De film, gesitueerd in het pittoreske Savannah in de staat Georgia, analyseert tegelijkertijd de opmerkelijke inwoners van dit stadje en de ontwikkelingen die plaatsvinden nadat een moord is gepleegd. Dit alles gezien door de ogen van een schrijver uit New York die langzaam betrokken raakt bij de gebeurtenissen.
Nee, helaas is Midnight in the Garden of Good and Evil nog niet beschikbaar op Netflix in Nederland.
Production | Anita Zuckerman | Executive Producer |
Camera | Jack N. Green | Director of Photography |
Production | Arnold Stiefel | Producer |
Editing | Joel Cox | Editor |
Directing | Clint Eastwood | Director |
Sound | Lennie Niehaus | Original Music Composer |
Production | Clint Eastwood | Producer |
Production | Phyllis Huffman | Casting |
Writing | John Lee Hancock | Screenplay |
Camera | Sam Emerson | Still Photographer |
Art | Henry Bumstead | Production Design |
Sound | Mike Dobie | Sound Effects Editor |
Costume & Make-Up | Eryn Krueger Mekash | Makeup Artist |
Sound | David E. Campbell | Sound Re-Recording Mixer |
Costume & Make-Up | Linda Boykin-Williams | Makeup Artist |
Costume & Make-Up | Julie Callihan | Makeup Artist |
Sound | Kevin E. Carpenter | Sound Re-Recording Mixer |
Sound | Alan Robert Murray | Supervising Sound Editor |
Sound | Jayme S. Parker | Sound Effects Editor |
Art | Jack G. Taylor Jr. | Art Direction |
Sound | Doug Jackson | Sound Effects Editor |
Sound | Adam Johnston | Sound Effects Editor |
Sound | Gary Krivacek | Sound Effects Editor |
Costume & Make-Up | Tania McComas | Key Makeup Artist |
Sound | Jay Wilkinson | Sound Effects Editor |
Sound | Bub Asman | Supervising Sound Editor |
Sound | Jeffrey J. Haboush | Sound Re-Recording Mixer |
Writing | John Berendt | Book |
Production | Tom Rooker | Co-Producer |
Production | Michael Maurer | Associate Producer |
Camera | Bill Coe | First Assistant "A" Camera |
Editing | Don Roth | Assistant Editor |
Directing | Robert Lorenz | First Assistant Director |
Art | John H. Anderson | Set Decoration |
Camera | Paul Varrieur | "B" Camera Operator |
Camera | Peter N. Green | Second Assistant "A" Camera |
Sound | Marvin E. Lewis | Boom Operator |
Costume & Make-Up | Sybil Gray | Key Costumer |
Costume & Make-Up | Carol A. O'Connell | Key Hair Stylist |
Sound | Donald Harris | Music Editor |
Directing | Dodi Lee Rubenstein | Second Assistant Director |
Art | James J. Murakami | Art Direction |
Sound | Willie D. Burton | Sound Mixer |
Camera | Bill McConnell Jr. | First Assistant "B" Camera |
Art | Richard C. Goddard | Set Decoration |
Directing | Cate Hardman | Script Supervisor |
Crew | David Linton | Cableman |
Costume & Make-Up | Cindy Evans | Set Costumer |
Lighting | Kevin A. Thompson | Chief Lighting Technician |
Camera | Antonio V. Garrido | Dolly Grip |
Production | Michael Maurer | Production Manager |
Sound | Lucy Coldsnow-Smith | Supervising Dialogue Editor |
Sound | Juno J. Ellis | ADR Supervisor |
Costume & Make-Up | Vivian McAteer | Hairstylist |
Camera | Charles Saldaña | Key Grip |
Directing | Tom Rooker | Second Assistant Director |
Editing | Michael Cipriano | Assistant Editor |
Editing | Gary D. Roach | Assistant Editor |
Lighting | Frank R. Jimenez Jr. | Assistant Chief Lighting Technician |
Camera | Jan Gould | Best Boy Grip |
Crew | Joe Pancake | Special Effects Coordinator |
Camera | Stephen S. Campanelli | Steadicam Operator |
Camera | Denise Bailie | Second Assistant "B" Camera |
Costume & Make-Up | Deborah Hopper | Costume Supervisor |
Camera | Charles W. Wayt | Dolly Grip |
Art | Michael Sexton | Property Master |
Costume & Make-Up | Peggy A. Schnitzer | Set Costumer |
Crew | Marco Barla | Unit Publicist |
Crew | Francis Pennington | Special Effects |
Lighting | Frank Helbig | Assistant Chief Lighting Technician |
Crew | Tim Monich | Dialect Coach |
Production | Mika Saito | Assistant Production Coordinator |
Costume & Make-Up | Kate Sawyer | Costumer |
Crew | Tim Moran | Special Effects |
Camera | Stephen S. Campanelli | "A" Camera Operator |
Crew | Steve Riley | Special Effects Coordinator |
Crew | Ken Ebert | Special Effects |
Crew | Jim Jolly | Special Effects |
Production | Jason McGatlin | Production Coordinator |
Production | Andrew White | Production Secretary |
Production | Bob Hartman | Production Accountant |
Art | Ron Ashmore | Standby Painter |
Art | Chuck Herrmann | Assistant Property Master |
Art | John J. Rutchland Jr. | Construction Coordinator |
Crew | Keith Dillin | Transportation Coordinator |
Crew | Craig Hosking | Pilot |
Sound | Samuel C. Crutcher | Dialogue Editor |
Sound | John F. Reynolds | Dialogue Editor |
Editing | Mo Henry | Negative Cutter |
Editing | Bob Putynkowski | Color Timer |
Directing | David M. Bernstein | Second Second Assistant Director |
Sound | David Horton Jr. | Foley Supervisor |
Sound | Constance A. Kazmer | Dialogue Editor |
Sound | Robb Wilson | Assistant Sound Editor |
Sound | Darrin Martin | Assistant Sound Editor |
Crew | George Orrison | Stunts |
Production | Laura Bryant | Assistant Location Manager |
Sound | Patrick J. Foley | Dialogue Editor |
Sound | Bruce Richardson | Dialogue Editor |
Sound | Michelle Pleis | Assistant Sound Editor |
Production | Olivia Harris | Casting Associate |
Sound | Denise Horta | ADR Editor |
Crew | Pete Bianco | Transportation Captain |
Production | John Findley III | Assistant Location Manager |
Sound | Andy Kopetzky | Foley Editor |
Sound | Paul C. Warschilka | Assistant Sound Editor |
Production | Antoinette Levine | Location Manager |
Art | Frank M. Fleming | Leadman |
Production | Shay Bentley Griffin | Additional Casting |
Sound | Scott D. Jackson | Foley Editor |
Sound | Scott Burrow | Foley Editor |
Production | Claudia Ramsumair | Casting Assistant |
Sound | Neil Burrow | Foley Editor |
Sound | Butch Wolf | Foley Editor |
Sound | Stephen Janisz | ADR Editor |
Art | Sandra Renfroe | Leadman |
Directing | Rosemarie Unite | Second Second Assistant Director |
Sound | Karen Spangenberg | Dialogue Editor |
Sound | Kim Nolan | Assistant Sound Editor |
Art | Charles Nixon III | Leadman |
Sound | Craig Nolan | Assistant Sound Editor |