In 1969 verslaat de Britse geheim agent Austin Powers de meeste handlangers van zijn grote vijand Dr. Evil. Dr. Evil besluit zich in te vriezen zodat Austin hem niet zal kunnen pakken. Austin besluit zichzelf ook in te laten vriezen, voor het geval Dr. Evil ooit weer tevoorschijn komt.
Nee, helaas is Austin Powers: International Man of Mystery nog niet beschikbaar op Netflix in Nederland.
| Costume & Make-Up | Deena Appel | Costume Design |
| Crew | Danny Cangemi | Special Effects Coordinator |
| Writing | Mike Myers | Screenplay |
| Production | Demi Moore | Producer |
| Production | Suzanne Todd | Producer |
| Camera | Peter Deming | Director of Photography |
| Crew | Jay Caputo | Stunts |
| Art | Cynthia Kay Charette | Production Design |
| Sound | George S. Clinton | Original Music Composer |
| Crew | Thomas Love | Special Effects |
| Costume & Make-Up | Kylie Bell | Makeup Artist |
| Crew | Bud Davis | Stunt Coordinator |
| Directing | Jay Roach | Director |
| Production | Jennifer Todd | Producer |
| Sound | Javier Bennassar | Supervising Sound Effects Editor |
| Art | Dan Olexiewicz | Art Direction |
| Sound | Dorian Cheah | Sound Effects Editor |
| Editing | Dawn Hoggatt | Editor |
| Production | John Papsidera | Casting |
| Crew | Richard Ratliff | Special Effects Coordinator |
| Editing | Debra Neil-Fisher | Editor |
| Art | Bob Kensinger | Set Decoration |
| Production | Eric McLeod | Executive Producer |
| Directing | Amy Schmidt | Second Assistant Director |
| Production | Mike Myers | Producer |
| Directing | Douglas Aarniokoski | First Assistant Director |
| Directing | David Ticotin | Second Assistant Director |
| Production | Claire Rudnick Polstein | Executive Producer |
| Production | Eric McLeod | Unit Production Manager |
| Sound | John Houlihan | Music Supervisor |
| Production | Bob Degus | Production Executive |
| Production | Carla Fry | Executive In Charge Of Production |
| Crew | David Deever | Video Assist Operator |
| Production | Jody Hummer | Location Manager |
| Production | Bonnie Weis | Production Accountant |
| Production | Joe Fineman | Executive In Charge Of Post Production |
| Camera | Scott Andrew Ressler | First Assistant Camera |
| Directing | Ronit Ravich-Boss | Script Supervisor |
| Art | Melody Bishop | Art Department Coordinator |
| Crew | Diana Kaufman | Post Production Supervisor |
| Art | Chris Vail | Assistant Property Master |
| Art | Lauren Lustig | Assistant Property Master |
| Costume & Make-Up | Tangi Crawford | Costume Supervisor |
| Costume & Make-Up | Ann Foley | Set Costumer |
| Production | Joan Kelley Bierman | Production Coordinator |
| Art | Douglas Berkeley | Set Designer |
| Crew | Marguerite Pomerhn Derricks | Choreographer |
| Camera | Renee Treyball | Second Assistant Camera |
| Costume & Make-Up | Carla Palmer | First Assistant Makeup Artist |
| Costume & Make-Up | Denise Martinez | Costume Supervisor |
| Art | Gabriel Hardman | Storyboard Artist |
| Camera | Paul Hughen | Camera Operator |
| Art | Jack Robinson | Location Scout |
| Art | Martin Roy Mervel | Set Designer |
| Costume & Make-Up | Michelle Skoby | Assistant Costume Designer |
| Art | Bruce Mink | Property Master |
| Costume & Make-Up | Kathrine Gordon | Key Hair Stylist |
| Sound | Jim Osburn | Boom Operator |
| Costume & Make-Up | Patty York | Key Makeup Artist |
| Costume & Make-Up | Candy L. Walken | Key Hair Stylist |
| Costume & Make-Up | John E. Jackson | Makeup Artist |
| Lighting | Michael LaViolette | Chief Lighting Technician |
| Sound | Frederick Howard | Sound Designer |
| Sound | Susan Shin | ADR Supervisor |
| Costume & Make-Up | Deborah Myles Davis | Set Costumer |
| Camera | Michael Pizzuto | Key Grip |
| Sound | Benjamin L. Cook | Sound Effects Editor |
| Sound | Robert Jackson | Dialogue Editor |
| Directing | Violet Cazanjian | Second Second Assistant Director |
| Sound | Elmo Weber | Sound Designer |
| Sound | Cormac Funge | Sound Effects Editor |
| Art | Hugh Conlon | Construction Coordinator |
| Camera | Steven Pehl | Best Boy Grip |
| Crew | Paul Prokop | Production Controller |
| Sound | Frederick Howard | Supervising Sound Editor |
| Lighting | Jerry Day | Key Rigging Grip |
| Crew | Claire Raskind | Unit Publicist |
| Sound | Gloria Cooper | Boom Operator |
| Crew | Bill M. Puluti | Transportation Coordinator |
| Camera | Kimberly Wright | Still Photographer |
| Sound | Lisle Engle | Sound Effects Editor |
| Sound | Frank Gaeta | Sound Effects Editor |
| Camera | Dennis K. Wilson | Dolly Grip |
| Sound | Louis Creveling | Dialogue Editor |
| Sound | William Smith | Sound Re-Recording Mixer |
| Sound | Thomas Jones | Dialogue Editor |
| Sound | Diane Marshall | Foley Artist |
| Sound | John Ross | Sound Re-Recording Mixer |
| Sound | Chris Douridas | Music Consultant |
| Sound | Danielle Ghent | Dialogue Editor |
| Sound | David Mann | Foley Editor |
| Sound | Thomas Volckmann | Foley Editor |
| Sound | Ossama Khuluki | Foley Artist |
| Editing | Dan Muscarella | Color Timer |
| Sound | Lucy Sustar | Foley Mixer |
| Sound | Micki Stern | Music Coordinator |
| Sound | Tony Suraci | Foley Editor |
| Sound | David Grant | Dialogue Editor |
| Sound | Derek Marcil | ADR Mixer |
| Sound | Mike Flicker | Music Editor |
| Sound | Alan Freedman | ADR Mixer |
| Sound | Steve Scoville | Dialogue Editor |
| Sound | Mary Erstad | Foley Mixer |
| Sound | Catherine Harper | Foley Artist |
| Sound | Derek Marcil | Sound Re-Recording Mixer |
| Costume & Make-Up | Gary Archer | Prosthetics |
| Crew | Anita Hart | Stunt Double |
| Crew | Patricia Tallman | Stunts |
| Crew | Sashy Bogdanovich | Set Production Assistant |
| Camera | Wally Pfister | Additional Photography |
| Crew | William Scharpf | Stunts |
| Costume & Make-Up | Christine L. Cantella | Wardrobe Assistant |
