Omschrijving In het West End van het Londen van de jaren 50 komen de plannen voor een filmversie van een groot successtuk abrupt tot stilstand nadat een cruciaal lid van de crew is vermoord. Wanneer de wereldvermoeide inspecteur Stoppard en de enthousiaste nieuweling Constable Stalker de zaak op zich nemen, worden de twee in een raadselachtige whodunit geworpen in de glamoureus smerige theater-underground, waarbij ze de mysterieuze moord op eigen risico onderzoeken.
Nee, helaas is See How They Run nog niet beschikbaar op Netflix in Nederland.
| Sound | Daniel Pemberton | Original Music Composer |
| Editing | Peter Lambert | Editor |
| Editing | Gary Dollner | Editor |
| Production | Gina Carter | Producer |
| Camera | Jamie D. Ramsay | Director of Photography |
| Art | Amanda McArthur | Production Design |
| Sound | Sarah Bridge | Music Supervisor |
| Costume & Make-Up | Nadia Stacey | Hair Designer |
| Costume & Make-Up | Nadia Stacey | Makeup Designer |
| Sound | Mike Tehrani | ADR Mixer |
| Sound | Martin Beresford | Production Sound Mixer |
| Directing | Neil Wallace | First Assistant Director |
| Sound | Paul Carter | Sound Designer |
| Sound | Paul Cotterell | Sound Re-Recording Mixer |
| Costume & Make-Up | Zainab Jaye | Makeup Artist |
| Costume & Make-Up | Kerieann London | Makeup Artist |
| Crew | Louise Seymour | Post Production Supervisor |
| Sound | Paul Carter | Sound Re-Recording Mixer |
| Sound | Mark DeSimone | ADR Mixer |
| Sound | Jennie Shea | ADR Recordist |
| Visual Effects | Blanca Del Pozo Cavallé De Moya | Rotoscoping Artist |
| Crew | James Devlin | Visual Effects Editor |
| Production | Thomas Darby-Evans | Line Producer |
| Production | Yesi Ramirez | Casting |
| Production | Liza Carmel | Unit Production Manager |
| Art | Abbie Bellwood | Art Direction |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Sound | Patrick Christensen | ADR Mixer |
| Visual Effects | Callum Mcnulty | Digital Compositor |
| Costume & Make-Up | Charlotte Ashworth | Costume Standby |
| Art | Piotr Micyk | Set Dresser |
| Art | John Reid | Supervising Art Director |
| Sound | Alex Stylianou | ADR Recordist |
| Visual Effects | Dan Victoire | Compositing Lead |
| Directing | Natalie Scicluna | Script Supervisor |
| Costume & Make-Up | Kashca Garwood-Walker | Costume Assistant |
| Costume & Make-Up | Amy Pollitt | Costumer |
| Costume & Make-Up | Alex Watherston | Costume Supervisor |
| Editing | Suhaila Mahmoud | Digital Intermediate Producer |
| Sound | Robin Baynton | Music Editor |
| Art | Celia De La Hey | Set Decoration |
| Visual Effects | Zafar Janjua | Visual Effects Producer |
| Visual Effects | Antonio Pavlov | VFX Artist |
| Costume & Make-Up | Marianna Bourmpoula | Set Costumer |
| Costume & Make-Up | Luan Placks | Assistant Costume Designer |
| Production | Robert Platt-Higgins | Post Production Coordinator |
| Costume & Make-Up | Emma Burnand | Assistant Costume Designer |
| Costume & Make-Up | Carolyn Cousins | Makeup Supervisor |
| Sound | Julian Bale | Second Assistant Sound |
| Crew | Elliot Barrett | Visual Effects Editor |
| Visual Effects | Thomas Ashby | Pipeline Technical Director |
| Visual Effects | Jonathan Atkins-Pott | Digital Compositor |
| Art | Amy Lockwood | Assistant Set Decoration |
| Costume & Make-Up | Holly McLean | Costumer |
| Visual Effects | James Devlin | VFX Editor |
| Sound | Richard Bronskill | Orchestrator |
| Crew | Nino Oz | Compositor |
| Costume & Make-Up | Tom O’Dell | Costumer |
| Costume & Make-Up | Hannah Warren | Costumer |
| Art | Robert Haynes | Standby Art Director |
| Visual Effects | Tim Barter | Visual Effects Supervisor |
| Art | Amy Diamond | Assistant Set Decoration |
| Art | Daniel Kearns | Art Direction |
| Art | Sophia Millar | Assistant Set Decoration |
| Sound | Danny Sheehan | Supervising Sound Editor |
| Production | John Palfery Smith | Production Manager |
| Sound | Chris Navarro | ADR Mixer |
| Sound | Keith Partridge | Foley Mixer |
| Sound | Kasper Pedersen | Dialogue Editor |
| Sound | Barnaby Smyth | Foley Supervisor |
| Sound | Mark Baechle | Orchestrator |
| Sound | Andy Patterson | Music Editor |
| Visual Effects | James D. Etherington | Visual Effects Supervisor |
| Visual Effects | Siân Venables | VFX Artist |
| Art | Tabitha Boyd | Art Department Coordinator |
| Editing | Monika Radwańska | First Assistant Editor |
| Visual Effects | Jonathan Jean-Marie Wannyn | VFX Artist |
| Production | Sarada McDermott | Executive Producer |
| Crew | Matt Da Silva | Stunts |
| Lighting | Carolina Schmidtholstein | Gaffer |
| Crew | Adam Smith | Stunts |
| Crew | Andrew Burford | Stunt Double |
| Directing | Helen Fraser | Second Assistant Director |
| Crew | Charlie Pawlett | Stunt Double |
| Crew | Sarah Franzl | Stunt Coordinator |
| Crew | Grace Franzl | Stunts |
| Crew | Justin Pearson | Stunts |
| Crew | Sarah Lochlan | Stunt Double |
| Crew | David Newton | Stunt Double |
| Crew | Anthony Skrimshire | Stunt Double |
| Production | Damian Jones | Producer |
| Directing | Tom George | Director |
| Writing | Mark Chappell | Writer |
| Visual Effects | John Chelepis | Visual Effects |
