Na veertien jaar houdt Miranda Hillard haar huwelijk voor bekeken. Haar man Daniel ontwijkt zijn verantwoordelijkheden als echtgenoot en vader en gedraagt zich als een groot kind. De rechter wijst haar de kinderen toe. Daniel mag Chris, Lydia en Natalie enkel op zaterdag zien. Voor Daniel is dit een flinke slag in het gezicht.
Nee, helaas is Mrs. Doubtfire nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Marit Allen | Costume Design |
| Production | Marsha Garces Williams | Producer |
| Production | Robin Williams | Producer |
| Production | Janet Hirshenson | Casting |
| Production | Mark Radcliffe | Producer |
| Editing | Raja Gosnell | Editor |
| Directing | Chris Columbus | Director |
| Art | Angelo P. Graham | Production Design |
| Art | Garrett Lewis | Set Decoration |
| Writing | Anne Fine | Novel |
| Writing | Leslie Dixon | Screenplay |
| Production | Jane Jenkins | Casting |
| Writing | Randi Mayem Singer | Screenplay |
| Sound | Howard Shore | Original Music Composer |
| Camera | Donald McAlpine | Director of Photography |
| Art | W. Steven Graham | Art Direction |
| Production | Matthew Rushton | Executive Producer |
| Production | Joan Bradshaw | Producer |
| Lighting | Frank Helbig | Electrician |
| Camera | Chuck Brown | Dolly Grip |
| Camera | Dave Childers | Best Boy Grip |
| Costume & Make-Up | Christine Peters | Costume Supervisor |
| Costume & Make-Up | Virginia G. Hadfield | Hairstylist |
| Costume & Make-Up | Ve Neill | Key Makeup Artist |
| Lighting | Tom Cloutier | Electrician |
| Costume & Make-Up | Yolanda Toussieng | Key Hair Stylist |
| Costume & Make-Up | Pamela S. Westmore | Makeup Artist |
| Production | Jacqueline A. Shea | Production Coordinator |
| Production | Joan Bradshaw | Unit Production Manager |
| Sound | Clare C. Freeman | Assistant Sound Editor |
| Production | Michael Hirshenson | Casting Associate |
| Art | Robert C. Goldstein | Set Designer |
| Sound | Patti Tauscher | Assistant Sound Editor |
| Sound | Dan Wallin | Scoring Mixer |
| Editing | Dennis McNeill | Color Timer |
| Sound | Claire Sanfilippo | Dialogue Editor |
| Sound | Kevin Rose-Williams | Assistant Sound Editor |
| Lighting | Rod M. Janusch | Rigging Grip |
| Sound | Sara Bolder | Dialogue Editor |
| Sound | Nelson Stoll | Sound Mixer |
| Costume & Make-Up | Deirdre N. Williams | Costume Supervisor |
| Directing | Carol Bawer | Additional Second Assistant Director |
| Editing | Tim Silano | First Assistant Editor |
| Sound | Ellen Segal | Supervising Music Editor |
| Art | Kristen Ross | Art Department Coordinator |
| Crew | Pat Banta | Stunts |
| Sound | Tom Johnson | Sound Re-Recording Mixer |
| Sound | Gary Summers | Sound Re-Recording Mixer |
| Sound | Sandina Bailo-Lape | Foley Editor |
| Sound | Robin Katz | Music Editor |
| Camera | Robin Alan Knight | Key Grip |
| Sound | Marian Wilde | Foley Editor |
| Sound | Scott Guitteau | Assistant Sound Editor |
| Sound | Tom Barwick | Foley Artist |
| Directing | Carol DePasquale | Script Supervisor |
| Art | Steven Wolff | Set Designer |
| Camera | Phil Bray | Still Photographer |
| Costume & Make-Up | Nancy Servin | Seamstress |
| Production | Ken Ryan | Production Accountant |
| Art | Steve Saklad | Set Designer |
| Camera | Patrick McArdle | First Assistant "B" Camera |
| Sound | Dianna Stirpe | Assistant Sound Editor |
| Sound | Lora Hirschberg | Assistant Sound Designer |
| Production | Mary Duann | Assistant Production Coordinator |
| Art | Richard W. Clot | Construction Coordinator |
| Crew | Maylon Houston | Transportation Co-Captain |
| Editing | Gary Burritt | Negative Cutter |
| Lighting | Steven R. Mathis | Gaffer |
| Lighting | Brett Laumann | Best Boy Electric |
| Directing | Geoffrey Hansen | First Assistant Director |
| Art | James J. Murakami | Assistant Art Director |
| Sound | Gary Rydstrom | Sound Re-Recording Mixer |
| Sound | Gloria S. Borders | Supervising Sound Editor |
| Visual Effects | Tom Roth | Animation |
| Art | John Zemansky | Property Master |
| Production | Mayda Renizzi-Holt | Assistant Accountant |
| Directing | Cherylanne Martin | Second Assistant Director |
| Art | Mark Woods | Leadman |
| Camera | John A. Small | Second Assistant "A" Camera |
| Crew | Ellen Pasternack | Unit Publicist |
| Sound | Robert Shoup | Sound Effects Editor |
| Sound | Ewa Sztompke | Dialogue Editor |
| Sound | Fred Runner | Boom Operator |
| Crew | Leon Delaney | Stunts |
| Camera | Douglas Ryan | "A" Camera Operator |
| Camera | Kim Marks | "B" Camera Operator |
| Sound | Gary Rydstrom | Sound Designer |
| Sound | C.J. Appel | ADR Editor |
| Directing | Stephen Lee Davis | Second Second Assistant Director |
| Crew | Troy Brown | Stunt Coordinator |
| Art | Harold Fuhrman | Set Designer |
| Sound | Dennie Thorpe | Foley Artist |
| Crew | Bonnie Hudson | Studio Teacher |
| Visual Effects | Bill Littlejohn | Animation |
| Crew | John McLeod | Special Effects |
| Crew | Robert Neilson | Transportation Coordinator |
| Visual Effects | Tom Ray | Animation |
| Sound | Christopher Boyes | Foley Recordist |
| Camera | Paul Sanchez | Second Assistant "B" Camera |
| Visual Effects | Barrie Nelson | Animation |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Costume & Make-Up | Greg Cannom | Special Effects Makeup Artist |
| Crew | Kate O'Neill | Loader |
| Crew | David Draves | Stunts |
| Production | Bruce Devan | Location Manager |
| Production | Debra A. Girard | Assistant Location Manager |
| Crew | Pat Banta | Stunt Double |
| Crew | Conrad Slater | Cableman |
| Lighting | Kevin A. Thompson | Electrician |
| Costume & Make-Up | James P. Cullen | Costume Supervisor |
| Lighting | William Hampton | Electrician |
| Lighting | John Schoening | Rigging Grip |
| Production | Rebecca Erwin Spencer | Producer's Assistant |
| Camera | Robert 'Boomer' McCann | Dolly Grip |
| Camera | Michael Whitehurst | Grip |
| Camera | Philip Ho | Grip |
| Production | Cyndi McHale Margolis | Producer's Assistant |
| Production | Jay Roberts | Payroll Accountant |
| Art | Eugene M. Texeira | Swing |
| Art | Emilio R. Aramendia | Swing |
| Crew | Ron Fode | Projection |
| Art | Don Watson | Swing |
| Editing | Tara McKinley | Assistant Editor |
| Editing | Alexandra Fitzpatrick | Editorial Production Assistant |
| Art | George Zimninsky | Greensman |
| Art | Lisa M. Devlin | Standby Painter |
| Crew | Jonathan Doff | Video Assist Operator |
| Visual Effects | Marty Brenneis | 24 Frame Playback |
| Production | Schuyler Kent | Casting Assistant |
| Crew | Cindy M. Ichikawa | Set Production Assistant |
| Crew | James C. Taylor | Transportation Captain |
| Crew | Darin Rivetti | Set Production Assistant |
| Production | Randol Perelman-Taylor | Location Assistant |
| Production | Oscar Briones | Location Assistant |
| Crew | James J. Wilhelm | Craft Service |
| Visual Effects | Duane Gretsky | Animation |
| Production | Cynthia LaPointe | Location Assistant |
| Crew | John Halko | Catering |
| Crew | Bill Powers | Catering |
| Crew | Dirk Q. Long | Catering |
| Crew | Curtis Hamlin | Catering |
| Production | Susannah Greason | Location Assistant |
| Crew | Steve Watson | Catering |
| Crew | Myra Rosenthal | Studio Teacher |
| Production | Paula DuPré Pesmen | Associate Producer |
| Lighting | Robert E. 'Bobby' Powell | Rigging Gaffer |
| Crew | Frank W. Tarantino | Special Effects |
| Crew | Leo Loverro | Special Effects |
| Crew | Geoff Heron | Special Effects |
| Visual Effects | Claude Raynes | Animation |
| Sound | Howard Shore | Orchestrator |
| Visual Effects | Ralph Newmann | Animation |
| Editing | Kevin D. Ross | Assistant Editor |
| Camera | Vance Piper | First Assistant "A" Camera |
| Crew | Todd McCune Bray | Charge Scenic Artist |
