Gerry Conlon was politiek niet actief in Noord Ierland, maar door zijn zwerftochten door de stad wordt hij verdacht van lidmaatschap bij de IRA. Uit veiligheidsoverwegingen stuurt zijn vader hem naar Londen, waar hij ook is als op 5 oktober 1974 een bomaanslag wordt gepleegd en een hippie hem en zijn vrienden aangeeft als mogelijke daders.
Nee, helaas is In the Name of the Father nog niet beschikbaar op Netflix in Nederland.
| Sound | Trevor Jones | Original Music Composer |
| Production | Jim Sheridan | Producer |
| Camera | Peter Biziou | Director of Photography |
| Directing | Jim Sheridan | Director |
| Writing | Jim Sheridan | Screenplay |
| Editing | Gerry Hambling | Editor |
| Art | Caroline Amies | Production Design |
| Crew | Peter Biziou | Cinematography |
| Writing | Terry George | Screenplay |
| Crew | Greg Powell | Stunts |
| Costume & Make-Up | Joan Bergin | Costume Design |
| Production | Gabriel Byrne | Executive Producer |
| Production | Mary Alleguen | Production Manager |
| Visual Effects | Kent Houston | Visual Effects |
| Art | Rick Butler | Art Direction |
| Production | Nuala Moiselle | Casting |
| Crew | Patrick Condren | Stunts |
| Production | Patsy Pollock | Casting |
| Crew | Bill Weston | Stunts Coordinator |
| Sound | Kieran Horgan | Sound mixer |
| Art | Russ Bailey | Construction Coordinator |
| Sound | Ron Davis | Sound Editor |
| Costume & Make-Up | Anne Dunne | Hairstylist |
| Crew | Gerry Johnston | Special Effects |
| Camera | Des Whelan | Camera Operator |
| Art | Grania O'Shannon | Location Scout |
| Camera | John Murphy | Grip |
| Camera | Jonathan Hession | Still Photographer |
| Lighting | Louis Conroy | Gaffer |
| Lighting | Noel Cullen | Electrician |
| Crew | Alan Walsh | Stunts |
| Crew | James Hickey | Legal Services |
| Lighting | Peter Bloor | Lighting Technician |
| Costume & Make-Up | Orla Carrol | Hairstylist |
| Costume & Make-Up | Sue Wain | Costume Supervisor |
| Directing | Gerry Toomey | Assistant Director |
| Production | Nye Heron | Associate Producer |
| Production | Frank Moiselle | Casting |
| Camera | Martin Body | Camera Operator |
| Production | Arthur Lappin | Co-Producer |
| Production | Terry George | Co-Executive Producer |
| Writing | Gerry Conlon | Book |
| Costume & Make-Up | Toni Delaney | Makeup Artist |
| Production | Kathy Sykes | Production Manager |
| Production | Beverley Keogh | Casting |
| Visual Effects | Joss Williams | Special Effects Supervisor |
| Crew | Marlon Brando | Thanks |
| Editing | Peter Hunt | Color Timer |
| Directing | Jean Bourne | Script Supervisor |
| Crew | Francis Ford Coppola | Thanks |
| Crew | Susan Jacobs | Thanks |
| Crew | Al Pacino | Thanks |
| Crew | George A. Fleming | Thanks |
| Directing | Simon Moseley | Assistant Director |
| Production | Christian McWilliams | Location Manager |
| Crew | Gary Powell | Stunts |
| Sound | Maurice Seezer | Songs |
| Sound | Bono | Songs |
| Sound | Gavin Friday | Songs |
| Costume & Make-Up | Patricia Kirkman | Makeup & Hair Assistant |
