Alicia Tate, moeder van twee en 16 jaar getrouwd, wordt verliefd op de saxofoon-speler Joe. Voor haar pijnlijke rug gaat ze naar Dr. Yang, een oriëntaalse kruidendokter die ontdekt dat de problemen niet door haar rug komen, maar door haar geestelijke toestand. Dr. Yang's magische kruiden geven Alice speciale krachten, die haar uit de dagelijkse sleur weten te halen.
Nee, helaas is Alice nog niet beschikbaar op Netflix in Nederland.
| Production | Robert Greenhut | Producer |
| Art | Santo Loquasto | Production Design |
| Art | Susan Bode Tyson | Set Decoration |
| Costume & Make-Up | Jeffrey Kurland | Costume Design |
| Production | Juliet Taylor | Casting |
| Directing | Woody Allen | Director |
| Production | Jack Rollins | Executive Producer |
| Camera | Carlo Di Palma | Director of Photography |
| Editing | Susan E. Morse | Editor |
| Writing | Woody Allen | Screenplay |
| Directing | Thomas A. Reilly | First Assistant Director |
| Production | Jonathan Filley | Assistant Production Manager |
| Production | Thomas A. Reilly | Associate Producer |
| Production | Helen Robin | Co-Producer |
| Production | Joseph Hartwick | Co-Producer |
| Production | Jane Read Martin | Associate Producer |
| Directing | Richard Patrick | Second Assistant Director |
| Production | Helen Robin | Production Coordinator |
| Directing | Kay Chapin | Script Supervisor |
| Production | Ellen Lewis | Casting Associate |
| Production | Joseph Hartwick | Production Manager |
| Art | Dave Weinman | Set Dresser |
| Production | Charles H. Joffe | Executive Producer |
| Art | Glenn Lloyd | Art Department Coordinator |
| Camera | Michael Caracciolo | Second Assistant Camera |
| Art | Speed Hopkins | Art Direction |
| Camera | Brian Hamill | Still Photographer |
| Camera | Dick Mingalone | Camera Operator |
| Camera | Michael Green | Assistant Camera |
| Sound | Frank Graziadei | Sound Recordist |
| Camera | Jim Vecchio | Camera Trainee |
| Camera | Ronald Burke | Dolly Grip |
| Lighting | Ray Quinlan | Gaffer |
| Art | Joseph A. Alfieri Jr. | Standby Carpenter |
| Sound | Louis Sabat | Boom Operator |
| Crew | Carl Turnquest | Projection |
| Art | Ron Petagna | Construction Coordinator |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Costume & Make-Up | Fern Buchner | Makeup Artist |
| Camera | Robert Ward | Key Grip |
| Art | Vincent Guarriello | Key Construction Grip |
| Costume & Make-Up | Donna Zakowska | Assistant Costume Designer |
| Lighting | Jim Manzione | Best Boy Electric |
| Crew | Cosmo Sorice | Scenic Artist |
| Costume & Make-Up | Romaine Greene | Hairstylist |
| Costume & Make-Up | Patricia Eiben | Wardrobe Supervisor |
| Sound | James Sabat | Production Sound Mixer |
| Crew | James Sorice | Key Scenic Artist |
| Art | Megan Monaghan | Location Scout |
| Art | James Mazzola | Property Master |
| Sound | Jay Rabinowitz | Assistant Sound Editor |
| Art | Antoine Douaihy | Location Scout |
| Editing | Mark Livolsi | Assistant Editor |
| Art | James A. Davis | Location Scout |
| Costume & Make-Up | Bill Christians | Wardrobe Supervisor |
| Production | Dana Robin | Location Manager |
| Visual Effects | Randall Balsmeyer | Visual Effects Supervisor |
| Editing | William Kruzykowski | Assistant Editor |
| Sound | Sylvia Menno | Assistant Sound Editor |
| Art | Jody Banks | Location Scout |
| Costume & Make-Up | Eric Mendelsohn | Costume Assistant |
| Costume & Make-Up | Lauren Gibson | Costume Assistant |
| Sound | Tony Martinez | Sound Editor |
| Production | Laura Rosenthal | Casting Assistant |
| Crew | Peter Tavis | Transportation Captain |
| Production | Jerry Caron | Assistant Production Coordinator |
| Sound | Robert Hein | Supervising Sound Editor |
| Production | Todd M. Thaler | Additional Casting |
| Production | Justin Moritt | Production Assistant |
| Crew | Harold 'Whitey' McEvoy | Transportation Captain |
| Crew | Scott Schaffer | Craft Service |
| Production | Judie Fixler | Additional Casting |
| Production | Danielle Rigby | Production Assistant |
