In de zomer van 1956 werkte de 23-jarige Colin Clark, die net van Oxford komt en vastbesloten is om carrière te maken in de filmwereld, als assistent op de set van „The Prince and the Showgirl”, de film die Sir Laurence Olivier en Marilyn Monroe verenigde. Deze laatste was ook op huwelijksreis met haar nieuwe man, scenarioschrijver Arthur Miller.
Nee, helaas is My Week with Marilyn nog niet beschikbaar op Netflix in Nederland.
| Writing | Colin Clark | Book |
| Sound | Conrad Pope | Original Music Composer |
| Costume & Make-Up | Jill Taylor | Costume Designer |
| Sound | Conrad Pope | Conductor |
| Sound | Dana Sano | Music Supervisor |
| Sound | Lang Lang | Musician |
| Sound | Alexandre Desplat | Main Title Theme Composer |
| Crew | Kathleen Marshall | Choreographer |
| Crew | Denise Faye | Choreographer |
| Costume & Make-Up | Jenny Shircore | Makeup Designer |
| Sound | Maggie Rodford | Music Supervisor |
| Crew | Jane Gibson | Choreographer |
| Sound | Michelle Williams | Songs |
| Costume & Make-Up | Jenny Shircore | Hair Designer |
| Directing | Charlie Reed | Second Assistant Director |
| Visual Effects | Alan Church | Visual Effects Supervisor |
| Sound | Catherine Hodgson | Sound Effects Editor |
| Camera | Laurence Cendrowicz | Still Photographer |
| Visual Effects | Mark Holt | Special Effects Supervisor |
| Sound | Alastair Sirkett | Sound Effects Editor |
| Sound | Myron Nettinga | Sound Effects Editor |
| Directing | Vicki Howe | Script Supervisor |
| Costume & Make-Up | Martin Pakledinaz | Costume Designer |
| Sound | Paul Hanks | Foley Artist |
| Crew | Tania Blunden | Post Production Supervisor |
| Camera | Rupert Lloyd-Parry | Key Grip |
| Visual Effects | Sheila Wickens | Visual Effects Supervisor |
| Sound | Nick Lowe | Supervising Sound Editor |
| Crew | Penny Ryder | Stunt Double |
| Directing | Guy Heeley | First Assistant Director |
| Camera | Adam Coles | Focus Puller |
| Production | Jason Wheeler | Location Manager |
| Lighting | Mark Clayton | Gaffer |
| Directing | Chris Foggin | Third Assistant Director |
| Crew | Julian Spencer | Stunt Coordinator |
| Sound | Richard Dyer | Sound Mixer |
| Crew | Belinda McGinley | Stunts |
| Art | Mike Power | Property Master |
| Costume & Make-Up | Charlotte Sewell | Costume Supervisor |
| Lighting | Jules Fisher | Lighting Design |
| Lighting | Peggy Eisenhauer | Lighting Design |
| Sound | Ian Waggott | Foley Artist |
| Sound | Mike Dowson | Sound Re-Recording Mixer |
| Sound | Adam Scrivener | Sound Re-Recording Mixer |
| Writing | Adrian Hodges | Screenplay |
| Directing | Simon Curtis | Director |
| Production | Nina Gold | Casting |
| Production | Harvey Weinstein | Producer |
| Production | Deborah Aquila | Casting |
| Production | David Parfitt | Producer |
| Production | Tricia Wood | Casting |
| Camera | Ben Smithard | Director of Photography |
| Art | Kevin Day | Standby Property Master |
| Production | Kelly Carmichael | Executive Producer |
| Production | Christine Langan | Executive Producer |
| Art | Judy Farr | Set Decoration |
| Production | Jamie Laurenson | Executive Producer |
| Editing | Adam Recht | Editor |
| Art | Charmian Adams | Supervising Art Director |
| Production | Bob Weinstein | Executive Producer |
| Production | Colin Vaines | Co-Executive Producer |
| Production | Simon Curtis | Executive Producer |
| Production | Ivan Mactaggart | Executive Producer |
| Art | Donal Woods | Production Design |
| Production | Cleone Clarke | Associate Producer |
| Production | Mark Cooper | Co-Producer |
| Art | Mark Kebby | Art Direction |
| Production | Sara Desmond | Production Manager |
| Camera | Mark Milsome | "C" Camera Operator |
