Een groepje dieven heeft net een bankoverval gepleegd en is op de vlucht geslagen. Ze komen een stadse familie tegen. Op een parkeerplaats stoppen de dieven de buit in de wagen van de familie en wanneer de familie met de wagen wegrijdt, krijgen zij de gevaarlijke criminelen achter zich aan.
Nee, helaas is Transit nog niet beschikbaar op Netflix in Nederland.
Directing | Antonio Negret | Director |
Art | Michelle Jones | Art Direction |
Production | Courtney Solomon | Producer |
Production | Brent Caballero | Casting |
Production | Shannon Makhanian | Casting |
Art | Nate Jones | Production Design |
Production | Moshe Diamant | Producer |
Camera | Yaron Levy | Director of Photography |
Editing | William Yeh | Editor |
Art | Andrew W. Bofinger | Set Decoration |
Costume & Make-Up | Hannah Gates | Costume Supervisor |
Crew | Nancy Young | Stunts |
Production | Christopher Milburn | Co-Producer |
Production | Alison R. Rosenzweig | Executive Producer |
Costume & Make-Up | Kim Martínez | Costume Designer |
Production | Michael J. Gaeta | Executive Producer |
Writing | Michael Gilvary | Screenplay |
Production | Lucy Mukerjee-Brown | Co-Producer |
Production | Joel Silver | Executive Producer |
Production | Allan Zeman | Executive Producer |
Production | Yoram Barzilai | Line Producer |
Production | Stephanie Caleb | Co-Producer |
Crew | Charlie Picerni | Stunt Coordinator |
Sound | Chris Westlake | Original Music Composer |
Costume & Make-Up | Marcos Gonzales | Hairstylist |
Art | Leonard Marchand | Property Master |
Art | D.J. Shea | Title Designer |
Visual Effects | Gerri Sax Bove | Visual Effects Coordinator |
Lighting | Brandon Cunningham | Gaffer |
Sound | Paul B. Knox | Foley Editor |
Visual Effects | Heath Hood | Special Effects Supervisor |
Camera | Joe Tufano | Camera Operator |
Editing | CJ Stewart | Digital Intermediate |
Sound | Scott A. Jennings | Sound Effects Editor |
Sound | Jason Dotts | Sound Re-Recording Mixer |
Costume & Make-Up | Margeaux Fox | Key Hair Stylist |
Costume & Make-Up | Kimberly Amacker | Key Makeup Artist |
Crew | Neil Stockstill | Special Effects Coordinator |
Camera | Joe D'Alessandro | Camera Operator |
Sound | Cameron O. Galloway | ADR Editor |
Crew | Joe Binford Jr. | Visual Effects Editor |
Sound | Clay Achee | Foley |
Sound | Jarmil Maupin | Sound Effects Editor |
Art | Kristin Cheramie | Art Department Coordinator |
Camera | Stuart Abramson | Key Grip |
Editing | Andrew Drazek | First Assistant Editor |
Camera | Cook Allender | Still Photographer |
Sound | Ryan Chase Lee | Foley |
Art | James Eubank | Construction Coordinator |
Lighting | Guy Broussard | Lighting Technician |
Visual Effects | Juan Soto | Visual Effects Coordinator |
Camera | Tom Hunt | Dolly Grip |
Sound | Hana L. Hart | Foley Editor |
Camera | Nicholas Davidoff | Camera Operator |
Sound | Cameron O. Galloway | Dialogue Editor |
Sound | Michael Russo | Foley Editor |
Costume & Make-Up | Sherri Hamilton | Hairstylist |
Directing | Debbie Estay | Script Supervisor |
Sound | D. Chris Smith | Sound Effects Editor |
Sound | Jerry Gilbert | Sound Re-Recording Mixer |
Costume & Make-Up | Katey Ravencraft | Set Costumer |
Sound | Jae Kim | Boom Operator |
Sound | Dean Beville | Sound Designer |
Visual Effects | Tarn Fox | Visual Effects Producer |
Camera | Hilda Mercado | Camera Operator |
Crew | Todd Hergott | Armorer |
Sound | Jeremy Pleasant | Music Supervisor |
Crew | Mallory Thompson | Stunt Double |