Hij was waar hij niet moest zijn en hij zag wat hij niet had mogen zien. En wie gelooft er nu een professionele dief en ex-gevangene? Wie vertrouwt Luther Whitney als hij zegt dat hij een vrouw vermoord zag worden en dat de man die voor haar dood verantwoordelijk is de President van de Verenigde Staten is?
Nee, helaas is Absolute Power nog niet beschikbaar op Netflix in Nederland.
| Production | Clint Eastwood | Producer |
| Sound | Lennie Niehaus | Original Music Composer |
| Editing | Joel Cox | Editor |
| Writing | William Goldman | Screenplay |
| Sound | Doug Jackson | Sound Effects Editor |
| Camera | Jack N. Green | Director of Photography |
| Directing | Clint Eastwood | Director |
| Production | Tom Rooker | Executive Producer |
| Production | Phyllis Huffman | Casting |
| Production | Karen S. Spiegel | Producer |
| Art | Jack G. Taylor Jr. | Art Direction |
| Writing | David Baldacci | Novel |
| Art | Henry Bumstead | Production Design |
| Sound | Donald Harris | Music Editor |
| Camera | Bill Coe | First Assistant Camera |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Crew | Jennifer Watson-Johnston | Stunts |
| Directing | Bill Bannerman | First Assistant Director |
| Production | Michael Maurer | Production Manager |
| Art | Richard C. Goddard | Set Decoration |
| Sound | Alan Robert Murray | Supervising Sound Editor |
| Sound | John T. Reitz | Sound Re-Recording Mixer |
| Costume & Make-Up | Cheryl Scarano | Key Costumer |
| Production | Michael Maurer | Associate Producer |
| Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
| Sound | David E. Campbell | Sound Re-Recording Mixer |
| Directing | Robert Lorenz | First Assistant Director |
| Directing | Dodi Lee Rubenstein | Second Assistant Director |
| Art | Anne D. McCulley | Set Decoration |
| Editing | Gary D. Roach | Assistant Editor |
| Sound | Jessica Gallavan | ADR Supervisor |
| Camera | Stephen S. Campanelli | Camera Operator |
| Directing | Tom Rooker | Second Assistant Director |
| Sound | C. Darin Knight | Sound Mixer |
| Costume & Make-Up | Deborah Hopper | Costume Supervisor |
| Editing | Michael Cipriano | Assistant Editor |
| Sound | Bub Asman | Supervising Sound Editor |
| Directing | Robert Lorenz | Second Assistant Director |
| Editing | Anthony Bozanich | Assistant Editor |
| Directing | Cate Hardman | Script Supervisor |
| Costume & Make-Up | Carol A. O'Connell | Key Hair Stylist |
| Directing | Alison C. Rosa | Second Second Assistant Director |
| Costume & Make-Up | Francisco X. Pérez | Key Makeup Artist |
| Directing | Maura T. McKeown | Second Second Assistant Director |
| Sound | Adam Johnston | Sound Effects Editor |
| Costume & Make-Up | Peggy A. Schnitzer | Set Costumer |
| Costume & Make-Up | Vivian McAteer | Hairstylist |
| Costume & Make-Up | Darryl M. Athons | Set Costumer |
| Costume & Make-Up | Tania McComas | Key Makeup Artist |
| Costume & Make-Up | Tania McComas | Makeup Artist |
| Crew | Steve Riley | Special Effects Coordinator |
| Crew | Jeff Denes | Special Effects |
| Sound | Jayme S. Parker | Sound Effects Editor |
| Crew | Joe Pancake | Special Effects |
| Crew | Francis Pennington | Special Effects |
| Camera | Anastas N. Michos | Camera Operator |
| Costume & Make-Up | Francisco X. Pérez | Makeup Artist |
| Sound | Gary Krivacek | Sound Effects Editor |
| Crew | Shirley Kirkes | Choreographer |
| Sound | Gregg Rudloff | Sound Re-Recording Mixer |
| Crew | Jill Brown | Stunt Double |
