Sam Baldwin denkt sinds de dood van zijn echtgenote niet meer aan vrouwen. Zijn achtjarige zoontje Jonah vindt echter dat het gezin dringend een moeder nodig heeft en belt naar een live radioprogramma, waarin Sam gedwongen wordt zijn gevoelens over de telefoon te uiten. Vanuit het hele land komen reacties van vrouwen die Sam wel zien zitten. Annie Reed is een van hen. Hoewel ze al verloofd is, móét ze te weten komen of Sam misschien de ideale Jacob is.
Ja! de film Sleepless in Seattle is nu beschikbaar om te kijken op Netflix in Nederland.
Nee, helaas is Sleepless in Seattle nog niet beschikbaar op Netflix in Nederland.
| Production | Gary Foster | Producer |
| Writing | Jeff Arch | Screenplay |
| Art | Clay A. Griffith | Set Decoration |
| Editing | Robert M. Reitano | Editor |
| Directing | Nora Ephron | Director |
| Sound | Marc Shaiman | Original Music Composer |
| Art | Jeffrey Townsend | Production Design |
| Writing | Nora Ephron | Screenplay |
| Camera | Sven Nykvist | Director of Photography |
| Writing | David S. Ward | Screenplay |
| Art | Daren Dochterman | Production Illustrator |
| Art | Brick Mason | Storyboard Artist |
| Directing | James W. Skotchdopole | First Assistant Director |
| Art | Jeff Mazzola | Property Master |
| Directing | Donald J. Lee Jr. | Second Assistant Director |
| Art | Charley Beal | Art Direction |
| Art | Wendy Skerritt | Art Department Coordinator |
| Art | Suzan Wexler | Assistant Art Director |
| Camera | Kevin Jewison | Camera Operator |
| Camera | Marty Oppenheimer | Second Unit Director of Photography |
| Art | Charlie Daboub | Set Designer |
| Camera | Jeff Cronenweth | First Assistant Camera |
| Art | James Mazzola | Property Master |
| Lighting | Richmond L. Aguilar | Chief Lighting Technician |
| Production | Patrick Crowley | Unit Production Manager |
| Art | Gershon Ginsburg | Art Direction |
| Lighting | Paul Caven | Assistant Chief Lighting Technician |
| Sound | Bitty O'Sullivan-Smith | Sound Editor |
| Sound | Dan Edelstein | Assistant Sound Editor |
| Crew | Paul A. Levin | Post Production Supervisor |
| Sound | Paul P. Soucek | Assistant Sound Editor |
| Crew | Kay Colvin | Cableman |
| Sound | Jeffrey Pollack | Music Consultant |
| Crew | Bob Riggs | Special Effects Coordinator |
| Sound | Richard Q. King | Assistant Sound Editor |
| Sound | Nicholas Meyers | Music Editor |
| Camera | Joe Hicks | Dolly Grip |
| Sound | Stan Bochner | Sound Editor |
| Sound | Warren Shaw | Apprentice Sound Editor |
| Camera | Gene Kearney | Key Grip |
| Sound | Dan Korintus | Sound Editor |
| Sound | Louis Bertini | Sound Editor |
| Sound | David Wahnon | Assistant Sound Editor |
| Camera | Jack Bauer | Best Boy Grip |
| Sound | Ira Spiegel | Sound Editor |
| Sound | Eytan Mirsky | Assistant Sound Editor |
| Costume & Make-Up | Heidi Shulman | Key Costumer |
| Editing | Richard Friedlander | First Assistant Editor |
| Sound | Harriet Fidlow | ADR Editor |
| Production | Tamara Bally | Production Accountant |
| Production | Eve Battaglia | Casting Assistant |
| Crew | Dennis W. Milliken | Transportation Coordinator |
| Production | Mitchell E. Dauterive | Production Coordinator |
| Production | Dow Griffith | Location Manager |
| Crew | Betsy Sokolow-Sherman | Unit Publicist |
| Costume & Make-Up | Leonard Engelman | Makeup Artist |
| Production | Jennifer Campbell | Assistant Production Coordinator |
| Editing | Bob Kaiser | Color Timer |
| Costume & Make-Up | Sally Roberts | Costumer |
| Costume & Make-Up | Sharon Ilson | Key Makeup Artist |
| Costume & Make-Up | Colleen Callaghan | Key Hair Stylist |
| Directing | Maggie Murphy | Second Second Assistant Director |
| Art | Harold Collins | Construction Coordinator |
| Editing | Donah Bassett | Negative Cutter |
| Production | Laura Rosenthal | Casting Associate |
| Crew | Robert T. Chestnut | Transportation Captain |
| Art | Michael McCombe | Greensman |
| Crew | Judith M. Brown | Studio Teacher |
| Production | Judy Pursley | Assistant Accountant |
| Production | Diane L. Langone | Post Production Accountant |
| Production | Amy Caton-Ford | Extras Casting |
| Crew | Al Cerullo | Pilot |
| Production | Aleen Keshishian | Casting Assistant |
| Writing | Ramsay McLean | Lyricist |
| Production | Patrick Crowley | Executive Producer |
| Costume & Make-Up | Kimberly Adams | Assistant Costume Designer |
| Writing | Jeff Arch | Story |
| Sound | Kirk Francis | Production Sound Mixer |
| Production | Jane Bartelme | Associate Producer |
| Directing | Mary A. Kelly | Script Supervisor |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Production | Lynda Obst | Executive Producer |
| Camera | Randy Nolen | Steadicam Operator |
| Sound | Mychal D. Smith | Boom Operator |
| Costume & Make-Up | Judy L. Ruskin | Costume Design |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Production | James W. Skotchdopole | Associate Producer |
| Crew | Conrad E. Palmisano | Stunt Coordinator |
| Camera | Bruce McBroom | Still Photographer |
| Production | Delia Ephron | Associate Producer |
| Production | Juliet Taylor | Casting |
| Crew | Barbara Anne Klein | Stunts |
| Crew | Bruce Paul Barbour | Stunts |
| Crew | Rick Seaman | Stunts |
| Crew | Dick Hancock | Stunts |
| Camera | David Wagreich | Second Unit Director of Photography |
