De bokstrainer Frankie Dunn heeft al heel lang niemand meer toegelaten tot zijn persoonlijke leven, totdat Maggie Fitzgerald zijn trainingszaal binnenstapt.
Nee, helaas is Million Dollar Baby nog niet beschikbaar op Netflix in Nederland.
| Production | Tom Rosenberg | Producer |
| Sound | Clint Eastwood | Original Music Composer |
| Sound | David Potaux-Razel | Additional Soundtrack |
| Production | Albert S. Ruddy | Producer |
| Art | Jack G. Taylor Jr. | Art Direction |
| Production | Phyllis Huffman | Casting |
| Camera | Tom Stern | Director of Photography |
| Costume & Make-Up | Deborah Hopper | Costume Design |
| Directing | Clint Eastwood | Director |
| Production | Paul Haggis | Producer |
| Editing | Joel Cox | Editor |
| Art | Henry Bumstead | Production Design |
| Sound | Bub Asman | Sound Editor |
| Production | Clint Eastwood | Producer |
| Writing | Paul Haggis | Screenplay |
| Production | Robert Lorenz | Executive Producer |
| Production | Gary Lucchesi | Executive Producer |
| Production | Bobby Moresco | Co-Producer |
| Crew | Erin Carufel | Stunt Double |
| Crew | Mark Thomason | Stand In |
| Crew | Darin McCormick-Millett | Digital Producer |
| Editing | Gary D. Roach | First Assistant Editor |
| Camera | Stephen S. Campanelli | Camera Operator |
| Art | Richard C. Goddard | Set Decoration |
| Costume & Make-Up | Nancy Hancock | Makeup Artist |
| Crew | Steve Riley | Special Effects Coordinator |
| Production | Tim Moore | Unit Production Manager |
| Camera | Bill Coe | First Assistant Camera |
| Costume & Make-Up | Deena Adair | Hairstylist |
| Editing | Kurt Smith | Color Timer |
| Directing | Robert Lorenz | Assistant Director |
| Crew | Buddy Van Horn | Stunt Coordinator |
| Crew | Mimi Lesseos | Stunts |
| Editing | Michael Cipriano | Assistant Editor |
| Writing | F.X. Toole | Story |
| Visual Effects | James D. Tittle | Visual Effects Coordinator |
| Directing | Mable Lawson-McCrary | Script Supervisor |
| Visual Effects | Liz Radley | Visual Effects |
| Lighting | Terry Kramer | Electrician |
| Crew | Dillin Craig | Transportation Co-Captain |
| Crew | Robert Aaron Brown | Driver |
| Crew | Judith M. Brown | Studio Teachers |
| Sound | Walt Martin | Sound Mixer |
| Art | John Schacht | Leadman |
| Camera | Merie Weismiller Wallace | Still Photographer |
| Costume & Make-Up | Brian Bilson | Set Dressing Artist |
| Art | Michael Muscarella | Construction Coordinator |
| Art | Gary A. Lee | Set Designer |
| Lighting | Sean Higgins | Rigging Gaffer |
| Lighting | T. Daniel Scaringi | Rigging Grip |
| Crew | Kyle Eastwood | Additional Music |
| Crew | James R. Lord | Carpenter |
| Crew | Keith Dillin | Transportation Coordinator |
| Sound | David Grimaldi | Sound Effects Editor |
| Sound | Juno J. Ellis | ADR & Dubbing |
| Crew | Robert Silcock | Propmaker |
| Art | Michael Sexton | Property Master |
| Sound | Jonathan Fuh | Boom Operator |
| Crew | Charles Ramirez | Transportation Captain |
| Production | Karen Shaw | Production Coordinator |
| Costume & Make-Up | Carol A. O'Connell | Key Hair Stylist |
| Crew | Scooter Perrotta | Set Production Assistant |
| Sound | Donald Harris | Music Editor |
| Art | Pam Cartmel | Art Department Coordinator |
| Costume & Make-Up | Lynda Foote | Costume Supervisor |
| Camera | Stephen S. Campanelli | Steadicam Operator |
| Costume & Make-Up | Ann Culotta | Set Costumer |
| Crew | Nancy G. James | Craft Service |
| Camera | Charles Saldaña | Grip |
| Crew | Paulina Quaranta | Production Office Assistant |
| Production | Jason S. Gondek | Production Accountant |
| Sound | William Cawley | First Assistant Sound Editor |
| Sound | Lennie Niehaus | Orchestrator |
| Crew | Rosine 'Ace' Hatem | Stunts |
| Crew | Bridgett Riley | Stunts |
| Sound | Christopher Boyes | Sound Re-Recording Mixer |
| Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
| Camera | James D. Wickman | Dolly Grip |
| Crew | Don Dinkins | Technical Advisor |
| Directing | Donald Murphy | Second Assistant Director |
| Art | William A. Barry III | Swing |
| Crew | Ante Dugandzic | Special Effects Technician |
| Production | Tony Hobbs | Extras Casting |
| Production | Lucy Ramirez-Ewart | Production Assistant |
| Camera | Trevor Carroll-Coe | Camera Loader |
| Lighting | Ross Dunkerley | Chief Lighting Technician |
| Art | Christine Fegley | Set Painter |
| Sound | Nicholas Korda | Supervising ADR Editor |
| Directing | Katie Carroll | Second Second Assistant Director |
| Sound | James Ashwill | Foley Mixer |
| Production | Rose Mesa | Assistant Accountant |
| Directing | Ryan Craig | Additional Second Assistant Director |
| Sound | Nicholas Korda | ADR Editor |
| Production | Geoffrey Miclat | Casting Assistant |
| Sound | Lennie Niehaus | Conductor |
| Camera | Doug Wall | Best Boy Grip |
| Editing | Mo Henry | Negative Cutter |
| Art | Scott M. Anderson | Assistant Property Master |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Camera | Matthew A. Del Ruth | Assistant Camera |
| Sound | John T. Cucci | Foley Artist |
| Camera | Bobby McMahan | Second Assistant Camera |
| Sound | Brian Magerkurth | Sound Mix Technician |
| Production | Elisa Ann Conant | Assistant Location Manager |
| Lighting | John Lacy | Assistant Chief Lighting Technician |
| Sound | Gloria D'Alessandro | Dialogue Editor |
| Production | Susan Hartmann | Assistant Production Coordinator |
