Ben Jordan komt na vijftien jaar vrij. Hij belandde in de gevangenis omdat hij zijn vrouw neerstak met een mes. Na al die jaren houdt hij echter nog steeds zijn onschuld vol. Laura Mathews, de sociaal assistente die hem voortaan moet begeleiden, gelooft hem blindelings. Naarmate ze hem beter leert kennen en gesprekken voert met mensen uit Bens omgeving, wordt ze steeds verliefder op hem. Dit ondanks de waarschuwingen van haar vrienden, die ervan overtuigd zijn dat ze zich met een koelbloedige moordenaar inlaat.
Nee, helaas is Past Midnight nog niet beschikbaar op Netflix in Nederland.
| Crew | Billy D. Lucas | Stunts |
| Directing | Jan Eliasberg | Director |
| Writing | Frank Norwood | Writer |
| Production | Nancy Rae Stone | Co-Producer |
| Production | Paul Hertzberg | Executive Producer |
| Production | Catalaine Knell | Associate Producer |
| Production | Quentin Tarantino | Associate Producer |
| Production | Lisa M. Hansen | Producer |
| Crew | Cheryl Wheeler Duncan | Stunts |
| Crew | David Boushey | Stunts |
| Crew | Chris Durand | Stunts |
| Crew | Phil Chong | Stunts |
| Crew | Shane Dixon | Stunts |
| Editing | Christopher Rouse | Editor |
| Art | Sharon Seymour | Production Design |
| Production | Jodi Rothfield | Casting |
| Sound | Terry Rodman | Supervising Sound Editor |
| Crew | Spiro Razatos | Stunt Coordinator |
| Camera | Robert D. Yeoman | Director of Photography |
| Costume & Make-Up | Michael White | Key Hair Stylist |
| Costume & Make-Up | Ronald Leamon | Costume Design |
| Production | Paul Adler | Casting |
| Costume & Make-Up | Keith Hall | Makeup Department Head |
| Production | Bonnie Timmermann | Casting Consultant |
| Sound | Steve Bartek | Original Music Composer |
| Camera | John Boccaccio | First Assistant Camera |
| Directing | Lynn Wegenka | Second Assistant Director |
| Camera | Ken Glassing | Second Assistant Camera |
| Production | L. Hansen | Unit Manager |
| Art | Amanda Fin | Set Dresser |
| Directing | Mary Ellen Woods | First Assistant Director |
| Art | Chad Jacobsen | Set Dresser |
| Art | Sue Reeve | Set Dresser |
| Art | Michael Bernard Anderson | Set Decoration |
| Art | Daniel Self | Art Direction |
| Art | Benjamin Hayden | Leadman |
| Art | Loren McNamara | Leadman |
| Crew | Aimee J. Miller-Rickel | Scenic Artist |
| Art | Alexander Maloney Lamb | Painter |
| Camera | Peter Riches | Still Photographer |
| Art | Mike Lopez | Painter |
| Art | Michael McCombe | Greensman |
| Costume & Make-Up | Tania McComas | Key Makeup Artist |
| Sound | H. Thomas Condon III | Boom Operator |
| Lighting | Michael Gall | Best Boy Electric |
| Camera | Renton-Paul Medcalf | Key Grip |
| Crew | Steven Lambert | Stunt Coordinator |
| Production | Peter E. Hirsch | Assistant Location Manager |
| Crew | Bruce Tyler | Special Effects Assistant |
| Directing | Karen Thorndike | Script Supervisor |
| Camera | Craig C. Wallace Jr. | Best Boy Grip |
| Crew | Casey E. Quinn | Special Effects Assistant |
| Sound | Robert Marts | Sound Mixer |
| Crew | Bruno Stempel | Special Effects Assistant |
| Art | Scott Tabor | Property Master |
| Production | Vicky Berglund-Davenport | Location Manager |
| Art | David Lowery | Storyboard Artist |
| Production | Cheryl L. Hayes | Production Supervisor |
| Crew | Isabella “Laurie” LeClair | Scenic Artist |
| Art | Geof Spencer | Set Dresser |
| Crew | Carl Choquette | Carpenter |
| Camera | Mark Lorge | Dolly Grip |
| Costume & Make-Up | Henry Earl Lewis | Wardrobe Supervisor |
| Lighting | Chris Morley | Gaffer |
| Production | Kathleen “Arias” McKenzie | Assistant Production Coordinator |
| Crew | Anne Hyvarinen | Charge Scenic Artist |
| Art | John Ceniceros | Assistant Property Master |
| Crew | Kevin McCarthy | Special Effects |
| Art | Norma Jean Austin | Set Dresser |
| Sound | Glenn Newnham | Sound Editor |
| Costume & Make-Up | Michele Dunn | Wardrobe Assistant |
| Production | Alisoun F. Lamb | Production Coordinator |
| Sound | Sue Clancy | Assistant Sound Editor |
| Crew | Sandee Terzis | Post Production Supervisor |
| Sound | Paul Pirola | Sound Editor |
| Production | Charlie Davidson | Assistant Accountant |
| Production | Pauline Muñoz | Assistant Accountant |
| Sound | Peter Burgess | Sound Editor |
| Production | Linda A. Borgeson | Executive In Charge Of Production |
| Sound | Bob Badami | Music Editor |
| Crew | Richard Lush | Score Engineer |
| Production | Frank Norwood | Associate Producer |
| Editing | William Marrinson | Assistant Editor |
| Sound | Ted Swanscott | ADR Mixer |
| Sound | Leon Gaer | Music Coordinator |
| Crew | Robert T. Chestnut | Transportation Coordinator |
| Sound | Andrew Lancaster | Music Editor |
| Sound | David Harrison | Sound Re-Recording Mixer |
| Sound | Terry Rodman | Sound Re-Recording Mixer |
| Sound | Steve Burgess | Foley Mixer |
| Crew | James Barry Phillips | Transportation Captain |
| Editing | Linda Shamest | First Assistant Editor |
| Sound | Douglas M. Lackey | Music Editor |
| Camera | Janine M. Cook | Grip |
| Sound | Jeff Courtie | ADR Mixer |
| Sound | Tommy Tycho | Conductor |
| Camera | Hunter Mann | Grip |
| Sound | Yvonne van Gyen | Sound Editor |
| Sound | Peter Gordon | Orchestrator |
| Production | Darren G. Frale | Casting Assistant |
| Editing | Mark Fitzgerald | Assistant Editor |
| Sound | David Harrison | Dialogue Editor |
| Sound | Gerry Long | Foley Artist |
| Lighting | Don Mosley | Electrician |
| Camera | Chris Thornton | Grip |
| Art | Neal Thompson | Title Designer |
| Lighting | Colin R. Kell | Electrician |
| Editing | Heidi Zellner | Negative Cutter |
| Editing | Ray Morfino | Color Timer |
| Lighting | Bob Leitelt | Electrician |
| Camera | Michael DiIorio | Grip |
| Camera | Gregory D. Smith | Grip |
