts |
| Production | Lynn Latham | Casting Coordinator |
| Sound | Edward Malone | Music Editor |
| Sound | Denis Pregnolato | Music Supervisor |
| Crew | Tony Stevens | Choreographer |
| Costume & Make-Up | Marla Schlom | Costume Coordinator |
| Camera | Jack Lee Gary | Second Assistant Camera |
| Sound | David Schneiderman | Production Sound Mixer |
| Production | Jeffrey W. Stacey | Location Manager |
| Sound | William L. Stevenson | Supervising Sound Editor |
| Sound | Ronaye Boyle | Assistant Sound Editor |
| Crew | Kelly Browning | Stunts |
| Camera | Michael McGowan | Camera Operator |
| Art | Don K. Ivey | Set Decoration |
| Art | Tom Cocheo | Property Master |
| Costume & Make-Up | Elizabeth Lambert | Makeup Artist |
| Costume & Make-Up | Marla Schlom | Costume Supervisor |
| Camera | Ed Knott Jr. | Key Grip |
| Crew | James Potter | Post Production Supervisor |
| Sound | William Saracino | Supervising Music Editor |
| Crew | Betty Raymond | Stunt Double |
| Camera | William D. Barber | First Assistant Camera |
| Sound | Don Merritt | Boom Operator |
| Directing | James M. Freitag | Second Assistant Director |
| Directing | Susana Preston | Script Supervisor |
| Production | Deborah Brass | Assistant Production Coordinator |
| Sound | Andy D'Addario | Scoring Mixer |
| Writing | Jeff Burkhart | Screenplay |
| Writing | Glendon Swarthout | Novel |
| Writing | Stu Krieger | Screenplay |
