Tijdens een feest ter gelegenheid van een zakendeal tussen een Japans bedrijf en de Amerikaanse defensie wordt een jonge vrouw vermoord aangetroffen. Een gepensioneerde expert op het gebied van de Japanse cultuur wordt opgeroepen om de weerstand van de Japanners, die proberen het onderzoek te dwarsbomen, te breken.
Nee, helaas is Rising Sun nog niet beschikbaar op Netflix in Nederland.
| Sound | 武満徹 | Original Music Composer |
| Camera | Michael Chapman | Director of Photography |
| Writing | Michael Crichton | Screenplay |
| Art | Angelo P. Graham | Art Direction |
| Writing | Michael Crichton | Novel |
| Writing | Michael Backes | Screenplay |
| Writing | Philip Kaufman | Screenplay |
| Production | Donna Isaacson | Casting |
| Editing | Stephen A. Rotter | Editor |
| Directing | Philip Kaufman | Director |
| Editing | William S. Scharf | Editor |
| Production | Peter Kaufman | Producer |
| Production | Sean Connery | Executive Producer |
| Production | Ian Bryce | Line Producer |
| Costume & Make-Up | Kim Santantonio | Hairstylist |
| Crew | Jeff Imada | Stunt Coordinator |
| Sound | Steve Bowerman | Boom Operator |
| Crew | Kevin E. Patterson | Cableman |
| Costume & Make-Up | Alison Gail Bixby | Key Costumer |
| Sound | David MacMillan | Sound Mixer |
| Costume & Make-Up | Bruce R. Hogard | Costume Supervisor |
| Costume & Make-Up | John Blake | Makeup Artist |
| Sound | Ann Kroeber | Sound Effects Editor |
| Production | Ian Bryce | Unit Production Manager |
| Art | Gary Fettis | Set Decoration |
| Camera | John T. Connor | Second Assistant Camera |
| Costume & Make-Up | Giorgio Armani | Wardrobe Designer |
| Editing | Robert Grahamjones | Assistant Editor |
| Art | Douglas T. Madison | Property Master |
| Costume & Make-Up | Gina Wingate | Key Costumer |
| Art | Peter J. Kelly | Set Designer |
| Camera | Michael Genne | Camera Operator |
| Costume & Make-Up | Alan Martin | Key Costumer |
| Sound | John Verbeck | Sound Effects Editor |
| Camera | Jamie Barber | First Assistant Camera |
| Camera | Nick Shuster | Camera Loader |
| Costume & Make-Up | Sue Love | Hairstylist |
| Sound | Frank E. Eulner | Sound Effects Editor |
| Directing | Frank Davis | Second Assistant Director |
| Art | Alex Tavoularis | Assistant Art Director |
| Costume & Make-Up | Ve Neill | Makeup Supervisor |
| Costume & Make-Up | Jacqueline West | Costume Design |
| Directing | Matthew Carlisle | First Assistant Director |
| Sound | Alan Splet | Sound Designer |
| Directing | Karen Golden | Script Supervisor |
| Costume & Make-Up | Yolanda Toussieng | Hair Supervisor |
| Art | Robert C. Goldstein | Set Designer |
| Editing | Tara Timpone | Assistant Editor |
| Art | James J. Murakami | Assistant Art Director |
| Crew | Jamie Kehoe | Craft Service |
| Lighting | Vincent Contarino | Best Boy Electric |
| Visual Effects | Larry L. Fuentes | Special Effects Supervisor |
| Camera | Charles W. Wayt | Dolly Grip |
| Production | Vicki Dee Rock | Production Accountant |
| Camera | Michael T. Travers | Best Boy Grip |
| Lighting | Frank Tobin | Best Boy Electric |
| Art | Don Kaeding | Leadman |
| Sound | Robert Shoup | Foley Supervisor |
| Production | Kimberly Jase | Post Production Accountant |
| Production | John Panzarella | Location Manager |
| Camera | Sandy Williams | Key Grip |
| Crew | Lee Garibaldi | Transportation Captain |
| Editing | Gary Burritt | Negative Cutter |
| Lighting | Jono Kouzouyan | Chief Lighting Technician |
| Lighting | Larry J. Aube | Key Rigging Grip |
| Sound | Alan Splet | Music Editor |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Art | Greg Lynch | Leadman |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Crew | Peter Haas | Unit Publicist |
| Lighting | R. Bruce Prochal | Rigging Gaffer |
| Sound | Teresa Eckton | Dialogue Editor |
| Directing | Lucille OuYang | Second Second Assistant Director |
| Crew | Tommy Tancharoen | Transportation Coordinator |
| Sound | Marian Wallace | Sound Re-Recording Mixer |
| Production | James McCabe | Location Manager |
| Sound | Dianna Stirpe | Dialogue Editor |
| Sound | Ewa Sztompke | Dialogue Editor |
| Sound | Dennie Thorpe | Foley Artist |
| Sound | Richard Beggs | Sound Re-Recording Mixer |
| Visual Effects | Gail Currey | Visual Effects Producer |
| Sound | Hugh Waddell | ADR Supervisor |
| Art | Francis N. 'Lucky' Costello | Standby Painter |
| Editing | Dennis McNeill | Color Timer |
| Art | John J. Rutchland Jr. | Construction Coordinator |
| Visual Effects | Mark A.Z. Dippé | Visual Effects Supervisor |
| Crew | Janet Brady | Stunts |
| Art | Dean Tavoularis | Production Design |
| Crew | Eugene Collier | Stunts |
| Crew | Dick Warlock | Stunts |
| Crew | Ronnie Rondell Jr. | Stunts |
| Crew | Jack Gill | Stunts |
| Crew | Roy K. Ogata | Stunts |
| Crew | Denney Pierce | Stunts |
| Crew | Buddy Joe Hooker | Stunts |
| Crew | Frank Ferrara Sr. | Stunts |
| Crew | Leo Lee | Stunts |
