Sam Baldwin denkt sinds de dood van zijn echtgenote niet meer aan vrouwen. Zijn achtjarige zoontje Jonah vindt echter dat het gezin dringend een moeder nodig heeft en belt naar een live radioprogramma, waarin Sam gedwongen wordt zijn gevoelens over de telefoon te uiten. Vanuit het hele land komen reacties van vrouwen die Sam wel zien zitten. Annie Reed is een van hen. Hoewel ze al verloofd is, móét ze te weten komen of Sam misschien de ideale Jacob is.
Ja! de film Sleepless in Seattle is nu beschikbaar om te kijken op Netflix in Nederland.
| Art | Clay A. Griffith | Set Decoration |
| Editing | Robert M. Reitano | Editor |
| Writing | David S. Ward | Screenplay |
| Art | Jeffrey Townsend | Production Design |
| Sound | Marc Shaiman | Original Music Composer |
| Directing | Nora Ephron | Director |
| Writing | Jeff Arch | Screenplay |
| Production | Gary Foster | Producer |
| Camera | Sven Nykvist | Director of Photography |
| Writing | Nora Ephron | Screenplay |
| Camera | Jeff Cronenweth | First Assistant Camera |
| Art | Suzan Wexler | Assistant Art Director |
| Art | Charlie Daboub | Set Designer |
| Directing | James W. Skotchdopole | First Assistant Director |
| Directing | Donald J. Lee Jr. | Second Assistant Director |
| Art | Jeff Mazzola | Property Master |
| Art | Brick Mason | Storyboard Artist |
| Art | Daren Dochterman | Production Illustrator |
| Art | James Mazzola | Property Master |
| Production | Patrick Crowley | Unit Production Manager |
| Art | Wendy Skerritt | Art Department Coordinator |
| Lighting | Richmond L. Aguilar | Chief Lighting Technician |
| Art | Gershon Ginsburg | Art Direction |
| Camera | Marty Oppenheimer | Second Unit Director of Photography |
| Art | Charley Beal | Art Direction |
| Camera | Kevin Jewison | Camera Operator |
| Lighting | Paul Caven | Assistant Chief Lighting Technician |
| Crew | Paul A. Levin | Post Production Supervisor |
| Sound | Nicholas Meyers | Music Editor |
| Sound | Ira Spiegel | Sound Editor |
| Sound | Eytan Mirsky | Assistant Sound Editor |
| Sound | Stan Bochner | Sound Editor |
| Camera | Jack Bauer | Best Boy Grip |
| Camera | Joe Hicks | Dolly Grip |
| Sound | Harriet Fidlow | ADR Editor |
| Crew | Bob Riggs | Special Effects Coordinator |
| Editing | Richard Friedlander | First Assistant Editor |
| Sound | Jeffrey Pollack | Music Consultant |
| Camera | Gene Kearney | Key Grip |
| Sound | Dan Korintus | Sound Editor |
| Sound | Louis Bertini | Sound Editor |
| Sound | Bitty O'Sullivan-Smith | Sound Editor |
| Sound | Paul P. Soucek | Assistant Sound Editor |
| Production | Diane L. Langone | Post Production Accountant |
| Crew | Betsy Sokolow-Sherman | Unit Publicist |
| Sound | Richard Q. King | Assistant Sound Editor |
| Production | Judy Pursley | Assistant Accountant |
| Production | Jennifer Campbell | Assistant Production Coordinator |
| Crew | Robert T. Chestnut | Transportation Captain |
| Crew | Al Cerullo | Pilot |
| Crew | Judith M. Brown | Studio Teacher |
| Costume & Make-Up | Sharon Ilson | Key Makeup Artist |
| Editing | Donah Bassett | Negative Cutter |
| Sound | David Wahnon | Assistant Sound Editor |
| Production | Laura Rosenthal | Casting Associate |
| Art | Michael McCombe | Greensman |
| Costume & Make-Up | Leonard Engelman | Makeup Artist |
| Directing | Maggie Murphy | Second Second Assistant Director |
| Editing | Bob Kaiser | Color Timer |
| Production | Amy Caton-Ford | Extras Casting |
| Costume & Make-Up | Colleen Callaghan | Key Hair Stylist |
| Production | Aleen Keshishian | Casting Assistant |
| Costume & Make-Up | Sally Roberts | Costumer |
| Production | Tamara Bally | Production Accountant |
| Production | Eve Battaglia | Casting Assistant |
| Crew | Dennis W. Milliken | Transportation Coordinator |
| Art | Harold Collins | Construction Coordinator |
| Production | Dow Griffith | Location Manager |
| Crew | Kay Colvin | Cableman |
| Costume & Make-Up | Heidi Shulman | Key Costumer |
| Sound | Dan Edelstein | Assistant Sound Editor |
| Sound | Warren Shaw | Apprentice Sound Editor |
| Production | Mitchell E. Dauterive | Production Coordinator |
| Writing | Ramsay McLean | Lyricist |
| Sound | Michael Kirchberger | Supervising Sound Editor |
| Production | Juliet Taylor | Casting |
| Writing | Jeff Arch | Story |
| Sound | Kirk Francis | Production Sound Mixer |
| Costume & Make-Up | Kimberly Adams | Assistant Costume Designer |
| Production | Jane Bartelme | Associate Producer |
| Directing | Mary A. Kelly | Script Supervisor |
| Production | Lynda Obst | Executive Producer |
| Camera | Randy Nolen | Steadicam Operator |
| Production | Patrick Crowley | Executive Producer |
| Production | Delia Ephron | Associate Producer |
| Sound | Lee Dichter | Sound Re-Recording Mixer |
| Crew | Conrad E. Palmisano | Stunt Coordinator |
| Camera | Bruce McBroom | Still Photographer |
| Production | James W. Skotchdopole | Associate Producer |
| Sound | Mychal D. Smith | Boom Operator |
| Costume & Make-Up | Judy L. Ruskin | Costume Design |
| Crew | Barbara Anne Klein | Stunts |
| Crew | Bruce Paul Barbour | Stunts |
| Crew | Rick Seaman | Stunts |
| Crew | Dick Hancock | Stunts |
| Camera | David Wagreich | Second Unit Director of Photography |
