Jules en Vincent werken voor de machtige misdadiger Marsellus Wallace. Vincent komt in de problemen als hij Mia, de vrouw van Wallace, een avondje gezelschap moet houden. Ondertussen is Wallace verwikkeld in een deal met de bokser Butch, die Wallace belazert en er met z'n geld vandoor gaat.
| Production | Lawrence Bender | Producer |
| Production | Danny DeVito | Executive Producer |
| Production | Michael Shamberg | Executive Producer |
| Production | Stacey Sher | Executive Producer |
| Camera | Andrzej Sekuła | Director of Photography |
| Editing | Sally Menke | Editor |
| Production | Gary M. Zuckerbrod | Casting |
| Production | Ronnie Yeskel | Casting |
| Art | David Wasco | Production Design |
| Art | Charles Collum | Art Direction |
| Art | Sandy Reynolds-Wasco | Set Decoration |
| Costume & Make-Up | Betsy Heimann | Costume Design |
| Lighting | Vance Trussell | Gaffer |
| Production | Paul Hellerman | Production Manager |
| Crew | Kevin McTurk | Special Effects Technician |
| Crew | Andrew Ambrose | Special Effects Assistant |
| Production | Richard N. Gladstein | Co-Executive Producer |
| Production | Bob Weinstein | Co-Executive Producer |
| Sound | Karyn Rachtman | Music Supervisor |
| Sound | Kathy Nelson | Music Supervisor |
| Costume & Make-Up | Michelle Bühler | Makeup Artist |
| Costume & Make-Up | Bill Fletcher | Wigmaker |
| Costume & Make-Up | Audrey Futterman-Stern | Key Hair Stylist |
| Crew | Heidi Vogel | Post Production Supervisor |
| Crew | Ken Lesco | Stunt Coordinator |
| Production | Ruth Lambert | Casting Associate |
| Production | Jeff Olan | Casting |
| Costume & Make-Up | Jacqueline Aronson | Costume Supervisor |
| Costume & Make-Up | Mary Claire Hannan | Assistant Costume Designer |
| Costume & Make-Up | Patia Prouty | Set Costumer |
| Crew | Jennifer Beals | Thanks |
| Camera | Ziad Doueiri | First Assistant Camera |
| Editing | Donald Likovich | Assistant Editor |
| Lighting | Bruce Jagoda | Electrician |
| Sound | Dean Beville | Sound Editor |
| Editing | Mike Stanwick | Color Timer |
| Crew | Andrew Dickler | Editorial Staff |
| Costume & Make-Up | Linda Arnold | Hairstylist |
| Art | Emily Wolfe | Art Department Coordinator |
| Art | Samantha Gore | Assistant Art Director |
| Art | Brian Markey | Construction Coordinator |
| Art | Ray Maxwell | Construction Foreman |
| Art | Marc Gillson | Lead Painter |
| Art | Peter Borck | Leadman |
| Art | Giuseppe Maini III | Painter |
| Art | Daniel Bradford | Set Designer |
| Camera | Michael Levine | Camera Operator |
| Camera | Mark Shane Davis | Key Grip |
| Camera | Chris Ahern | Grip |
| Camera | Bob Gorelick | Steadicam Operator |
| Costume & Make-Up | Iain Jones | Hair Designer |
| Costume & Make-Up | Joseph W. Grafmuller | Set Dressing Artist |
| Crew | Gary L. Brennan | Carpenter |
| Crew | Derek Hurd | Craft Service |
| Crew | Alonzo Brown Jr. | Driver |
| Crew | Thomas L. Bellissimo | Makeup Effects |
| Crew | Ben Parker | Post Production Assistant |
| Art | Jonathan R. Hodges | Property Master |
| Crew | Ruben Cortez | Security |
| Crew | Iain Jones | Set Production Assistant |
| Sound | Matthew C. Beville | Sound Recordist |
| Crew | Larry Fioritto | Special Effects Coordinator |
| Crew | Cameron | Stand In |
| Crew | Cameron | Stunts |
| Crew | Derek Raser | Transportation Coordinator |
| Crew | Deborah Wuliger | Unit Publicist |
| Directing | Francis R. Mahony III | First Assistant Director |
| Directing | Martin Kitrosser | Script Supervisor |
| Editing | Tatiana S. Riegel | First Assistant Editor |
| Lighting | Anthony Hall | Best Boy Electric |
| Lighting | Marc Meisenheimer | Rigging Gaffer |
| Production | Anna-Lisa Nilsson | Production Coordinator |
| Sound | Larry Scharf | Boom Operator |
| Sound | Dana Gustafson | Assistant Sound Editor |
| Sound | Rolf Johnson | Music Editor |
| Sound | Ken King | Production Sound Mixer |
| Sound | Stephen Hunter Flick | Supervising Sound Editor |
| Sound | Rick Ash | Sound |
| Sound | Kristen Becht | Assistant Music Supervisor |
| Sound | Billy Gottlieb | Assistant Music Supervisor |
| Production | Harvey Weinstein | Co-Executive Producer |
| Crew | Rory Dauson | Stand In |
| Crew | Lou Arkoff | Thanks |
| Crew | Agnès B. | Thanks |
| Crew | Linda R. Chen | Thanks |
| Crew | Cathryn Jaymes | Thanks |
| Crew | Stephen Martines | Thanks |
| Crew | Ricardo Mestres | Thanks |
| Crew | Mike Simpson | Thanks |
| Crew | Scott Spiegel | Thanks |
| Crew | Emanuel Steward | Thanks |
| Crew | Lee Stollman | Thanks |
| Crew | Bill Unger | Thanks |
| Writing | Roger Avary | Story |
| Writing | Quentin Tarantino | Story |
| Production | Barbara Harris | ADR Voice Casting |
| Costume & Make-Up | Kristin Dangl | Costumer |
| Directing | Kelly Kiernan | Second Assistant Director |
| Directing | John W. Hyde Jr. | Second Second Assistant Director |
| Art | Liz Chiz | Assistant Decorator |
| Art | John Felgate | Assistant Property Master |
| Art | Chris Cullen | Graphic Designer |
| Art | Steve Ingrassia | Swing |
| Sound | Jeff Courtie | ADR Mixer |
| Sound | Catherine Rowe | Foley Artist |
| Sound | Ezra Dweck | Foley Mixer |
| Sound | Judee Flick | Supervising ADR Editor |
| Crew | Kevin McTurk | Special Effects Assistant |
| Crew | Terry Jackson | Stunt Double |
| Camera | Robbie Meckler | Best Boy Grip |
| Camera | Angelo de la Cruz | Camera Loader |
| Camera | Alan Parr | Dolly Grip |
| Camera | Gregory C. Smith | Second Assistant Camera |
| Production | Kara Mazzola | Post Production Coordinator |
| Production | John A. Johnston | Assistant Location Manager |
| Production | Haley Sweet | Location Assistant |
| Sound | Chuck Kelley | Music Consultant |
| Sound | Mary Ramos | Music Coordinator |
| Production | Zane | Assistant Accountant |
| Crew | Michael Haddad | Assistant Craft Service |
| Production | Cheryl Cain | Assistant Production Coordinator |
| Crew | Chris L. Winslow | Charge Scenic Artist |
| Lighting | Michael Stocks | Key Rigging Grip |
| Production | Bradley Morris | Production Secretary |
| Directing | Quentin Tarantino | Director |
| Writing | Quentin Tarantino | Writer |
