De Amerikaanse regering is bereid om elk land te helpen met hun drugsprobleem door de hulp van hun leger in te schakelen. De grote drugsbaronnen hebben al snel door dat ze voor wat geld de uitstekende luchtgevechtspiloten kunnen inhuren die voor hun drugs vervoeren. Het leger besluit om zijn beste mannen erop uit te sturen om het drugsbeleid aan te pakken.
Nee, helaas is Fire Birds nog niet beschikbaar op Netflix in Nederland.
| Camera | Tony Imi | Director of Photography |
| Sound | David Newman | Original Music Composer |
| Directing | David Green | Director |
| Production | Bill Badalato | Producer |
| Editing | Norman Buckley | Editor |
| Crew | Donna Evans | Stunts |
| Production | Maria Norman | Producer's Assistant |
| Sound | Peter Afterman | Music Supervisor |
| Production | Valorie Massalas | Casting |
| Production | Mike Fenton | Casting |
| Production | John K. Swensson | Co-Producer |
| Costume & Make-Up | Ellis Cohen | Costume Design |
| Production | Dale Dye | Co-Producer |
| Production | Judy Taylor | Casting |
| Production | Susan Zwerman | Unit Production Manager |
| Editing | Jon Poll | Editor |
| Production | Keith Barish | Executive Producer |
| Writing | Step Tyner | Story |
| Art | Pat Tagliaferro | Art Direction |
| Art | Rick Galbraith | Construction Foreman |
| Crew | David Menapace | Transportation Coordinator |
| Sound | Samuel C. Crutcher | Sound Editor |
| Sound | R.J. Kizer | Sound Editor |
| Directing | Matt Earl Beesley | First Assistant Director |
| Directing | Marilyn Bailey | Script Supervisor |
| Art | Joseph T. Garrity | Production Design |
| Camera | John Ward | Camera Operator |
| Editing | Dennis M. O'Connor | Editor |
| Costume & Make-Up | Karoly Balazs | Hairstylist |
| Production | Brad Arensman | Executive In Charge Of Post Production |
| Crew | Dennis Madalone | Stunt Coordinator |
| Art | Jerie Kelter | Set Decoration |
| Writing | Paul F. Edwards | Screenplay |
| Production | Barbara Harris | ADR Voice Casting |
| Art | Neal Thompson | Title Designer |
| Writing | Dale Dye | Story |
| Costume & Make-Up | Wade Daily | Assistant Hairstylist |
| Production | Harriet Katz-Stevens | Production Accountant |
| Sound | Stuart Chasmar | Sound Editor |
| Directing | Jeffrey Wetzel | Second Assistant Director |
| Camera | Logan R. Berkshire | Best Boy Grip |
| Production | Brian O. Haynes | Location Manager |
| Production | Arnold Kopelson | Executive Producer |
| Sound | Jeremy J. Gordon | Sound Editor |
| Sound | Sherman Waze | Sound Editor |
| Editing | Greg Hayden | Associate Editor |
| Crew | Mike Menzel | Special Effects Coordinator |
| Crew | Kimberley Coy | Unit Publicist |
| Art | Robert Lucas | Leadman |
| Art | Bill Rea | Set Designer |
| Sound | Tom C. McCarthy | Supervising Sound Editor |
| Sound | Victor B. Lackey | Sound Editor |
| Sound | Barry Rubinow | Sound Editor |
| Art | Ken Deubel III | Painter |
| Costume & Make-Up | Fríða Aradóttir | Hairstylist |
| Sound | John O. Wilde | Sound Editor |
| Camera | Gene Poole | Key Grip |
| Sound | Fred Judkins | Supervising Sound Editor |
| Art | Debi Shirk Tagliaferro | Art Department Coordinator |
| Costume & Make-Up | Michael Hancock | Makeup Artist |
| Costume & Make-Up | Wade Daily | Assistant Makeup Artist |
| Sound | J.H. Arrufat | Sound Editor |
| Sound | Golden Felton | Sound Editor |
| Writing | Nick Thiel | Screenplay |
| Art | Philip A. Margraff | Construction Coordinator |
| Sound | Stu Bernstein | Sound Editor |
| Sound | Gary Krivacek | Sound Editor |
| Writing | John K. Swensson | Story |
| Camera | John Ward | Steadicam Operator |
| Sound | Doug Jackson | Sound Editor |
