Het bestaan van Sydney Carpenter stort in als zowel haar man als haar zoon om het leven komen bij een bootongeluk. Als ze later thuiskomt, ontdekt ze tot haar schrik dat er bij haar ingebroken is, en alles overhoop is gehaald. Detective Jim Sanders concludeert al snel dat het het werk van professionals moet zijn geweest, maar er lijkt niets gestolen. Als Sydney vervolgens ontdekt dat haar man vlak voor het ongeluk een grote som geld had opgenomen - geld dat nu onvindbaar is, waardoor zij vrijwel blut achterblijft - neemt de zaak steeds vreemdere vormen aan. Ze besluit opnieuw contact op te nemen met Sanders, om uit te zoeken wat de toedracht van het ongeluk was.
Nee, helaas is To Love, Honor and Deceive nog niet beschikbaar op Netflix in Nederland.
| Sound | Brian Adler | Original Music Composer |
| Production | Kimberly Rubin | Executive Producer |
| Production | Robert Greenwald | Executive Producer |
| Art | Diane Hughes | Production Design |
| Directing | Michael W. Watkins | Director |
| Production | Michael W. Stroud | Co-Producer |
| Writing | David Rosenfelt | Screenplay |
| Camera | Michael D. O'Shea | Director of Photography |
| Editing | Peter B. Ellis | Editor |
| Production | Patricia Saphier | Associate Producer |
| Directing | Marty Elcan | First Assistant Director |
| Production | Mary Jo Slater | Casting |
| Directing | Tony Schwartz | Second Assistant Director |
| Production | Philip K. Kleinbart | Production Manager |
| Production | Philip K. Kleinbart | Producer |
| Costume & Make-Up | Christine Peters | Costume Designer |
| Production | John A. Aiello | Casting |
| Production | David Rosenfelt | Associate Producer |
| Art | Summer Eubanks | Set Decoration |
| Art | Leonard R. Spears | Leadman |
| Art | Jim Gloster | Leadman |
| Costume & Make-Up | Shannon M. Brice | On Set Dresser |
| Art | Ivi Bilich | Property Master |
| Art | Chuck Bludsworth | Assistant Property Master |
| Costume & Make-Up | Don Malot | Key Makeup Artist |
| Costume & Make-Up | Rita Parillo | Key Hair Stylist |
| Camera | Erin-Bruce Cook | First Assistant Camera |
| Camera | Robert Schierer | Second Assistant Camera |
| Lighting | Jack S. Schlosser | Gaffer |
| Lighting | Barry Daniels | Best Boy Electric |
| Camera | Joseph 'Bruno' Pelle | Key Grip |
| Camera | Michael Crimi | Best Boy Grip |
| Camera | Derek Miller | Dolly Grip |
| Sound | Don Summer | Sound Mixer |
| Sound | Bryant Grizzell | Boom Operator |
| Directing | Christine Moore | Script Supervisor |
| Production | Sue Liberman | Extras Casting Coordinator |
| Costume & Make-Up | Mellissa Berry | Costume Supervisor |
| Costume & Make-Up | Mindy Gantt Bass | Costumer |
| Production | Wendy Fishman | Location Manager |
| Production | Carol Ann Thomas | Production Coordinator |
| Production | Tiffany Becker | Assistant Production Coordinator |
| Crew | Al Hamilton | Transportation Coordinator |
| Production | Maggie Means | Production Accountant |
| Crew | Mike Bivens | Special Effects Coordinator |
| Crew | Brad Gordon | Post Production Supervisor |
| Editing | Steven Lang | Assistant Editor |
| Production | Wes Johnson | Executive Assistant |
| Production | Lily Takanashi | Producer's Assistant |
| Production | Elizabeth Missan Yost | Location Coordinator |
| Production | Diane Freeman | Executive Assistant |
| Production | Scott Donovan | Executive Assistant |
| Production | Ron Greenstein | Executive Assistant |
| Sound | Al Decker | Supervising Sound Editor |
| Sound | Mark Linden | Supervising Sound Editor |
| Sound | Ruth Bird | Music Editor |
| Costume & Make-Up | Herita Jones | Key Makeup Artist |
