Om de verschrikkingen van elke dag in een mobiel veldhospitaal (Mobile Army Surgical Hospital) tijdens de oorlog in Korea het hoofd te kunnen bieden, ontwikkelen een aantal legerartsen een krankzinnige levensstijl. Ondanks hun hoge opleiding en enorme toewijding, is dit eerbiedloze stel dwazen evenzeer bedreven in het verstoren van de bureaucratie van het leger als het redden van levens.
Nee, helaas is M*A*S*H nog niet beschikbaar op Netflix in Nederland.
| Directing | Robert Altman | Director |
| Writing | Ring Lardner, Jr. | Screenplay |
| Production | Ingo Preminger | Producer |
| Sound | Johnny Mandel | Original Music Composer |
| Camera | Harold E. Stine | Director of Photography |
| Editing | Danford B. Greene | Editor |
| Art | Arthur Lonergan | Art Direction |
| Art | Jack Martin Smith | Art Direction |
| Art | Stuart A. Reiss | Set Decoration |
| Art | Walter M. Scott | Set Decoration |
| Production | Norman A. Cook | Unit Production Manager |
| Writing | Richard Hooker | Novel |
| Crew | Eddie Hice | Stunts |
| Sound | Herbert W. Spencer | Orchestrator |
| Visual Effects | L.B. Abbott | Visual Effects |
| Visual Effects | Art Cruickshank | Visual Effects |
| Production | Leon Ericksen | Associate Producer |
| Costume & Make-Up | Daniel C. Striepeke | Makeup Supervisor |
| Costume & Make-Up | Les Berns | Makeup Artist |
| Costume & Make-Up | Edith Lindon | Hairstylist |
| Art | Michael Friedman | Art Direction |
| Costume & Make-Up | Gerry Leetch | Hairstylist |
| Directing | Ray Taylor Jr. | Assistant Director |
| Art | Sidney H. Greenwood | Property Master |
| Art | Robert Lombardi | Greensman |
| Sound | Bernard Freericks | Sound |
| Sound | John D. Stack | Sound |
| Sound | Arthur Cornell | Sound Effects Editor |
| Sound | David Dockendorf | Sound Re-Recording Mixer |
| Sound | Don Hall | Supervising Sound Effects Editor |
| Sound | John Jolliffe | Sound Effects Editor |
| Sound | Don MacDougall | Sound Re-Recording Mixer |
| Sound | Billie Owens | Sound Effects Editor |
| Sound | David Sachs | Sound Effects Editor |
| Crew | Corril Harris | Special Effects |
| Crew | Greg C. Jensen | Special Effects |
| Crew | Hal Millar | Special Effects |
| Crew | Joe Amsler | Stunts |
| Crew | John Ashby | Stunts |
| Crew | John Forsyth | Stunts |
| Crew | Jimmy Nickerson | Stunts |
| Crew | Eddie Smith | Stunts |
| Crew | Ron Stein | Stunts |
| Crew | Greg Walker | Stunts |
| Crew | Rock A. Walker | Stunts |
| Camera | Robert W. Full | Still Photographer |
| Camera | Harry R. Jones | First Company Grip |
| Camera | Paul Koons | Assistant Camera |
| Lighting | Ross A. Maehl | Gaffer |
| Camera | G. Austin Sanders | Second Assistant Camera |
| Camera | Lew Swartz | Camera Operator |
| Costume & Make-Up | Robert Fuca | Costume Assistant |
| Costume & Make-Up | John Intlekofer | Costumer |
| Costume & Make-Up | Mary Tate | Wardrobe Master |
| Costume & Make-Up | Wesley Trist | Wardrobe Master |
| Costume & Make-Up | Diana Wilson | Costume Designer |
| Sound | Mayuto Correa | Musician |
| Sound | Leonard A. Engel | Supervising Music Editor |
| Sound | Sam E. Levin | Music Editor |
| Sound | Johnny Mandel | Music Producer |
| Directing | Lester Hoyle | Script Supervisor |
| Crew | Steve Bonner | Driver |
| Crew | Chris Haynes | Driver |
| Crew | Jim Martell | Transportation Coordinator |
