Wanneer Brian uit het leger komt wil hij werk zoeken in New York, maar zonder diploma's komt hij niet ver. Dan komt hij te werken in een bar en van zijn baas Douglas leert hij alle kneepjes van het vak en samen worden ze de populairste barmannen van de stad. Brian wil echter graag zelf een cocktailbar beginnen en vertrekt naar Jamaica waar hij de knappe kunstenares Jordan leert kennen.
Nee, helaas is Cocktail nog niet beschikbaar op Netflix in Nederland.
| Directing | Roger Donaldson | Director |
| Writing | Heywood Gould | Screenplay |
| Production | Robert W. Cort | Producer |
| Production | Ted Field | Producer |
| Sound | J. Peter Robinson | Original Music Composer |
| Camera | Dean Semler | Director of Photography |
| Editing | Neil Travis | Editor |
| Art | Mel Bourne | Production Design |
| Art | Dan Davis | Art Direction |
| Sound | David J. Hudson | Sound Re-Recording Mixer |
| Sound | Mark Pappas | Foley Editor |
| Sound | Thom 'Coach' Ehle | Dolby Consultant |
| Art | Penelope Gottlieb | Title Designer |
| Crew | Branko Racki | Stunt Coordinator |
| Crew | Michael Estler | Stunts |
| Directing | Rob Cowan | First Assistant Director |
| Directing | Kim H. Winther | Second Assistant Director |
| Directing | Janet Spiegel | Third Assistant Director |
| Art | Vlasta Svoboda | Assistant Art Director |
| Camera | Julian Chojnacki | Camera Operator |
| Camera | Perry Hoffman | First Assistant Camera |
| Sound | Richard Lightstone | Sound Mixer |
| Sound | Mary Andrews | ADR Editor |
| Sound | James Christopher | Sound Editor |
| Sound | Burness Dembrowski | Sound Editor |
| Sound | John Dunn | Sound Editor |
| Art | Don Miloyevich | Property Master |
| Costume & Make-Up | Arthur Rowsell | Costume Supervisor |
| Costume & Make-Up | Rick Sharp | Makeup Artist |
| Costume & Make-Up | Linda Gill | Makeup Artist |
| Costume & Make-Up | Paul LeBlanc | Hairstylist |
| Lighting | Chris Holmes | Gaffer |
| Camera | Ron Gillham | Key Grip |
| Camera | Roy Elliston | Best Boy Grip |
| Lighting | Tony Eldridge | Best Boy Electric |
| Crew | Michael Cavanaugh | Special Effects Coordinator |
| Crew | Guenter Bartlik | Scenic Artist |
| Production | Allen E. Taylor | Production Accountant |
| Camera | Rob McEwan | Still Photographer |
| Production | Donna Isaacson | Casting |
| Production | John S. Lyons | Casting |
| Art | Hilton Rosemarin | Set Decoration |
| Costume & Make-Up | Ellen Mirojnick | Costume Design |
| Crew | Jayne Armstrong | Post Production Supervisor |
| Production | David Coatsworth | Unit Production Manager |
| Production | Mathew Hart | Location Manager |
| Production | Keith Large | Location Manager |
| Production | Denis McCallion | Location Manager |
| Sound | Jim Weidman | Music Editor |
| Directing | Renee Bodner | Script Supervisor |
| Production | Terry Ladin | Production Coordinator |
| Production | Mara McSweeny | Production Coordinator |
| Directing | Elaine Yarish | Script Supervisor |
| Sound | Richard L. Anderson | Supervising Sound Editor |
| Sound | Kim Maitland | Sound Recordist |
| Sound | Mel Metcalfe | Sound Re-Recording Mixer |
| Sound | Terry Porter | Sound Re-Recording Mixer |
| Sound | Robbie Nevil | Musician |
