Tijdens een hevige sneeuwstorm keert een zwerver terug naar de arbeiders bar in het afgelegen Canadese stadje waar hij is geboren. Wanneer hij aanbiedt een oude schuld bij een grijze barman af te lossen door hem een verhaal te vertellen, veranderen de gebeurtenissen van de avond al snel in een duister verhaal vol identiteitsverwisselingen, dubbelspel en schokkend geweld.
Nee, helaas is The Oak Room nog niet beschikbaar op Netflix in Nederland.
| Art | Justin Reu | Production Design |
| Production | Nicole Dionne | Casting |
| Art | Vincent Moskowec | Art Direction |
| Costume & Make-Up | Shaun Hunter | Special Effects Makeup Artist |
| Directing | Michèle DesLauriers | First Assistant Director |
| Costume & Make-Up | Heather Jennings | Key Makeup Artist |
| Costume & Make-Up | Lyndsay Reader | Costume Design |
| Production | Robin De Lano | Casting |
| Art | Krystyna Byers | Set Dresser |
| Art | Danielle Dobbyn | Property Master |
| Camera | Adam Gamble | Drone Pilot |
| Camera | Chris Munro | First Assistant Camera |
| Costume & Make-Up | Daniella Pluchino | Assistant Makeup Artist |
| Production | Raey Ang | Production Coordinator |
| Camera | Jacqueline Di Bacco | First Assistant Camera |
| Camera | Dillon Lobo | Second Assistant Camera |
| Camera | Ingrid Johansson | Still Photographer |
| Sound | Stefan Fraticelli | Foley Artist |
| Costume & Make-Up | Renee Poujade | Set Costumer |
| Sound | Marco Furgiuele | Sound Recordist |
| Camera | Joel Fox | Key Grip |
| Production | Cindy Collins | Assistant Production Manager |
| Directing | Raey Ang | Second Assistant Director |
| Camera | Jeff Maher | "A" Camera Operator |
| Camera | Mike Lyte | Key Grip |
| Camera | Nicole Sweet | "B" Camera Operator |
| Camera | Aldo Quirván | Second Assistant Camera |
| Lighting | Zach Ready | Gaffer |
| Camera | Monica Meng | Second Assistant Camera |
| Editing | Aj McLauchlin | Colorist |
| Camera | Micha Dahan | "B" Camera Operator |
| Sound | Marco Furgiuele | Sound Mixer |
| Crew | Allen Keng | Stunt Coordinator |
| Lighting | Eric Campbell | Gaffer |
| Sound | Marco Furgiuele | Boom Operator |
| Camera | Ben Spier | First Assistant Camera |
| Camera | Katerina Zoumbalakis | First Assistant "B" Camera |
| Camera | Andrew Gerhold | Second Assistant "B" Camera |
| Lighting | Khan Meng | Gaffer |
| Art | Danielle Dobbyn | Art Direction |
| Costume & Make-Up | Lyndsay Reader | Wardrobe Supervisor |
| Sound | Jesse Fellows | Sound Re-Recording Assistant |
| Production | Pilar Segura | Supervising Producer |
| Costume & Make-Up | Steph Pringle | Makeup & Hair |
| Sound | Ian Rankin | Sound Re-Recording Mixer |
| Sound | Paul Germann | Sound Effects Editor |
| Camera | Leonardo Arcila | First Assistant "B" Camera |
| Sound | Sue Conley | Dialogue Editor |
| Writing | Peter Genoway | Writer |
| Production | Michael McGuigan | Executive Producer |
| Production | Christopher Giroux | Associate Producer |
| Production | Ira Levy | Executive Producer |
| Editing | Mike Gallant | Editor |
| Production | Jeff Maher | Co-Producer |
| Production | Chad Archibald | Producer |
| Sound | Steph Copeland | Original Music Composer |
| Camera | Jeff Maher | Director of Photography |
| Production | Mark Myers | Executive Producer |
| Production | Nat Abraham | Executive Producer |
| Production | Ari Millen | Producer |
| Production | Cody Calahan | Producer |
| Directing | Cody Calahan | Director |
