Een verpleegster wordt achtervolgd door haar verleden. Ze reist in 1862 van Engeland naar een afgelegen Iers dorp om het wonderlijke vasten van een klein meisje te onderzoeken.
| Production | Tessa Ross | Executive Producer |
| Directing | Sebastián Lelio | Director |
| Production | Ed Guiney | Executive Producer |
| Camera | Ari Wegner | Director of Photography |
| Production | Len Blavatnik | Executive Producer |
| Production | Andrew Lowe | Executive Producer |
| Production | Danny Cohen | Executive Producer |
| Production | Emma Donoghue | Executive Producer |
| Production | Juliette Howell | Executive Producer |
| Sound | Sarah Giles | Music Supervisor |
| Production | Emer O'Shea | Production Executive |
| Camera | Howard Jones | Second Assistant "A" Camera |
| Production | Angus Lamont | Co-Producer |
| Sound | Matthew Herbert | Original Music Composer |
| Costume & Make-Up | Tina Phelan | Key Makeup Artist |
| Visual Effects | Javier H. León | Digital Compositor |
| Sound | Connor Hughes | Music Editor |
| Sound | Ben Baird | Sound Designer |
| Camera | Andrew Gallivan | Camera Operator |
| Costume & Make-Up | Brid Broadberry | Key Hair Stylist |
| Production | Jasmina Torbati | Production Executive |
| Costume & Make-Up | Lorri Ann-King | Hair Department Head |
| Costume & Make-Up | J. Denelle | Key Makeup Artist |
| Costume & Make-Up | Ciara Scannell | Makeup Artist |
| Visual Effects | Kevin McManus | Special Effects Supervisor |
| Editing | Giles Burgess | First Assistant Editor |
| Sound | Hugh Brunt | Orchestrator |
| Art | Lyndon Johnston | Property Master |
| Crew | Deborah Harding | Post Production Supervisor |
| Art | Lesley Oakley | Art Direction |
| Production | Lorraine Hewson | Production Manager |
| Crew | Steve Breheney | Special Effects |
| Crew | Ben McMahon | Video Assist Operator |
| Camera | Burschi Wojnar | Second Unit Director of Photography |
| Editing | Vanessa Taylor | Colorist |
| Crew | Catherine Lundon | Stunts |
| Lighting | Garret Baldwin | Gaffer |
| Crew | Jeremy Murphy | Score Engineer |
| Production | Patrick O'Donoghue | Line Producer |
| Visual Effects | Rob Rowley | Special Effects Supervisor |
| Camera | Aidan Monaghan | Still Photographer |
| Camera | Mick O' Rourke | Steadicam Operator |
| Camera | Karl Walsh | First Assistant Camera |
| Crew | Matt Dawson | Special Effects |
| Camera | Olaya Chesneau | Digital Imaging Technician |
| Sound | Jack Wensley | ADR Mixer |
| Sound | George Elliott | Sound Mix Technician |
| Sound | Stuart Bagshaw | Foley Editor |
| Sound | Hugh Fox | Production Sound Mixer |
| Editing | Kristina Hetherington | Editor |
| Art | Grant Montgomery | Production Design |
| Art | Daryn McLaughlan | Supervising Art Director |
| Sound | Ben Baird | Sound Re-Recording Mixer |
| Costume & Make-Up | Morna Ferguson | Makeup Designer |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Art | Margot Cullen | Set Decoration |
| Costume & Make-Up | Lucia Riley | Costume Supervisor |
| Sound | Rob Price | Supervising Sound Editor |
| Art | Curnan O'Connell | Standby Art Director |
| Art | Til Frohlich | Art Direction |
| Writing | Alice Birch | Writer |
| Writing | Emma Donoghue | Novel |
| Writing | Sebastián Lelio | Writer |
| Writing | Emma Donoghue | Writer |
| Sound | Ruth Sullivan | Foley Artist |
| Costume & Make-Up | Fiona Morgan | Makeup Artist |
| Production | Nina Gold | Casting |
