Jules en Vincent werken voor de machtige misdadiger Marsellus Wallace. Vincent komt in de problemen als hij Mia, de vrouw van Wallace, een avondje gezelschap moet houden. Ondertussen is Wallace verwikkeld in een deal met de bokser Butch, die Wallace belazert en er met z'n geld vandoor gaat.
Nee, helaas is Pulp Fiction nog niet beschikbaar op Netflix in Nederland.
Art | David Wasco | Production Design |
Art | Sandy Reynolds-Wasco | Set Decoration |
Lighting | Vance Trussell | Gaffer |
Production | Lawrence Bender | Producer |
Production | Michael Shamberg | Executive Producer |
Art | Charles Collum | Art Direction |
Production | Stacey Sher | Executive Producer |
Camera | Andrzej Sekuła | Director of Photography |
Production | Ronnie Yeskel | Casting |
Editing | Sally Menke | Editor |
Production | Gary M. Zuckerbrod | Casting |
Costume & Make-Up | Betsy Heimann | Costume Design |
Production | Paul Hellerman | Production Manager |
Production | Danny DeVito | Executive Producer |
Crew | Kevin McTurk | Special Effects Technician |
Crew | Andrew Ambrose | Special Effects Assistant |
Production | Bob Weinstein | Co-Executive Producer |
Production | Richard N. Gladstein | Co-Executive Producer |
Sound | Karyn Rachtman | Music Supervisor |
Sound | Kathy Nelson | Music Supervisor |
Lighting | Bruce Jagoda | Electrician |
Costume & Make-Up | Mary Claire Hannan | Assistant Costume Designer |
Costume & Make-Up | Jacqueline Aronson | Costume Supervisor |
Crew | Heidi Vogel | Post Production Supervisor |
Crew | Ken Lesco | Stunt Coordinator |
Production | Ruth Lambert | Casting Associate |
Production | Jeff Olan | Casting |
Camera | Ziad Doueiri | First Assistant Camera |
Costume & Make-Up | Bill Fletcher | Wigmaker |
Costume & Make-Up | Audrey Futterman-Stern | Key Hair Stylist |
Editing | Donald Likovich | Assistant Editor |
Costume & Make-Up | Patia Prouty | Set Costumer |
Crew | Jennifer Beals | Thanks |
Costume & Make-Up | Michelle Bühler | Makeup Artist |
Sound | Dean Beville | Sound Editor |
Editing | Mike Stanwick | Color Timer |
Crew | Andrew Dickler | Editorial Staff |
Costume & Make-Up | Linda Arnold | Hairstylist |
Camera | Chris Ahern | Grip |
Art | Ray Maxwell | Construction Foreman |
Art | Giuseppe Maini III | Painter |
Art | Peter Borck | Leadman |
Art | Marc Gillson | Lead Painter |
Costume & Make-Up | Iain Jones | Hair Designer |
Crew | Derek Hurd | Craft Service |
Art | Emily Wolfe | Art Department Coordinator |
Art | Daniel Bradford | Set Designer |
Camera | Mark Shane Davis | Key Grip |
Costume & Make-Up | Joseph W. Grafmuller | Set Dressing Artist |
Crew | Alonzo Brown Jr. | Driver |
Camera | Bob Gorelick | Steadicam Operator |
Art | Brian Markey | Construction Coordinator |
Art | Samantha Gore | Assistant Art Director |
Camera | Michael Levine | Camera Operator |
Crew | Gary L. Brennan | Carpenter |
Directing | Francis R. Mahony III | First Assistant Director |
Crew | Thomas L. Bellissimo | Makeup Effects |
Crew | Cameron | Stand In |
Lighting | Marc Meisenheimer | Rigging Gaffer |
Crew | Deborah Wuliger | Unit Publicist |
Sound | Rolf Johnson | Music Editor |
Crew | Ben Parker | Post Production Assistant |
Sound | Matthew C. Beville | Sound Recordist |
Directing | Martin Kitrosser | Script Supervisor |
Lighting | Anthony Hall | Best Boy Electric |
Art | Jonathan R. Hodges | Property Master |
Crew | Cameron | Stunts |
Crew | Derek Raser | Transportation Coordinator |
Editing | Tatiana S. Riegel | First Assistant Editor |
Sound | Dana Gustafson | Assistant Sound Editor |
Crew | Larry Fioritto | Special Effects Coordinator |
Crew | Iain Jones | Set Production Assistant |
Production | Anna-Lisa Nilsson | Production Coordinator |
Sound | Ken King | Production Sound Mixer |
Crew | Ruben Cortez | Security |
Sound | Larry Scharf | Boom Operator |
Sound | Stephen Hunter Flick | Supervising Sound Editor |
Sound | Rick Ash | Sound |
Crew | Cathryn Jaymes | Thanks |
Crew | Lou Arkoff | Thanks |
Sound | Kristen Becht | Assistant Music Supervisor |
Crew | Agnès B. | Thanks |
Sound | Billy Gottlieb | Assistant Music Supervisor |
Crew | Rory Dauson | Stand In |
Crew | Emanuel Steward | Thanks |
Crew | Lee Stollman | Thanks |
Crew | Bill Unger | Thanks |
Production | Harvey Weinstein | Co-Executive Producer |
Crew | Linda R. Chen | Thanks |
Crew | Mike Simpson | Thanks |
Crew | Scott Spiegel | Thanks |
Crew | Stephen Martines | Thanks |
Crew | Ricardo Mestres | Thanks |
Writing | Quentin Tarantino | Story |
Writing | Roger Avary | Story |
Production | Barbara Harris | ADR Voice Casting |
Camera | Gregory C. Smith | Second Assistant Camera |
Sound | Jeff Courtie | ADR Mixer |
Art | Steve Ingrassia | Swing |
Sound | Catherine Rowe | Foley Artist |
Camera | Angelo de la Cruz | Camera Loader |
Art | Liz Chiz | Assistant Decorator |
Art | Chris Cullen | Graphic Designer |
Production | John A. Johnston | Assistant Location Manager |
Crew | Michael Haddad | Assistant Craft Service |
Sound | Mary Ramos | Music Coordinator |
Crew | Chris L. Winslow | Charge Scenic Artist |
Sound | Ezra Dweck | Foley Mixer |
Sound | Chuck Kelley | Music Consultant |
Directing | John W. Hyde Jr. | Second Second Assistant Director |
Crew | Terry Jackson | Stunt Double |
Camera | Alan Parr | Dolly Grip |
Production | Zane | Assistant Accountant |
Directing | Kelly Kiernan | Second Assistant Director |
Lighting | Michael Stocks | Key Rigging Grip |
Crew | Kevin McTurk | Special Effects Assistant |
Art | John Felgate | Assistant Property Master |
Camera | Robbie Meckler | Best Boy Grip |
Production | Kara Mazzola | Post Production Coordinator |
Costume & Make-Up | Kristin Dangl | Costumer |
Production | Cheryl Cain | Assistant Production Coordinator |
Sound | Judee Flick | Supervising ADR Editor |
Production | Haley Sweet | Location Assistant |
Production | Bradley Morris | Production Secretary |
Directing | Quentin Tarantino | Director |
Writing | Quentin Tarantino | Writer |