1963: Jim Garrison neemt de taak op zich om de moord op president John F. Kennedy in Texas te onderzoeken. Garrison staat erg argwanend ten opzichte van het officiële verhaal dat door de FBI verteld wordt.
Nee, helaas is JFK nog niet beschikbaar op Netflix in Nederland.
| Art | Derek R. Hill | Art Direction |
| Production | Risa Bramon Garcia | Casting |
| Production | A. Kitman Ho | Producer |
| Writing | Oliver Stone | Screenplay |
| Sound | John Williams | Original Music Composer |
| Production | Heidi Levitt | Casting |
| Production | Clayton Townsend | Producer |
| Camera | Robert Richardson | Director of Photography |
| Editing | Pietro Scalia | Editor |
| Art | Crispian Sallis | Set Decoration |
| Editing | Joe Hutshing | Editor |
| Art | Victor Kempster | Production Design |
| Production | Billy Hopkins | Casting |
| Production | Oliver Stone | Producer |
| Writing | Zachary Sklar | Screenplay |
| Art | Alan Tomkins | Art Direction |
| Costume & Make-Up | Marlene Stewart | Costume Design |
| Production | Arnon Milchan | Executive Producer |
| Production | Michael Johnson | Production Assistant |
| Costume & Make-Up | Andria Litto | Wardrobe Assistant |
| Sound | Bill Daly | Sound Mixer |
| Visual Effects | Miller Drake | Visual Effects |
| Crew | Randy E. Moore | Special Effects Coordinator |
| Crew | Webster Whinery | Stunt Coordinator |
| Crew | Bob Shelley | Special Effects |
| Camera | Sidney Ray Baldwin | Still Photographer |
| Lighting | John Shoemaker | Rigging Gaffer |
| Camera | J. Michael Muro | Steadicam Operator |
| Costume & Make-Up | Martha Marek Beresford | Hairstylist |
| Costume & Make-Up | Elaine Thomas | Makeup Artist |
| Costume & Make-Up | Elle Elliott | Key Hair Stylist |
| Directing | Susan Malerstein | Script Supervisor |
| Sound | Jay B. Richardson | Sound Effects Editor |
| Costume & Make-Up | Ron Scott | Hairstylist |
| Sound | Mark A. Lanza | Sound Effects Editor |
| Sound | Kenneth Wannberg | Music Editor |
| Sound | Scott Martin Gershin | Sound Effects Editor |
| Costume & Make-Up | Deborah Mills-Whitlock | Hairstylist |
| Costume & Make-Up | Kelvin R. Trahan | Hairstylist |
| Costume & Make-Up | Cassandra Scott | Makeup Artist |
| Sound | Michael D. Wilhoit | Supervising Sound Editor |
| Costume & Make-Up | Ron Berkeley | Makeup Artist |
| Costume & Make-Up | Bonnie Clevering | Hairstylist |
| Costume & Make-Up | Craig Berkeley | Makeup Artist |
| Costume & Make-Up | Wade Daily | Makeup Artist |
| Sound | Wylie Stateman | Supervising Sound Editor |
| Crew | Kevin Beard | Utility Stunts |
| Costume & Make-Up | Mark Burchard | Costume Design |
| Lighting | Michael F. Burke | Electrician |
| Crew | Warren Keillor | Special Effects |
| Visual Effects | Margaret Johnson | Special Effects Supervisor |
| Crew | William H. Brown | Post Production Supervisor |
| Editing | Kate Crossley | Assistant Editor |
| Crew | John Stockwell | Technical Advisor |
| Camera | Donald Carlson | First Assistant Camera |
| Editing | David Orr | Color Timer |
| Sound | Bob Newlan | Dialogue Editor |
| Sound | Hugo Weng | Dialogue Editor |
| Directing | Joe Burns | Second Assistant Director |
| Camera | J. Michael McClary | Additional Camera |
| Sound | Mark Gordon | Dialogue Editor |
| Sound | David A. Arnold | Dialogue Editor |
| Sound | Jerelyn J. Harding | ADR Editor |
| Art | J. Grey Smith | Property Master |
| Directing | Joseph P. Reidy | First Assistant Director |
| Camera | Jerry G. Callaway | Additional Camera |
| Sound | Mary Andrews | ADR Editor |
| Sound | Dan M. Rich | Dialogue Editor |
| Production | Joseph P. Reidy | Associate Producer |
| Sound | Christopher Assells | Dialogue Editor |
| Sound | Alison Fisher | Dialogue Editor |
| Sound | Avram D. Gold | ADR Supervisor |
| Camera | Philip C. Pfeiffer | Camera Operator |
| Sound | Willy Allen | Dialogue Editor |
| Sound | Richard Dwan Jr. | Dialogue Editor |
| Art | Tana Bishop | Art Department Coordinator |
| Art | Barby Kirk | Props |
| Art | Mandy Brou | Set Dresser |
| Camera | Mark A. Hatley | Grip |
| Costume & Make-Up | Ron Berkeley | Key Makeup Artist |
| Crew | Kayla Chaillot | Craft Service |
| Art | Bill Darrow | Standby Painter |
| Art | Jack Kostelnik | Construction Foreman |
| Crew | Patrick Hogan | Driver |
| Crew | Tutt Esquerre | Picture Car Coordinator |
| Editing | F. Paul Benz | First Assistant Editor |
| Sound | Joseph A. Brennan | Sound Engineer |
| Sound | Gregg Landaker | Sound Re-Recording Mixer |
| Art | Margery Z. Gabrielson | Assistant Art Director |
| Art | Mary Saisselin | Set Designer |
| Production | Patricia Anne Doherty | Location Manager |
| Sound | T.J. O'Mara | Boom Operator |
| Sound | Mark 'Frito' Long | Sound Recordist |
| Production | Thomas Hayslip | Research Assistant |
| Sound | Tod A. Maitland | Production Sound Mixer |
| Camera | Chris Centrella | Key Grip |
| Crew | Derek Abernathy | Carpenter |
| Art | Rodney Armanino | Construction Coordinator |
| Art | Dennis Collins | Painter |
| Costume & Make-Up | Lisa Lovaas | Assistant Costume Designer |
| Costume & Make-Up | Dan Bronson | Costume Supervisor |
| Crew | Brooks Baldwin | Dialect Coach |
| Crew | Roger Armstrong | Unit Publicist |
| Production | Clayton Townsend | Production Manager |
| Sound | Sandy Berman | Foley Editor |
| Sound | Tim Morrison | Musician |
| Crew | William B. Borges | Transportation Captain |
| Production | Juel Bestrop | Casting Associate |
| Crew | Jamie Dierlam | Stunts |
| Crew | Alvin L. Milliken Sr. | Transportation Coordinator |
| Crew | John A. Kelly | Scenic Artist |
| Production | Dianne E. Collins | Publicist |
| Sound | Robert Batha | Assistant Sound Editor |
| Crew | Romy Stevenson | Production Intern |
| Crew | Charlie French | Set Medic |
| Crew | Daniel Burns | Set Production Assistant |
| Sound | John Neufeld | Orchestrator |
| Sound | Joseph Holsen | Sound Editor |
| Crew | Budd Carr | Executive Music Producer |
| Crew | Mark Thomason | Stand In |
| Production | Leeann Stonebreaker | Production Coordinator |
| Directing | Deborah Lupard | Second Second Assistant Director |
| Sound | David M. Roberts | Utility Sound |
| Camera | Faires A. Sekiya | Second Assistant Camera |
| Production | Gary Huckabay | Assistant Location Manager |
| Sound | Judson Leach | Apprentice Sound Editor |
| Directing | Philip C. Pfeiffer | Second Unit Director |
| Art | Lance Cheatham | Swing |
| Production | Liam Finn | Production Secretary |
| Production | Sandra Dawes | Location Casting |
| Sound | Dan O'Connell | Foley Artist |
| Crew | Eddie Perez | Stunt Driver |
| Production | Margaret Lancaster | Assistant Production Coordinator |
| Costume & Make-Up | Fran Allgood | Costumer |
| Editing | Donah Bassett | Negative Cutter |
| Production | Jonathan M. Abrams | Production Assistant |
| Camera | Richard Sobin | Camera Loader |
| Editing | Julie Monroe | Associate Editor |
| Art | Carl Catanese | Set Buyer |
| Sound | Greg Orloff | Foley Mixer |
| Production | Ann Goulder | Casting Assistant |
| Lighting | Reinhart Peschke | Chief Lighting Technician |
| Crew | Numa V. Bertel Jr. | Technical Advisor |
| Camera | Michael Off | Assistant Camera |
| Camera | Kenny Davis | Dolly Grip |
| Sound | Charleen Richards-Steeves | ADR Mixer |
| Camera | Jeff Kluttz | Best Boy Grip |
| Lighting | Frank Scheidbach | Assistant Chief Lighting Technician |
| Art | Paul Etheredge | Art Department Assistant |
| Writing | Jim Garrison | Book |
| Directing | Oliver Stone | Director |
| Writing | Jim Marrs | Book |
