1902, Baltimore. De ouders van George Herman 'Babe' Ruth vinden hem onbeheersbaar en sturen hem naar een tehuis. The 'Babe' ontdekt zijn talent voor problemen en honkbal, vooral het slaan van home-runs.
Nee, helaas is The Babe nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | E. Thomas Case | Key Makeup Artist |
| Sound | Michele Perrone | ADR Editor |
| Production | Erica Hiller | Associate Producer |
| Art | Tony Gardner | Special Props |
| Sound | Steve Schwalbe | Foley Editor |
| Sound | Shawn Sykora | Foley Editor |
| Art | Karen Fletcher Trujillo | Set Designer |
| Art | J. Christopher Phillips | Set Designer |
| Sound | Katie Rowe | Foley Artist |
| Costume & Make-Up | Kevin Haney | Makeup Artist |
| Art | Michael Merritt | Set Designer |
| Sound | Anthony Milch | Sound Editor |
| Sound | Mary Ruth Smith | Sound Editor |
| Production | Jim Van Wyck | Co-Producer |
| Sound | John Leveque | Supervising Sound Editor |
| Crew | John D. Milinac | Special Effects Coordinator |
| Production | Bill Finnegan | Executive Producer |
| Sound | Mary Jo Lang | Foley Mixer |
| Sound | Rocky Moriana Jr. | Sound Editor |
| Sound | James S. Stewart | Sound Recordist |
| Sound | Richard E. Yawn | Sound Editor |
| Costume & Make-Up | Deborah K. Dee | Key Hair Stylist |
| Costume & Make-Up | Werner Sherer | Hair Supervisor |
| Production | Samuel W. Gailey | Art Department Production Assistant |
| Sound | Hector C. Gika | Sound Editor |
| Sound | John Kwiatkowski | Sound Editor |
| Sound | Steve Richardson | Sound Editor |
| Production | Walter Coblenz | Executive Producer |
| Art | Linda Buchanan | Set Designer |
| Sound | Bruce Stambler | Supervising Sound Editor |
| Sound | Dennis Maitland | Production Sound Mixer |
| Sound | Carolyn Tapp | Foley Recordist |
| Art | Peter Bankins | Property Master |
| Sound | Larry Carow | Sound Editor |
| Sound | Todd Egan | Assistant Sound Editor |
| Sound | Holly Huckins | ADR Editor |
| Costume & Make-Up | Jamie Sue Weiss | Makeup Artist |
| Sound | Richard Burton | Sound Editor |
| Sound | Rickley W. Dumm | Assistant Sound Editor |
| Costume & Make-Up | Art Anthony | Key Makeup Artist |
| Sound | Leslie Gaulin | Foley Editor |
| Sound | John Roesch | Foley Artist |
| Visual Effects | Chuck Comisky | Visual Effects Supervisor |
| Sound | Stu Bernstein | Sound Editor |
| Sound | Marilyn Graf | Foley Recordist |
| Visual Effects | Michele Ferrone | Visual Effects Producer |
| Sound | Glenn Hoskinson | Sound Editor |
| Sound | Donald L. Warner Jr. | Sound Editor |
| Sound | Robert Bradshaw | Sound Editor |
| Directing | Arthur Hiller | Director |
| Production | John Fusco | Producer |
| Crew | G.A. Aguilar | Stunts |
| Writing | John Fusco | Screenplay |
| Art | James Dowell Vance | Production Design |
| Editing | Robert C. Jones | Editor |
| Art | Gary Baugh | Art Direction |
| Costume & Make-Up | April Ferry | Costume Design |
| Production | Valerie McCaffrey | Casting |
| Production | Nancy Nayor | Casting |
| Camera | Haskell Wexler | Director of Photography |
| Art | Leslie Bloom | Set Decoration |
| Costume & Make-Up | Werner Sherer | Hairstylist |
| Sound | Elmer Bernstein | Original Music Composer |
| Camera | John S. Robertson | Key Grip |
| Crew | Linda Perlin | Stunts |
