Gerry Conlon was politiek niet actief in Noord Ierland, maar door zijn zwerftochten door de stad wordt hij verdacht van lidmaatschap bij de IRA. Uit veiligheidsoverwegingen stuurt zijn vader hem naar Londen, waar hij ook is als op 5 oktober 1974 een bomaanslag wordt gepleegd en een hippie hem en zijn vrienden aangeeft als mogelijke daders.
Nee, helaas is In the Name of the Father nog niet beschikbaar op Netflix in Nederland.
| Editing | Gerry Hambling | Editor |
| Camera | Peter Biziou | Director of Photography |
| Directing | Jim Sheridan | Director |
| Production | Jim Sheridan | Producer |
| Art | Caroline Amies | Production Design |
| Writing | Jim Sheridan | Screenplay |
| Sound | Trevor Jones | Original Music Composer |
| Writing | Terry George | Screenplay |
| Crew | Peter Biziou | Cinematography |
| Crew | Greg Powell | Stunts |
| Production | Mary Alleguen | Production Manager |
| Production | Gabriel Byrne | Executive Producer |
| Production | Nuala Moiselle | Casting |
| Art | Rick Butler | Art Direction |
| Crew | Bill Weston | Stunts Coordinator |
| Visual Effects | Kent Houston | Visual Effects |
| Costume & Make-Up | Joan Bergin | Costume Design |
| Crew | Patrick Condren | Stunts |
| Production | Patsy Pollock | Casting |
| Sound | Ron Davis | Sound Editor |
| Sound | Kieran Horgan | Sound mixer |
| Art | Russ Bailey | Construction Coordinator |
| Costume & Make-Up | Anne Dunne | Hairstylist |
| Crew | Gerry Johnston | Special Effects |
| Camera | John Murphy | Grip |
| Camera | Des Whelan | Camera Operator |
| Lighting | Louis Conroy | Gaffer |
| Lighting | Noel Cullen | Electrician |
| Art | Grania O'Shannon | Location Scout |
| Camera | Jonathan Hession | Still Photographer |
| Crew | Alan Walsh | Stunts |
| Crew | James Hickey | Legal Services |
| Lighting | Peter Bloor | Lighting Technician |
| Costume & Make-Up | Orla Carrol | Hairstylist |
| Costume & Make-Up | Sue Wain | Costume Supervisor |
| Directing | Gerry Toomey | Assistant Director |
| Costume & Make-Up | Toni Delaney | Makeup Artist |
| Production | Beverley Keogh | Casting |
| Crew | Francis Ford Coppola | Thanks |
| Writing | Gerry Conlon | Book |
| Camera | Martin Body | Camera Operator |
| Crew | George A. Fleming | Thanks |
| Production | Arthur Lappin | Co-Producer |
| Production | Nye Heron | Associate Producer |
| Editing | Peter Hunt | Color Timer |
| Production | Frank Moiselle | Casting |
| Crew | Susan Jacobs | Thanks |
| Production | Kathy Sykes | Production Manager |
| Production | Terry George | Co-Executive Producer |
| Crew | Al Pacino | Thanks |
| Crew | Marlon Brando | Thanks |
| Visual Effects | Joss Williams | Special Effects Supervisor |
| Directing | Jean Bourne | Script Supervisor |
| Directing | Simon Moseley | Assistant Director |
| Production | Christian McWilliams | Location Manager |
| Crew | Gary Powell | Stunts |
| Sound | Gavin Friday | Songs |
| Sound | Maurice Seezer | Songs |
| Sound | Bono | Songs |
| Costume & Make-Up | Patricia Kirkman | Makeup & Hair Assistant |
