Een krankzinnig verhaal over de leden van SADUSEA (Song And Dance Unit South East Asia) die zich aan het eind van de jaren veertig de kogels van het lijf proberen te houden van de Maleisische communisten en tussendoor om de haverklap verliefd worden. Een niet geheel sporende majoor (John Cleese) en een homofiele kapitein in het gezelschap zorgen echter voor meer gevaar dan de 'echte' vijand.
Nee, helaas is Privates on Parade nog niet beschikbaar op Netflix in Nederland.
| Directing | Michael Blakemore | Director |
| Art | Luciana Arrighi | Production Design |
| Production | Simon Relph | Producer |
| Crew | Gillian Gregory | Choreographer |
| Sound | Denis King | Conductor |
| Production | George Harrison | Executive Producer |
| Writing | Peter Nichols | Lyricist |
| Writing | Peter Nichols | Screenplay |
| Editing | Jim Clark | Editor |
| Writing | Peter Nichols | Original Story |
| Production | Denis O'Brien | Executive Producer |
| Costume & Make-Up | Joan Carpenter | Hairdresser |
| Sound | Simon Kaye | Sound Mixer |
| Costume & Make-Up | Luciana Arrighi | Costume Designer |
| Production | Arthur Tarry | Production Accountant |
| Costume & Make-Up | William Peirce | Wardrobe Master |
| Lighting | James T. Mack | Electrician |
| Art | Nick Jenkins | Title Designer |
| Directing | Jake Wright | Assistant Director |
| Sound | Les Wiggins | Sound Editor |
| Costume & Make-Up | Cath Halloran | Wardrobe Master |
| Directing | Pamela Davies | Script Supervisor |
| Crew | Colin Hunt | Technical Advisor |
| Art | Jack Carter | Construction Manager |
| Crew | Peter Hutchinson | Special Effects |
| Art | Phil McDonald | Property Master |
| Crew | Richard Booz | Transportation Captain |
| Camera | Roddy Barron | Camera Operator |
| Costume & Make-Up | Elaine Carew | Makeup Artist |
| Sound | Ken Barker | Sound Mixer |
| Costume & Make-Up | Lindy Shaw | Makeup Artist |
| Crew | Bob Spencer | Scenic Artist |
| Art | Michael White | Art Direction |
| Costume & Make-Up | Jane Bond | Assistant Costume Designer |
| Crew | Wendy Tayler | Unit Publicist |
| Production | Redmond Morris | Production Manager |
| Production | Noel Davis | Casting Director |
| Sound | Taffy Haines | Sound Engineer |
| Costume & Make-Up | David Whiteing | Wardrobe Assistant |
| Art | Andrew Sanders | Art Direction |
| Directing | Michael Zimbrich | Second Assistant Director |
| Editing | Lewis Muslin | Assistant Editor |
| Camera | Sue Gibson | Clapper Loader |
| Sound | Keith Batten | Boom Operator |
| Art | Peter Childs | Assistant Art Director |
| Art | Robert Hill | Dressing Prop |
| Art | John Manning | Dressing Prop |
| Lighting | Kevin Day | Best Boy Electric |
| Lighting | Norman Smith | Gaffer |
| Lighting | Alfie Emmins | Electrician |
| Lighting | Paul Cronin | Electrician |
| Camera | Allan Della-Valle | Camera Trainee |
| Production | Derrick Norwood | Assistant Accountant |
| Crew | John Mollo | Technical Advisor |
| Directing | Christopher Figg | Third Assistant Director |
| Production | Kevin Westley | Production Runner |
| Camera | Mike Miller | Focus Puller |
| Camera | Clive Coote | Still Photographer |
| Camera | Vic Hammond | Grip |
| Lighting | Hank Wilcox | Electrician |
| Art | Vanessa Clegg | Art Department Trainee |
| Costume & Make-Up | Ray Marston | Wig Designer |
| Production | Allan James | Location Manager |
| Sound | Denis King | Original Music Composer |
| Camera | Ian Wilson | Director of Photography |
| Editing | Bryan Oates | Assistant Editor |
| Production | Vicki Deason | Production Assistant |
| Crew | Ian Wilson | Cinematography |
