Superman stemt ermee in zijn krachten op te offeren om een relatie met Lois Lane te beginnen, niet wetende dat drie Kryptonische criminelen die hij per ongeluk heeft vrijgelaten de aarde veroveren.
Nee, helaas is Superman II: The Richard Donner Cut nog niet beschikbaar op Netflix in Nederland.
| Directing | David Tomblin | Second Unit Director |
| Directing | Richard Donner | Director |
| Costume & Make-Up | Stuart Freeborn | Makeup Artist |
| Writing | Joe Shuster | Characters |
| Art | Ernest Archer | Art Direction |
| Camera | Geoffrey Unsworth | Director of Photography |
| Sound | Jay Duerr | Music Editor |
| Production | Ilya Salkind | Executive Producer |
| Sound | Kelly Cabral | Supervising Sound Editor |
| Sound | Ai-Ling Lee | Sound Effects Editor |
| Writing | David Newman | Screenplay |
| Art | Maurice Fowler | Supervising Art Director |
| Camera | Chic Waterson | Camera Operator |
| Editing | John Victor-Smith | Editor |
| Visual Effects | Chad Buehler | Digital Compositor |
| Visual Effects | Cyntia Büll | Digital Compositor |
| Camera | Peter MacDonald | Camera Operator |
| Visual Effects | Zoran Perisic | Special Effects Supervisor |
| Sound | Cameron Frankley | Sound Designer |
| Sound | Troy Porter | ADR Mixer |
| Sound | Edward Steidele | Foley Artist |
| Production | Douglas Noakes | Production Accountant |
| Camera | David Garfath | Camera Operator |
| Camera | John Harris | Camera Operator |
| Editing | Stuart Baird | Editor |
| Visual Effects | Colin Chilvers | Special Effects Supervisor |
| Sound | John Williams | Original Music Composer |
| Visual Effects | Lloyd Lee Barnett | Digital Compositor |
| Art | John Barry | Production Design |
| Camera | David Wynn-Jones | First Assistant Camera |
| Sound | Jerry Trent | Foley Artist |
| Production | Pierre Spengler | Producer |
| Art | Peter Young | Set Decoration |
| Camera | Freddie Cooper | Camera Operator |
| Costume & Make-Up | Sue Yelland | Costume Design |
| Sound | Tim LeBlanc | Other |
| Sound | Jon Michaels | Assistant Sound Editor |
| Crew | Ken Thorne | Additional Music |
| Production | Lynn Stalmaster | Casting |
| Production | Robert Simmonds | Production Manager |
| Production | Derek Hoffman | Co-Producer |
| Art | Norman Reynolds | Art Direction |
| Camera | Robert Paynter | Director of Photography |
| Camera | Denys N. Coop | Other |
| Camera | Paul Wilson | Other |
| Crew | Tom Mankiewicz | Creative Consultant |
| Sound | Melissa A. Corns | Assistant Sound Editor |
| Visual Effects | Derek Bird | Digital Compositor |
| Production | Maria Monreal | Other |
| Production | Tim Hampton | Production Supervisor |
| Production | Charles F. Greenlaw | Associate Producer |
| Art | Peter Murton | Production Design |
| Writing | Mario Puzo | Story |
| Production | Vincent Winter | Production Manager |
| Production | Allan James | Unit Manager |
| Art | Charles Bishop | Art Direction |
| Camera | Ginger Gemmel | Camera Operator |
| Sound | Gregory H. Watkins | Other |
| Editing | Michael Thau | Editor |
| Visual Effects | Adam Avitabile | Visual Effects |
| Writing | Leslie Newman | Screenplay |
| Production | Michele Tandy | Assistant Accountant |
| Production | Debbie McWilliams | Casting |
| Camera | David Wynn-Jones | Focus Puller |
| Costume & Make-Up | Yvonne Blake | Costume Design |
| Sound | Eric Tomlinson | Music Sound Design and Processing |
| Lighting | Maurice Gillett | Gaffer |
| Writing | Jerry Siegel | Characters |
| Writing | Mario Puzo | Screenplay |
| Production | Frans J. Afman | Finance |
| Art | Peter Howitt | Set Decoration |
| Visual Effects | Roy Field | Visual Effects Supervisor |
| Visual Effects | Jenny Foster | Visual Effects Producer |
| Production | Geoffrey Helman | Production Manager |
| Production | Cecil F. Ford | Production Supervisor |
| Art | Terry Ackland-Snow | Art Direction |
| Camera | John Morgan | Camera Operator |
| Sound | Randy Kelley | Sound Effects Editor |
| Sound | Chris Trent | Foley Mixer |
| Visual Effects | Mark Driscoll | Visual Effects Producer |
| Production | Michael Thau | Producer |
| Visual Effects | Cornelia Magas | Digital Compositor |
| Visual Effects | Christopher Ivins | Compositing Artist |
| Visual Effects | Michael Kennen | Digital Compositor |
| Production | Michael Crawford | Executive In Charge Of Production |
| Directing | Andy Armstrong | Second Unit Director |
| Visual Effects | Anthony 'Max' Ivins | Visual Effects Supervisor |
| Editing | Christine Dougherty | Digital Intermediate Producer |
| Visual Effects | Rob Ozaeta | Visual Effects |
| Crew | Kurt Bryant | Stunts |
| Crew | Danny S. Kim | Visual Effects Art Director |
| Crew | Marc Fisher | Editorial Staff |
| Visual Effects | Clay Sparks | Visual Effects |
| Crew | Barbara Anne Klein | Stunt Double |
| Crew | Barbara Anne Klein | Stunt Coordinator |
| Art | Denis Rich | Storyboard Artist |
| Visual Effects | Michael Collins | Digital Compositor |
| Visual Effects | Anthony Racco | Matte Painter |
| Visual Effects | Gabriel Sánchez | Visual Effects |
| Visual Effects | Michael Kaelin | Digital Compositor |
| Visual Effects | Kevin R. Browne | Visual Effects |
| Crew | Brian Christensen | Stunts |
| Visual Effects | Rebecca Ramsey | Visual Effects Producer |
| Visual Effects | Felix Ojeda | Digital Compositor |
