Wanneer Brian uit het leger komt wil hij werk zoeken in New York, maar zonder diploma's komt hij niet ver. Dan komt hij te werken in een bar en van zijn baas Douglas leert hij alle kneepjes van het vak en samen worden ze de populairste barmannen van de stad. Brian wil echter graag zelf een cocktailbar beginnen en vertrekt naar Jamaica waar hij de knappe kunstenares Jordan leert kennen.
Nee, helaas is Cocktail nog niet beschikbaar op Netflix in Nederland.
| Camera | Dean Semler | Director of Photography |
| Production | Robert W. Cort | Producer |
| Production | Ted Field | Producer |
| Sound | J. Peter Robinson | Original Music Composer |
| Writing | Heywood Gould | Screenplay |
| Art | Mel Bourne | Production Design |
| Directing | Roger Donaldson | Director |
| Editing | Neil Travis | Editor |
| Art | Dan Davis | Art Direction |
| Lighting | Tony Eldridge | Best Boy Electric |
| Sound | Mark Pappas | Foley Editor |
| Directing | Rob Cowan | First Assistant Director |
| Camera | Perry Hoffman | First Assistant Camera |
| Sound | Burness Dembrowski | Sound Editor |
| Art | Penelope Gottlieb | Title Designer |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Art | Vlasta Svoboda | Assistant Art Director |
| Sound | James Christopher | Sound Editor |
| Sound | John Dunn | Sound Editor |
| Sound | David J. Hudson | Sound Re-Recording Mixer |
| Directing | Kim H. Winther | Second Assistant Director |
| Camera | Julian Chojnacki | Camera Operator |
| Sound | Richard Lightstone | Sound Mixer |
| Camera | Roy Elliston | Best Boy Grip |
| Production | Allen E. Taylor | Production Accountant |
| Crew | Guenter Bartlik | Scenic Artist |
| Camera | Ron Gillham | Key Grip |
| Camera | Rob McEwan | Still Photographer |
| Directing | Janet Spiegel | Third Assistant Director |
| Sound | Mary Andrews | ADR Editor |
| Costume & Make-Up | Rick Sharp | Makeup Artist |
| Costume & Make-Up | Linda Gill | Makeup Artist |
| Art | Don Miloyevich | Property Master |
| Crew | Branko Racki | Stunt Coordinator |
| Crew | Michael Estler | Stunts |
| Costume & Make-Up | Arthur Rowsell | Costume Supervisor |
| Costume & Make-Up | Paul LeBlanc | Hairstylist |
| Lighting | Chris Holmes | Gaffer |
| Crew | Michael Cavanaugh | Special Effects Coordinator |
| Production | Donna Isaacson | Casting |
| Production | Mara McSweeny | Production Coordinator |
| Production | John S. Lyons | Casting |
| Production | David Coatsworth | Unit Production Manager |
| Production | Keith Large | Location Manager |
| Art | Hilton Rosemarin | Set Decoration |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Crew | Jayne Armstrong | Post Production Supervisor |
| Production | Mathew Hart | Location Manager |
| Production | Denis McCallion | Location Manager |
| Directing | Elaine Yarish | Script Supervisor |
| Directing | Renee Bodner | Script Supervisor |
| Sound | Jim Weidman | Music Editor |
| Production | Terry Ladin | Production Coordinator |
| Sound | Terry Porter | Sound Re-Recording Mixer |
| Sound | Kim Maitland | Sound Recordist |
| Sound | Mel Metcalfe | Sound Re-Recording Mixer |
| Sound | Richard L. Anderson | Supervising Sound Editor |
| Sound | Robbie Nevil | Musician |
