De astronome Ellie Arroway vindt na jaren zoeken eindelijk een radioboodschap van een buitenaardse beschaving. De boodschap bevat gedetailleerde instructies voor het maken van een mysterieuze machine. Onder groot protest van diverse religieuze groeperingen wordt het apparaat gebouwd. De vraag is nu wie er plaats zal mogen nemen in het apparaat, dat vermoedelijk een ruimteschip is.
Nee, helaas is Contact nog niet beschikbaar op Netflix in Nederland.
| Editing | Arthur Schmidt | Editor |
| Directing | Robert Zemeckis | Director |
| Production | Steve Starkey | Producer |
| Production | Victoria Burrows | Casting |
| Sound | Alan Silvestri | Original Music Composer |
| Writing | Michael Goldenberg | Screenplay |
| Production | Robert Zemeckis | Producer |
| Writing | Carl Sagan | Novel |
| Camera | Don Burgess | Director of Photography |
| Writing | James V. Hart | Screenplay |
| Costume & Make-Up | Joanna Johnston | Costume Design |
| Sound | Dennie Thorpe | Foley Artist |
| Camera | Tony Rivetti Sr. | First Assistant Camera |
| Costume & Make-Up | Hallie D'Amore | Key Makeup Artist |
| Directing | Alison C. Rosa | Second Second Assistant Director |
| Crew | Peggy Names | Cableman |
| Sound | Tony Sereno | Foley Mixer |
| Sound | David Dresher | Assistant Sound Editor |
| Camera | Michael A. FauntLeRoy Sr. | First Assistant Camera |
| Sound | Susan Popovic | Assistant Sound Editor |
| Visual Effects | Mark Wineman | 24 Frame Playback |
| Costume & Make-Up | Vivian McAteer | Hairstylist |
| Sound | Gary Rizzo | Additional Sound Re-Recording Mixer |
| Lighting | Douglas W. Smith | Electrician |
| Sound | Stephen Kearney | Assistant Sound Editor |
| Sound | Bruce Lacey | Foley Editor |
| Costume & Make-Up | Janice Alexander | Hairstylist |
| Sound | Andrew Cowitt | Assistant Sound Editor |
| Sound | Mary Helen Leasman | Foley Editor |
| Visual Effects | Ira Toles | 24 Frame Playback |
| Sound | Karen Harding | Assistant Sound Editor |
| Sound | Mary Works | Assistant Sound Editor |
| Costume & Make-Up | Barbara Lacy | Makeup Artist |
| Sound | Sara Bolder | Foley Editor |
| Camera | Ned Martin | First Assistant Camera |
| Camera | Chad Rivetti | Second Assistant Camera |
| Visual Effects | David Stump | VFX Director of Photography |
| Visual Effects | John Rauh | Digital Compositor |
| Art | Sara Gardner-Gail | Set Dresser |
| Crew | Ron Brinkmann | CG Supervisor |
| Visual Effects | Jean François Fontaine | Digital Compositor |
| Visual Effects | Joel Aron | CG Artist |
| Crew | Jerome Chen | CG Supervisor |
| Crew | Dawn Llewellyn | Visual Effects Editor |
| Visual Effects | Geoffrey Harvey | 3D Animator |
| Visual Effects | Joanie Karnowski | Rotoscoping Artist |
| Visual Effects | Mary Nelson | Roto Supervisor |
| Crew | John P. Cazin | Pyrotechnician |
| Visual Effects | Gregor Lakner | CG Artist |
| Visual Effects | Aaron Smith | Rotoscoping Artist |
| Visual Effects | Spencer Knapp | 3D Animator |
| Visual Effects | Stephen Kennedy | Compositing Supervisor |
| Visual Effects | M. Scott McKee | Compositing Supervisor |
| Visual Effects | Jeff Doran | Digital Compositor |
| Visual Effects | Dylan Robinson | 3D Animator |
| Visual Effects | Gimo Chanphianamvong | Rotoscoping Artist |
| Visual Effects | Ken Ralston | Senior Visual Effects Supervisor |
| Visual Effects | Robert Weaver | CG Artist |
| Visual Effects | Lisa Kahatriya | Rotoscoping Artist |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Crew | John Wright | Craft Service |
| Art | Michael Diersing | Construction Coordinator |
| Costume & Make-Up | Carolyn Elias | Hairstylist |
| Costume & Make-Up | Deborah La Mia Denaver | Makeup Artist |
| Costume & Make-Up | Frances Mathias | Hairstylist |
| Production | Paul Pav | Location Manager |
| Visual Effects | Kenneth Jones | Visual Effects Supervisor |
| Costume & Make-Up | Taryn Weaver | Set Costumer |
| Art | Michael Taylor | Set Decoration |
| Costume & Make-Up | Audrey L. Anzures | Hairstylist |
| Art | Scott E. Handt | Construction Foreman |
| Art | Jerrold F. Brooks | Construction Foreman |
| Visual Effects | C. Marie Davis | Visual Effects Producer |
| Crew | Marzette Bonar | Special Effects |
| Art | Hap Weaver | Greensman |
| Sound | Gary Rizzo | Sound Re-Recording Mixer |
| Camera | Michael Douglas Middleton | Still Photographer |
| Costume & Make-Up | Jean-Luc Russier | Makeup Artist |
| Art | Sally Thornton | Assistant Art Director |
| Art | Frank McEldowney | Greensman |
| Art | Kristen Pratt | Set Designer |
| Sound | Randy Thom | Sound Designer |
| Visual Effects | Lauren Alexandra Ritchie | Visual Effects Supervisor |
| Visual Effects | Joe Matza | Visual Effects Supervisor |
| Art | Evelyne Barbier | Set Designer |
| Sound | Dennis S. Sands | Sound Re-Recording Mixer |
| Sound | Randy Thom | Sound Re-Recording Mixer |
| Visual Effects | Julia Frey | Visual Effects Producer |
| Crew | David Presley | Video Assist Operator |
| Costume & Make-Up | Pamela Wise | Costume Supervisor |
| Costume & Make-Up | Roxanna Floyd | Makeup Artist |
| Art | Beth Bernstein | Art Department Coordinator |
| Art | Doug J. Meerdink | Assistant Art Director |
| Art | Easton Michael Smith | Set Designer |
| Sound | Phil Benson | Supervising Sound Editor |
| Visual Effects | Ariel Velasco-Shaw | Visual Effects Supervisor |
| Crew | Heather J. Morrison | Visual Effects Editor |
| Camera | Josh Bleibtreu | Camera Operator |
| Camera | François Duhamel | Still Photographer |
| Crew | Joel Marrow | Transportation Coordinator |
| Crew | Jane E. Russell | Unit Publicist |
| Art | David Manhan | Leadman |
| Crew | Eric Cook | Special Effects Coordinator |
| Camera | Mark O'Kane | Steadicam Operator |
| Production | Luz Eneida Nuñez | Location Manager |
| Crew | Tim Monich | Dialect Coach |
| Costume & Make-Up | Margaret E. Elliott | Makeup Artist |
| Sound | Teresa Eckton | Sound Effects Editor |
| Visual Effects | Debbie Denise | Visual Effects Producer |
| Crew | Jay Redd | Sequence Supervisor |
| Costume & Make-Up | Betty Brikowski | Costume Supervisor |
| Costume & Make-Up | Patricia Bercsi | Set Costumer |
| Editing | Carin-Anne Strohmaier | First Assistant Editor |
| Art | Ed Verreaux | Production Design |
| Art | Josh Lusby | Set Designer |
| Sound | Steve Boeddeker | Sound Effects Editor |
| Sound | Marian Wilde | Sound Effects Editor |
| Camera | Robert LaBonge | Camera Operator |
| Lighting | Rand R. Vargas | Rigging Grip |
| Costume & Make-Up | Kenn Smiley | Set Costumer |
| Art | Lawrence A. Hubbs | Art Direction |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Crew | David Jones | Sequence Supervisor |
| Crew | Michael Noles | Video Assist Operator |
| Camera | Steven J. Winslow | Camera Technician |
| Production | Peggy Pridemore | Location Manager |
| Art | James F. Claytor Sr. | Set Designer |
| Art | Dean Wolcott | Set Designer |
| Sound | Douglas Murray | Sound Effects Editor |
| Crew | Matt Aitken | CG Supervisor |
| Crew | Michael McGovern | Visual Effects Editor |
| Camera | Nick Phillips | Camera Operator |
| Art | Bruce Crone | Art Direction |
| Art | Mariko Braswell | Set Designer |
| Visual Effects | Stephen Rosenbaum | Visual Effects Supervisor |
| Directing | Luca Kouimelis | Script Supervisor |
| Visual Effects | Mark S. Miller | Visual Effects Producer |
| Crew | Kosta Saric | Visual Effects Editor |
| Crew | Kee-Suk 'Ken' Hahn | Sequence Supervisor |
| Crew | Sam Richards | Sequence Supervisor |
| Crew | Laurence Treweek | Sequence Supervisor |
| Camera | Gregory Lundsgaard | Steadicam Operator |
| Editing | R. Orlando Duenas | First Assistant Editor |
| Sound | Kenneth Karman | Music Editor |
| Production | Allen E. Taylor | Production Accountant |
| Art | Brad Ricker | Assistant Art Director |
| Crew | Bud Davis | Stunt Coordinator |
| Costume & Make-Up | Steve Ellsworth | Set Costumer |
| Editing | Jeremiah O'Driscoll | First Assistant Editor |
| Production | Joan Bradshaw | Executive Producer |
| Production | Steven J. Boyd | Associate Producer |
| Production | Rick Porras | Associate Producer |
| Production | Carl Sagan | Co-Producer |
| Production | Lynda Obst | Executive Producer |
| Visual Effects | Allen Hall | Special Effects Supervisor |
| Writing | Carl Sagan | Story |
| Crew | Kirk A. Holland | Transportation Captain |
| Costume & Make-Up | Jessica Fasman | Assistant Costume Designer |
| Crew | Randy Cantor | Transportation Captain |
| Production | Ines Mongil-Echandi | Production Office Coordinator |
| Crew | Edward J. Ertel | Projection |
| Crew | Rob Engle | Software Engineer |
| Crew | Jay Caputo | Stunts |
| Camera | Steve Smith | Key Grip |
| Costume & Make-Up | Keith VanderLaan | Prosthetic Makeup Artist |
| Crew | Kevin LaRosa | Aerial Coordinator |
| Crew | Michael Egan | Stand In |
| Art | Kathleen Beall | Location Scout |
| Costume & Make-Up | Kathryn Blondell | Key Hair Stylist |
| Crew | Jeff Johnson | Set Medic |
| Crew | David Diaz | Transportation Co-Captain |
| Camera | Michael Condro | First Assistant Camera |
| Crew | Allen E. Taylor | Production Controller |
| Crew | Wayne Eaton | Propmaker |
| Art | John B. Josselyn | Art Department Assistant |
| Crew | Bill Feightner | Technical Supervisor |
| Art | George Denes Suhayda | Conceptual Design |
| Camera | James Conroy | Grip |
| Crew | Thomas C. Mentzer | Carpenter |
| Crew | Dan Brizendine | Driver |
| Sound | Randolph Saucedo | Sound Recordist |
| Art | Robert E. Denne | Standby Painter |
| Crew | Victor Jimenez | Digital Effects Supervisor |
| Crew | Michelle Vogler | Set Production Assistant |
| Production | Joan Bradshaw | Unit Production Manager |
| Production | Darcy Fray | Production Coordinator |
| Sound | William B. Kaplan | Production Sound Mixer |
| Crew | Martin A. Kline | Visual Effects Art Director |
| Lighting | Dave Mikutsky | Electrician |
| Production | Dawn Guinta | Production Supervisor |
| Visual Effects | Mark Marcum | 24 Frame Playback |
| Visual Effects | Tim Alexander | Digital Compositors |
| Editing | Harry Keramidas | Additional Editing |
| Sound | William Ross | Orchestrator |
| Sound | Kent Brown | Assistant Sound Editor |
| Visual Effects | Jeff Deyoe | Mechanical Designer |
| Production | Nannette Rosa Collazo | Unit Manager |
| Lighting | David Morton | Gaffer |
| Sound | Earl Sampson | Boom Operator |
| Editing | Bob Putynkowski | Color Timer |
| Visual Effects | Theresa Corrao | Visual Effects Coordinator |
| Production | Scot Boland | Casting Associate |
| Visual Effects | Timothy Wilcox | 3D Artist |
| Writing | Ann Druyan | Story |
| Production | Ann Druyan | Co-Producer |
| Sound | Michael Silvers | Dialogue Editor |
| Art | Robin L. Miller | Property Master |
| Sound | Ewa Sztompke | Dialogue Editor |
| Sound | Barbara McBane | Dialogue Editor |
| Directing | Steve Starkey | Second Unit Director |
| Sound | Lindakay Brown | ADR Editor |
| Directing | Bruce Moriarty | First Assistant Director |
| Sound | Sue Fox | Supervising ADR Editor |
| Art | Darryl Henley | Storyboard Artist |
| Costume & Make-Up | Hope Slepak | Costumer |
| Sound | Mary Works | Assistant Dialogue Editor |
| Sound | Catherine Harper | Foley Artist |
| Costume & Make-Up | Nigel Boyd | Key Costumer |
| Directing | Darin Rivetti | Second Second Assistant Director |
| Art | Clifton T. Cooper | Assistant Property Master |
| Art | Carl Catanese | Set Buyer |
| Costume & Make-Up | Gerardo Rosette | Tailor |
| Art | Christopher Casey | Swing |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Sound | Tony Eckert | Foley Mixer |
| Art | Richard Kriegler | Conceptual Illustrator |
| Art | Nina Saxon | Title Designer |
| Directing | Cellin Gluck | Second Assistant Director |
| Sound | Cheryl Nardi | First Assistant Sound Editor |
| Costume & Make-Up | Robin Richesson | Costume Illustrator |
| Art | Steve Burg | Concept Artist |
| Art | Doreen Austria | Graphic Designer |
| Lighting | William Cueto | Assistant Chief Lighting Technician |
| Crew | Charlie Bonilla | Special Effects Assistant |
| Camera | Renton-Paul Medcalf | Best Boy Grip |
| Visual Effects | Mimi Medel | Visual Effects Production Manager |
| Camera | Clyde Miller | Assistant Camera |
| Visual Effects | Maura Alvarez | Rotoscoping Artist |
| Visual Effects | Charlie Clavadetscher | Matchmove Supervisor |
| Production | Nick Booth | Production Assistant |
| Crew | Mark Jan Wlodarkiewicz | Temp Sound Editor |
| Production | Kevin Bowe | Assistant Accountant |
| Production | Robert Cable | Second Assistant Accountant |
| Visual Effects | Peter Jackson | Additional Visual Effects |
| Visual Effects | Michael L. Fink | Senior Visual Effects Supervisor |
| Production | Primrose Fukuchi | Location Assistant |
| Camera | Frank D. Parrish | Second Assistant Camera |
| Editing | John Nicolard | Digital Color Timer |
| Visual Effects | Bart Giovanetti | Compositing Supervisor |
| Visual Effects | Kelly Granite | Visual Effects Compositor |
| Camera | Jeff 'Moose' Howery | Dolly Grip |
| Production | Nikki Dalmau | Casting Coordinator |
| Crew | J.W. Kompare | Visual Effects Editor |
| Editing | Jana Lynn Gold | Assistant Editor |
| Crew | Craig A. Mumma | Digital Effects Producer |
| Production | Judd Nissen | Travel Coordinator |
| Production | Kristin Dehnert | Assistant Location Manager |
| Crew | Roland Blancaflor | Special Effects Technician |
| Lighting | Steven C. McGee | Chief Lighting Technician |
| Production | Judith Bouley | Additional Casting |
| Editing | Mo Henry | Negative Cutter |
| Production | Carley A. Berkman | Production Secretary |
| Directing | Lucille OuYang | Second Assistant Director |
| Crew | Jill Stokesberry | Stunts |
| Crew | Kim Robert Koscki | Stunts |
| Crew | Dan Plum | Stunts |
| Crew | Lynn Salvatori | Stunts |
