Omschrijving In het West End van het Londen van de jaren 50 komen de plannen voor een filmversie van een groot successtuk abrupt tot stilstand nadat een cruciaal lid van de crew is vermoord. Wanneer de wereldvermoeide inspecteur Stoppard en de enthousiaste nieuweling Constable Stalker de zaak op zich nemen, worden de twee in een raadselachtige whodunit geworpen in de glamoureus smerige theater-underground, waarbij ze de mysterieuze moord op eigen risico onderzoeken.
Nee, helaas is See How They Run nog niet beschikbaar op Netflix in Nederland.
| Sound | Daniel Pemberton | Original Music Composer |
| Art | Amanda McArthur | Production Design |
| Sound | Sarah Bridge | Music Supervisor |
| Camera | Jamie D. Ramsay | Director of Photography |
| Editing | Peter Lambert | Editor |
| Editing | Gary Dollner | Editor |
| Production | Gina Carter | Producer |
| Costume & Make-Up | Nadia Stacey | Makeup Designer |
| Costume & Make-Up | Nadia Stacey | Hair Designer |
| Costume & Make-Up | Kerieann London | Makeup Artist |
| Production | John Palfery Smith | Production Manager |
| Sound | Mike Tehrani | ADR Mixer |
| Visual Effects | Thomas Ashby | Pipeline Technical Director |
| Art | Robert Haynes | Standby Art Director |
| Sound | Paul Carter | Sound Re-Recording Mixer |
| Sound | Jennie Shea | ADR Recordist |
| Visual Effects | Tim Barter | Visual Effects Supervisor |
| Art | Daniel Kearns | Art Direction |
| Art | Sophia Millar | Assistant Set Decoration |
| Sound | Chris Navarro | ADR Mixer |
| Directing | Neil Wallace | First Assistant Director |
| Crew | Elliot Barrett | Visual Effects Editor |
| Production | Liza Carmel | Unit Production Manager |
| Visual Effects | James D. Etherington | Visual Effects Supervisor |
| Sound | Patrick Christensen | ADR Mixer |
| Sound | Alex Stylianou | ADR Recordist |
| Costume & Make-Up | Carolyn Cousins | Makeup Supervisor |
| Crew | Louise Seymour | Post Production Supervisor |
| Sound | Mark DeSimone | ADR Mixer |
| Visual Effects | Blanca Del Pozo Cavallé De Moya | Rotoscoping Artist |
| Production | Yesi Ramirez | Casting |
| Costume & Make-Up | Zainab Jaye | Makeup Artist |
| Art | Abbie Bellwood | Art Direction |
| Art | Celia De La Hey | Set Decoration |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Art | John Reid | Supervising Art Director |
| Sound | Paul Cotterell | Sound Re-Recording Mixer |
| Sound | Keith Partridge | Foley Mixer |
| Sound | Kasper Pedersen | Dialogue Editor |
| Sound | Danny Sheehan | Supervising Sound Editor |
| Visual Effects | Jonathan Atkins-Pott | Digital Compositor |
| Sound | Barnaby Smyth | Foley Supervisor |
| Production | Robert Platt-Higgins | Post Production Coordinator |
| Art | Amy Diamond | Assistant Set Decoration |
| Costume & Make-Up | Amy Pollitt | Costumer |
| Costume & Make-Up | Hannah Warren | Costumer |
| Visual Effects | James Devlin | VFX Editor |
| Visual Effects | Jonathan Jean-Marie Wannyn | VFX Artist |
| Visual Effects | Dan Victoire | Compositing Lead |
| Visual Effects | Antonio Pavlov | VFX Artist |
| Visual Effects | Siân Venables | VFX Artist |
| Art | Tabitha Boyd | Art Department Coordinator |
| Costume & Make-Up | Kashca Garwood-Walker | Costume Assistant |
| Costume & Make-Up | Holly McLean | Costumer |
| Sound | Richard Bronskill | Orchestrator |
| Sound | Julian Bale | Second Assistant Sound |
| Sound | Martin Beresford | Production Sound Mixer |
| Sound | Paul Carter | Sound Designer |
| Crew | Nino Oz | Compositor |
| Costume & Make-Up | Alex Watherston | Costume Supervisor |
| Editing | Suhaila Mahmoud | Digital Intermediate Producer |
| Directing | Natalie Scicluna | Script Supervisor |
| Art | Piotr Micyk | Set Dresser |
| Costume & Make-Up | Emma Burnand | Assistant Costume Designer |
| Editing | Monika Radwańska | First Assistant Editor |
| Sound | Andy Patterson | Music Editor |
| Visual Effects | Callum Mcnulty | Digital Compositor |
| Costume & Make-Up | Charlotte Ashworth | Costume Standby |
| Visual Effects | Zafar Janjua | Visual Effects Producer |
| Costume & Make-Up | Marianna Bourmpoula | Set Costumer |
| Costume & Make-Up | Luan Placks | Assistant Costume Designer |
| Art | Amy Lockwood | Assistant Set Decoration |
| Costume & Make-Up | Tom O’Dell | Costumer |
| Production | Thomas Darby-Evans | Line Producer |
| Crew | James Devlin | Visual Effects Editor |
| Sound | Mark Baechle | Orchestrator |
| Sound | Robin Baynton | Music Editor |
| Production | Sarada McDermott | Executive Producer |
| Crew | Anthony Skrimshire | Stunt Double |
| Crew | Adam Smith | Stunts |
| Directing | Helen Fraser | Second Assistant Director |
| Lighting | Carolina Schmidtholstein | Gaffer |
| Crew | David Newton | Stunt Double |
| Crew | Andrew Burford | Stunt Double |
| Crew | Matt Da Silva | Stunts |
| Crew | Sarah Lochlan | Stunt Double |
| Crew | Charlie Pawlett | Stunt Double |
| Crew | Grace Franzl | Stunts |
| Crew | Sarah Franzl | Stunt Coordinator |
| Crew | Justin Pearson | Stunts |
| Production | Damian Jones | Producer |
| Directing | Tom George | Director |
| Writing | Mark Chappell | Writer |
| Visual Effects | John Chelepis | Visual Effects |
