1983: de dreiging van een nucleaire oorlog is nog steeds aanwezig. Die dreiging kreeg gestalte met The Day After, een film over de laatste weken voor een nucleaire aanval op de Verenigde Staten en de eerste weken na de ramp.
Nee, helaas is The Day After nog niet beschikbaar op Netflix in Nederland.
| Directing | Nicholas Meyer | Director |
| Camera | Gayne Rescher | Director of Photography |
| Production | Robert Papazian | Producer |
| Sound | David Raksin | Original Music Composer |
| Writing | Edward Hume | Writer |
| Editing | Robert Florio | Editor |
| Camera | Dean Williams | Still Photographer |
| Crew | Robert Blalack | Special Effects |
| Production | Stephanie Austin | Associate Producer |
| Art | Joseph G. Pacelli Jr. | Set Designer |
| Directing | Scott Thaler | Second Unit First Assistant Director |
| Lighting | Romolo Acquistapace | Gaffer |
| Editing | Barbara Palmer Dixon | Assistant Editor |
| Production | Steve Dayan | Location Manager |
| Directing | Steven-Charles Jaffe | Second Unit Director |
| Camera | Neil Roach | Second Unit Director of Photography |
| Directing | Gail Joyce Fortmuller | Second Assistant Director |
| Costume & Make-Up | Zoltan Elek | Makeup Artist |
| Art | Mort Zwicker | Construction Coordinator |
| Crew | Paul Stader | Stunt Coordinator |
| Production | Jack Wright | Extras Casting |
| Costume & Make-Up | John S. Perry | Costume Supervisor |
| Costume & Make-Up | Dianne Cohoon | Costumer |
| Sound | Christopher T. Welch | Sound Editor |
| Directing | Barbara Amato | Script Supervisor |
| Editing | Walton Domisch | Assistant Editor |
| Art | Penelope Gottlieb | Title Designer |
| Production | Hal Galli | Production Manager |
| Crew | Bob Dawson | Special Effects |
| Editing | Paul Dixon | Editor |
| Sound | Frank Serafine | Sound Designer |
| Production | Andree Juviler | Location Manager |
| Crew | Gene Clinesmith | Transportation Coordinator |
| Production | Ross Brown | Casting |
| Art | Lavar Emert | Property Master |
| Costume & Make-Up | Judy Crown | Hairstylist |
| Production | Mary West | Casting Associate |
| Costume & Make-Up | Dorothea Long | Hair Designer |
| Sound | Gary C. Bourgeois | Sound Re-Recording Mixer |
| Camera | Gene Griffith | Key Grip |
| Production | Hank McCann | Casting |
| Art | Mary Ann Good | Set Decoration |
| Costume & Make-Up | Michael Westmore | Makeup Designer |
| Crew | David McCann | Post Production Supervisor |
| Directing | Elie Cohn | First Assistant Director |
| Sound | Charles T. Knight | Production Sound Mixer |
| Editing | Janet Bartels-Vandagriff | Assistant Editor |
| Editing | Sharon Burke | Assistant Editor |
| Costume & Make-Up | Bill Flores | Costumer |
| Art | Peter Wooley | Production Design |
| Editing | William Paul Dornisch | Editor |
