De soldaat Joseph Piller, lid van het Nederlands verzet, doet in de nasleep van de Tweede Wereldoorlog onderzoek naar de befaamde Nederlandse kunstenaar Han van Meegeren. Deze wordt beschuldigd van collaboratie met de nazi's. Piller is overtuigd van zijn onschuld en wil hem helpen, maar stuit op diens mysterieuze verleden.
Nee, helaas is The Last Vermeer nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Doone Forsyth | Makeup Artist |
| Costume & Make-Up | Doone Forsyth | Hairstylist |
| Costume & Make-Up | Marjon Hoogendoorn | Makeup Artist |
| Costume & Make-Up | Chris Lyons | Makeup Artist |
| Costume & Make-Up | Eva Marieges Moore | Makeup Artist |
| Costume & Make-Up | Sara Meerman | Makeup Artist |
| Costume & Make-Up | Leendert van Nimwegen | Hairstylist |
| Production | Kate Ringsell | Casting |
| Art | Arthur Max | Art Direction |
| Art | Fabrice Spelta | Art Direction |
| Sound | Lilly Blazewicz | Foley Editor |
| Sound | Peter Burgis | Foley Artist |
| Sound | Zoe Freed | Foley Artist |
| Sound | Glen Gathard | Foley Mixer |
| Sound | Rebecca Heathcote | Foley Artist |
| Sound | Julien Paschal | Sound Re-Recording Mixer |
| Sound | Jemma Riley-Tolch | Foley Mixer |
| Production | Dan Friedkin | Producer |
| Directing | Dan Friedkin | Director |
| Production | Sabine Brian | Producer |
| Production | Elwin Looije | Line Producer |
| Production | Richard Goodwin | Co-Producer |
| Art | Anthony Caron-Delion | Art Direction |
| Directing | Richard Goodwin | First Assistant Director |
| Sound | Johan Söderqvist | Original Music Composer |
| Costume & Make-Up | Guy Speranza | Costume Designer |
| Editing | Victoria Boydell | Editor |
| Art | Arthur Max | Production Design |
| Camera | Remi Adefarasin | Director of Photography |
| Production | Ridley Scott | Executive Producer |
| Production | Peter Heslop | Executive Producer |
| Production | Gino Falsetto | Executive Producer |
| Production | Ryan Friedkin | Producer |
| Production | Bradley Thomas | Producer |
| Writing | Jonathan Lopez | Book |
| Writing | John Orloff | Screenplay |
| Writing | Mark Fergus | Screenplay |
| Writing | Hawk Ostby | Screenplay |
| Art | Judy Farr | Set Decoration |
| Sound | Paul Carter | Sound Designer |
| Sound | Duncan Craig | Boom Operator |
| Sound | Peter Polak | Boom Operator |
| Sound | Danny Sheehan | Supervising Sound Editor |
| Sound | Hugh Sherlock | Boom Operator |
| Sound | Andrew Stirk | Sound Re-Recording Mixer |
| Sound | Rob Turner | Sound Effects Editor |
| Crew | Aidan Brindle | Stunts |
