1963: Jim Garrison neemt de taak op zich om de moord op president John F. Kennedy in Texas te onderzoeken. Garrison staat erg argwanend ten opzichte van het officiële verhaal dat door de FBI verteld wordt.
Nee, helaas is JFK nog niet beschikbaar op Netflix in Nederland.
| Art | Alan Tomkins | Art Direction |
| Sound | John Williams | Original Music Composer |
| Writing | Zachary Sklar | Screenplay |
| Production | Arnon Milchan | Executive Producer |
| Costume & Make-Up | Marlene Stewart | Costume Design |
| Production | Oliver Stone | Producer |
| Art | Derek R. Hill | Art Direction |
| Production | Risa Bramon Garcia | Casting |
| Production | Billy Hopkins | Casting |
| Writing | Oliver Stone | Screenplay |
| Camera | Robert Richardson | Director of Photography |
| Editing | Pietro Scalia | Editor |
| Art | Crispian Sallis | Set Decoration |
| Production | A. Kitman Ho | Producer |
| Production | Clayton Townsend | Producer |
| Art | Victor Kempster | Production Design |
| Editing | Joe Hutshing | Editor |
| Production | Heidi Levitt | Casting |
| Production | Michael Johnson | Production Assistant |
| Costume & Make-Up | Andria Litto | Wardrobe Assistant |
| Sound | Bill Daly | Sound Mixer |
| Crew | Randy E. Moore | Special Effects Coordinator |
| Visual Effects | Miller Drake | Visual Effects |
| Crew | Bob Shelley | Special Effects |
| Crew | Webster Whinery | Stunt Coordinator |
| Camera | J. Michael Muro | Steadicam Operator |
| Sound | Kenneth Wannberg | Music Editor |
| Directing | Susan Malerstein | Script Supervisor |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Lighting | John Shoemaker | Rigging Gaffer |
| Costume & Make-Up | Cassandra Scott | Makeup Artist |
| Costume & Make-Up | Craig Berkeley | Makeup Artist |
| Sound | Scott Martin Gershin | Sound Effects Editor |
| Sound | Mark A. Lanza | Sound Effects Editor |
| Costume & Make-Up | Kelvin R. Trahan | Hairstylist |
| Costume & Make-Up | Ron Scott | Hairstylist |
| Sound | Michael D. Wilhoit | Supervising Sound Editor |
| Costume & Make-Up | Bonnie Clevering | Hairstylist |
| Costume & Make-Up | Elle Elliott | Key Hair Stylist |
| Costume & Make-Up | Deborah Mills-Whitlock | Hairstylist |
| Costume & Make-Up | Ron Berkeley | Makeup Artist |
| Costume & Make-Up | Elaine Thomas | Makeup Artist |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Sound | Jay B. Richardson | Sound Effects Editor |
| Costume & Make-Up | Martha Marek Beresford | Hairstylist |
| Costume & Make-Up | Wade Daily | Makeup Artist |
| Crew | Kevin Beard | Utility Stunts |
| Lighting | Michael F. Burke | Electrician |
| Costume & Make-Up | Mark Burchard | Costume Design |
| Visual Effects | Margaret Johnson | Special Effects Supervisor |
| Crew | William H. Brown | Post Production Supervisor |
| Crew | Warren Keillor | Special Effects |
| Editing | Kate Crossley | Assistant Editor |
| Crew | John Stockwell | Technical Advisor |
| Camera | Donald Carlson | First Assistant Camera |
| Editing | David Orr | Color Timer |
| Sound | Dan M. Rich | Dialogue Editor |
| Sound | Hugo Weng | Dialogue Editor |
| Production | Joseph P. Reidy | Associate Producer |
| Sound | Willy Allen | Dialogue Editor |
| Sound | Richard Dwan Jr. | Dialogue Editor |
| Camera | Philip C. Pfeiffer | Camera Operator |
| Sound | Jerelyn J. Harding | ADR Editor |
| Sound | Christopher Assells | Dialogue Editor |
| Sound | Avram D. Gold | ADR Supervisor |
| Camera | J. Michael McClary | Additional Camera |
| Sound | Alison Fisher | Dialogue Editor |
| Art | J. Grey Smith | Property Master |
| Directing | Joseph P. Reidy | First Assistant Director |
| Camera | Jerry G. Callaway | Additional Camera |
| Sound | David A. Arnold | Dialogue Editor |
| Sound | Mark Gordon | Dialogue Editor |
| Sound | Bob Newlan | Dialogue Editor |
| Sound | Mary Andrews | ADR Editor |
| Directing | Joe Burns | Second Assistant Director |
| Art | Jack Kostelnik | Construction Foreman |
| Art | Barby Kirk | Props |
| Art | Mandy Brou | Set Dresser |
| Crew | Patrick Hogan | Driver |
| Crew | Derek Abernathy | Carpenter |
| Art | Margery Z. Gabrielson | Assistant Art Director |
| Art | Bill Darrow | Standby Painter |
| Art | Rodney Armanino | Construction Coordinator |
| Crew | Brooks Baldwin | Dialect Coach |
| Camera | Chris Centrella | Key Grip |
| Costume & Make-Up | Lisa Lovaas | Assistant Costume Designer |
| Art | Dennis Collins | Painter |
| Costume & Make-Up | Ron Berkeley | Key Makeup Artist |
| Art | Mary Saisselin | Set Designer |
| Costume & Make-Up | Dan Bronson | Costume Supervisor |
| Art | Tana Bishop | Art Department Coordinator |
| Camera | Mark A. Hatley | Grip |
| Crew | Kayla Chaillot | Craft Service |
| Crew | Jamie Dierlam | Stunts |
| Crew | Budd Carr | Executive Music Producer |
| Crew | Romy Stevenson | Production Intern |
| Crew | Mark Thomason | Stand In |
| Crew | William B. Borges | Transportation Captain |
| Crew | Roger Armstrong | Unit Publicist |
| Editing | F. Paul Benz | First Assistant Editor |
| Production | Patricia Anne Doherty | Location Manager |
| Sound | Joseph A. Brennan | Sound Engineer |
| Production | Clayton Townsend | Production Manager |
| Sound | John Neufeld | Orchestrator |
| Sound | Joseph Holsen | Sound Editor |
| Crew | John A. Kelly | Scenic Artist |
| Crew | Charlie French | Set Medic |
| Crew | Daniel Burns | Set Production Assistant |
| Production | Dianne E. Collins | Publicist |
| Sound | Mark 'Frito' Long | Sound Recordist |
| Production | Leeann Stonebreaker | Production Coordinator |
| Sound | Robert Batha | Assistant Sound Editor |
| Crew | Alvin L. Milliken Sr. | Transportation Coordinator |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Sound | T.J. O'Mara | Boom Operator |
| Sound | Tod A. Maitland | Production Sound Mixer |
| Production | Juel Bestrop | Casting Associate |
| Crew | Tutt Esquerre | Picture Car Coordinator |
| Production | Thomas Hayslip | Research Assistant |
| Sound | Sandy Berman | Foley Editor |
| Sound | Tim Morrison | Musician |
| Sound | David M. Roberts | Utility Sound |
| Camera | Richard Sobin | Camera Loader |
| Production | Ann Goulder | Casting Assistant |
| Sound | Dan O'Connell | Foley Artist |
| Editing | Julie Monroe | Associate Editor |
| Production | Margaret Lancaster | Assistant Production Coordinator |
| Camera | Kenny Davis | Dolly Grip |
| Art | Carl Catanese | Set Buyer |
| Camera | Michael Off | Assistant Camera |
| Crew | Numa V. Bertel Jr. | Technical Advisor |
| Crew | Eddie Perez | Stunt Driver |
| Lighting | Reinhart Peschke | Chief Lighting Technician |
| Costume & Make-Up | Fran Allgood | Costumer |
| Sound | Judson Leach | Apprentice Sound Editor |
| Production | Sandra Dawes | Location Casting |
| Production | Jonathan M. Abrams | Production Assistant |
| Directing | Philip C. Pfeiffer | Second Unit Director |
| Art | Lance Cheatham | Swing |
| Camera | Faires A. Sekiya | Second Assistant Camera |
| Directing | Deborah Lupard | Second Second Assistant Director |
| Sound | Greg Orloff | Foley Mixer |
| Camera | Jeff Kluttz | Best Boy Grip |
| Editing | Donah Bassett | Negative Cutter |
| Lighting | Frank Scheidbach | Assistant Chief Lighting Technician |
| Production | Gary Huckabay | Assistant Location Manager |
| Production | Liam Finn | Production Secretary |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Art | Paul Etheredge | Art Department Assistant |
| Writing | Jim Marrs | Book |
| Directing | Oliver Stone | Director |
| Writing | Jim Garrison | Book |
| Sound | Alexander Courage | Orchestrator |
