Tasmanië. Lange tijd dacht men dat de Tasmaanse tijger was uitgestorven totdat hij gespot wordt. De buidelwolf speelt tot de verbeelding van de lokale bevolking en roept de interesse op van dubieuze buitenstaanders. Eén daarvan is Martin, die de opdracht krijgt het beest te vinden voor een biotechnologisch bedrijf. Wat begint als een zakelijk aanbod krijgt echter mythische aspecten wanneer Martin's zoektocht een obsessie wordt. Een zoektocht niet voor de ultieme winst, maar voor de essentie van het leven dat vernietigd wordt door de technologie.
Nee, helaas is The Hunter nog niet beschikbaar op Netflix in Nederland.
| Production | Vincent Sheehan | Producer |
| Production | Anita Sheehan | Executive Producer |
| Editing | Roland Gallois | Editor |
| Writing | Alice Addison | Screenplay |
| Production | Jane Norris | Casting |
| Writing | Julia Leigh | Novel |
| Production | Paul Wiegard | Executive Producer |
| Directing | Daniel Nettheim | Director |
| Production | Liz Watts | Executive Producer |
| Camera | Kevin Scott | Second Unit Director of Photography |
| Costume & Make-Up | Emily Seresin | Costume Design |
| Camera | Robert Humphreys | Director of Photography |
| Directing | Vincent Sheehan | Second Unit Director |
| Sound | Sam Hayward | Sound Re-Recording Mixer |
| Writing | Stephen Cleary | Script Editor |
| Production | Catherine Pettman | Line Producer |
| Sound | Tom Heuzenroeder | Sound Effects Editor |
| Visual Effects | Konstantin Kovalenko | Animation |
| Sound | Andrew Lancaster | Music |
| Production | Catherine Pettman | Production Manager |
| Sound | Glenn Butler | Sound Re-Recording Mixer |
| Sound | Robert Mackenzie | Sound Re-Recording Mixer |
| Directing | Nerida Groth | Third Assistant Director |
| Art | Axel Bartz | Set Designer |
| Sound | Andrew Kotatko | Music Supervisor |
| Crew | John Bowring | Armorer |
| Art | Amanda Sallybanks | Art Direction |
| Crew | Harry Dakanalis | Stunt Coordinator |
| Costume & Make-Up | Lyn Askew | Costume Supervisor |
| Art | Christopher Bruce | Set Decoration |
| Production | Ann Folland | Production Manager |
| Sound | Michael Lira | Music |
| Costume & Make-Up | Chiara Tripodi | Makeup Designer |
| Directing | John Martin | First Assistant Director |
| Directing | Samantha Smith McGrady | Second Assistant Director |
| Sound | Sam Petty | Sound Re-Recording Mixer |
| Sound | Andrew Lancaster | Music Producer |
| Crew | Mark Hennessy | Stunt Coordinator |
| Crew | Wes Chew | Score Engineer |
| Production | Ann Folland | Line Producer |
| Art | Michael Wholley | Graphic Designer |
| Crew | David J. Barker | Special Effects |
| Directing | Amy Barclay | Script Supervisor |
| Costume & Make-Up | Chiara Tripodi | Hair Designer |
| Sound | David Lee | Sound |
| Sound | Sam Petty | Sound Designer |
| Sound | Matteo Zingales | Music |
| Crew | Anthos Simon | Post-Production Manager |
| Sound | Liam Egan | Sound Designer |
| Costume & Make-Up | Lyn Askew | Costume Designer |
| Art | Steven Jones-Evans | Production Design |
| Art | Joanne Collins | Set Designer |
| Crew | Michael Swingle | Scenic Artist |
| Sound | Tony Murtagh | Dialogue Editor |
