Majoor Murphy, een onderzoeker van het Amerikaanse leger, heeft een nieuwe opdracht gekregen. Sergeant Gammon wordt verdacht van het dealen van cocaïne vanuit zijn basis, en Murphy moet genoeg bewijsmateriaal verzamelen om Gammon en zijn hele operatie stop te zetten. Samen met zijn partner, luitenant Andrews, gaat de majoor undercover om de bende te infiltreren en uit te zoeken hoe ver deze activiteiten zich in de commandostructuur bevinden.
Nee, helaas is The Base nog niet beschikbaar op Netflix in Nederland.
| Directing | Mark L. Lester | Director |
| Writing | Jeff Albert | Screenplay |
| Writing | Hersh Rephun | Screenplay |
| Camera | Jacques Haitkin | Director of Photography |
| Crew | Warren A. Stevens | Stunts |
| Crew | Patrick J. Statham | Stunts |
| Crew | Art Camacho | Stunts |
| Crew | Eddie Perez | Stunts |
| Crew | Jimmy Ortega | Stunts |
| Crew | Cole S. McKay | Stunts |
| Crew | Mike Ceballos | Stunts |
| Crew | Richard L. Duran | Stunts |
| Crew | José Ignacio Álvarez | Stunts |
| Crew | Rudolf Weber | Stunts |
| Writing | Eric Barker | Writer |
| Writing | William C. Martell | Writer |
| Writing | Craig J. Nevius | Story |
| Production | Dana Dubovsky | Producer |
| Production | Brian R. Etting | Associate Producer |
| Production | Mark L. Lester | Producer |
| Production | Jeff Sackman | Executive Producer |
| Sound | Paul Zaza | Music |
| Editing | David Berlatsky | Editor |
| Production | Mark Tillman | Casting |
| Art | Candi Guterres | Production Design |
| Art | Christine Irwin | Set Decoration |
| Costume & Make-Up | Caroline B. Marx | Costume Design |
| Costume & Make-Up | Kenneth Michael Beck | Key Hair Stylist |
| Costume & Make-Up | Amanda Carroll | Key Makeup Artist |
| Costume & Make-Up | Suzan Kaminga | Assistant Hairstylist |
| Costume & Make-Up | Suzan Kaminga | Assistant Makeup Artist |
| Crew | David Berlatsky | Post Production Supervisor |
| Production | Thomas Calabrese | Production Manager |
| Directing | Thomas Burke | First Assistant Director |
| Directing | Rebecca Levinson | Second Assistant Director |
| Art | Laine Abramson | Props |
| Art | Jeff Boyce | Leadman |
| Art | Harley E. Hebert | Property Master |
| Art | Frank Lawas | Set Dresser |
| Art | Jenny Shimizu | Construction Coordinator |
| Sound | Smith Craig | Sound Re-Recording Mixer |
| Sound | Bryan Franklin | Dialogue Editor |
| Sound | Michael Kreple | ADR Supervisor |
| Sound | Greg Louden | Foley Artist |
| Sound | Greg Mauer | Foley Editor |
| Sound | Greg Mauer | Foley Recordist |
| Sound | Brian McGowan | Boom Operator |
| Sound | Paul N.J. Ottosson | Sound Effects Editor |
| Sound | Susan Pusateri | Foley Artist |
| Sound | Paul Ratajczak | Sound Re-Recording Mixer |
| Sound | Paul Ratajczak | Supervising Sound Editor |
| Sound | Brian S. Tracy | Production Sound Mixer |
| Sound | Jonathan Wales | Sound Re-Recording Mixer |
| Crew | Kevin Beauchamp | Special Effects Assistant |
| Crew | Errol Sack | Special Effects Assistant |
| Crew | Wayne Beauchamp | Special Effects Coordinator |
| Crew | Ken Wheatley | Special Effects Assistant |
| Crew | Chuck Borden | Stunt Coordinator |
| Directing | Monica Ochoa | Script Supervisor |
| Production | Jeffrey Shepherd | Location Manager |
| Production | Cheryl Shubin | Location Manager |
| Camera | Jason Andrew | Dolly Grip |
| Camera | Dave Beeler | Grip |
| Lighting | Shane Buttle | Lighting Technician |
| Camera | Skye Chandler | First Assistant Camera |
| Camera | Paul Janossy | First Assistant Camera |
| Lighting | Mike Karasick | Gaffer |
| Camera | Charles Lenz | Best Boy Grip |
| Camera | Igor Meglic | Second Unit Director of Photography |
| Lighting | Jason Popieniuck | Best Boy Electric |
| Camera | Dale Robinette | Still Photographer |
| Camera | Alec Shepherd | Key Grip |
| Editing | Bryan M. Horne | Assistant Editor |
