Verhaal over de wereldwijde financiële crisis die startte in 2008 en hoe enkele van de hoofdpersonen in de kleine cirkel van invloedrijke politici, bankiers en speculanten in enkele weken moesten beslissen over de toekomst van de wereldeconomie. Centraal staat de Amerikaanse Minister van Financiën Henry Paulson, die als spil fungeert in de symbiotische relatie tussen Wall Street en Washington.
Nee, helaas is Too Big to Fail nog niet beschikbaar op Netflix in Nederland.
| Writing | Peter Gould | Screenplay |
| Directing | Curtis Hanson | Director |
| Production | Andrew Ross Sorkin | Co-Producer |
| Editing | Barbara Tulliver | Editor |
| Production | Carol Fenelon | Co-Executive Producer |
| Crew | Chad Tomasoski | Post Production Supervisor |
| Art | Cody Shaw | Title Designer |
| Costume & Make-Up | Cheryl Kilbourne-Kimpton | Wardrobe Supervisor |
| Editing | David O. Rogers | Assistant Editor |
| Camera | Kramer Morgenthau | Director of Photography |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Sound | Michael Kirchberger | Dialogue Editor |
| Production | Peter Gould | Co-Producer |
| Writing | Andrew Ross Sorkin | Author |
| Sound | David A. Cohen | Dialogue Editor |
| Editing | Christine Kim | Assistant Editor |
| Costume & Make-Up | Amanda Miller | Wigmaker |
| Editing | Plummy Tucker | Editor |
| Costume & Make-Up | Tania Ribalow | Key Makeup Artist |
| Directing | Holly Unterberger | Script Supervisor |
| Production | Ezra Swerdlow | Producer |
| Costume & Make-Up | Lisa Hazell | Hairstylist |
| Art | Bob Shaw | Production Design |
| Art | Carol Silverman | Set Decoration |
| Visual Effects | Sheila Giroux | Visual Effects Producer |
| Sound | Johnny Caruso | Music Editor |
| Directing | Veronique Lee | Script Coordinator |
| Sound | Chris Gridley | Supervising Sound Editor |
| Production | Shawn Petersen | Post Production Coordinator |
| Crew | Kenneth Rogoff | Thanks |
| Costume & Make-Up | Melissa Toth | Costume Designer |
| Sound | Mark Baechle | Orchestrator |
| Directing | Julie A. Bloom | First Assistant Director |
| Sound | Chris Jenkins | Sound Re-Recording Mixer |
| Sound | Roy Waldspurger | Sound Designer |
| Editing | Sarah Jean Porter | First Assistant Editor |
| Costume & Make-Up | Kat Drazen | Key Hair Stylist |
| Art | Pierre Rovira | Construction Coordinator |
| Art | Katya Blumenberg | Assistant Art Director |
| Production | Paula Weinstein | Executive Producer |
| Production | Jeff Levine | Executive Producer |
| Sound | James Sabat | Sound Mixer |
| Editing | Craig Hayes | First Assistant Editor |
| Sound | Chris Fogel | Scoring Mixer |
| Production | Alexa L. Fogel | Casting |
| Crew | Sarah Connors | Post Production Supervisor |
| Sound | Bob Beemer | Sound Re-Recording Mixer |
| Visual Effects | Elizabeth Alvarez | Visual Effects Coordinator |
| Production | Sam Black | Researcher |
| Costume & Make-Up | Nicki Ledermann | Makeup Department Head |
| Visual Effects | Andrew Orloff | Visual Effects Supervisor |
| Production | Jason Farrar | Location Manager |
| Sound | Evyen Klean | Music Supervisor |
| Directing | Greg Gilman | Second Assistant Director |
| Costume & Make-Up | Michael Kriston | Hair Department Head |
| Editing | Rick Derby | Assistant Editor |
| Production | Curtis Hanson | Executive Producer |
| Costume & Make-Up | Cassandra Saulter | Makeup Artist |
| Visual Effects | Chris Wright | Visual Effects Producer |
| Sound | Marcelo Zarvos | Original Music Composer |
| Crew | Chad Tyler | Stand In |
