Frank rijdt 's nachts als paramedicus in Manhattan in een ambulance rond. Na jaren geconfronteerd te zijn met ziekte en dood is hij totaal uitgeblust. De laatste tijd wordt hij achtervolgd door de gedachte aan een 18-jarig meisje dat hij niet heeft kunnen reanimeren. Op een nacht leert hij Mary kennen, een ex-junkie wier vader met een hartaanval is opgenomen. Maar Frank kan het allemaal niet meer bolwerken en vraagt ontslagen te worden, wat hem echter geweigerd wordt.
Nee, helaas is Bringing Out the Dead nog niet beschikbaar op Netflix in Nederland.
| Directing | Martin Scorsese | Director |
| Writing | Paul Schrader | Screenplay |
| Editing | Thelma Schoonmaker | Editor |
| Camera | Robert Richardson | Director of Photography |
| Production | Scott Rudin | Producer |
| Production | Barbara De Fina | Producer |
| Sound | Elmer Bernstein | Original Music Composer |
| Crew | Conrad E. Palmisano | Stunt Driver |
| Crew | Peter Epstein | Stunts |
| Production | Ellen Lewis | Casting |
| Production | Jeff Levine | Associate Producer |
| Production | Bruce S. Pustin | Executive Producer |
| Production | Joseph P. Reidy | Co-Producer |
| Production | Mark Roybal | Associate Producer |
| Production | Adam Schroeder | Executive Producer |
| Production | Eric Steel | Co-Producer |
| Camera | Phillip V. Caruso | Still Photographer |
| Sound | Bobby Mackston | Music Editor |
| Art | Dante Ferretti | Production Design |
| Costume & Make-Up | Rita Ryack | Costume Design |
| Art | William F. Reynolds | Set Decoration |
| Art | Robert Guerra | Art Direction |
| Costume & Make-Up | Joseph Coscia | Hairstylist |
| Costume & Make-Up | William A. Farley | Key Hair Stylist |
| Costume & Make-Up | Jane DiPersio | Makeup Artist |
| Costume & Make-Up | Scott W. Farley | Hairstylist |
| Costume & Make-Up | Leon Weisinger | Makeup Artist |
| Production | Shell Hecht | Production Supervisor |
| Directing | Martha Pinson | Script Supervisor |
| Camera | Vincent Galindez | Camera Operator |
| Crew | G.A. Aguilar | Stunt Coordinator |
| Visual Effects | Jill Brooks | Visual Effects Producer |
| Art | Glen Pangione | Construction Coordinator |
| Camera | Gregor Tavenner | First Assistant Camera |
| Camera | Larry McConkey | Steadicam Operator |
| Costume & Make-Up | Carol F. Doran | Wigmaker |
| Crew | James Cappello | Carpenter |
| Crew | P.J. Haines | Chef |
| Crew | Carlos Bernal | Driver |
| Crew | Rich Fellegara | Set Medic |
| Crew | John Ottesen | Special Effects Coordinator |
| Crew | Chris Cenatiempo | Stunts |
| Crew | Timothy Shannon | Transportation Captain |
| Crew | Eric Myers | Unit Publicist |
| Crew | John Bartle | Visual Effects Editor |
| Editing | Bob Kaiser | Color Timer |
| Editing | Scott Brock | First Assistant Editor |
| Lighting | Doug Dalisera | Best Boy Electric |
| Lighting | John Billeci | Electrician |
| Lighting | Russell Engels | Gaffer |
| Lighting | Ken Connors | Rigging Gaffer |
| Production | Gayle Keller | Casting Associate |
| Production | Len Murach | Location Manager |
| Sound | Louis Sabat | Boom Operator |
| Sound | Emilie A. Bernstein | Orchestrator |
| Sound | Tom Fleischman | Sound Re-Recording Mixer |
| Sound | Philip Stockton | Supervising Sound Editor |
| Visual Effects | Susan Greenhow | Visual Effects Coordinator |
| Crew | Kendall McCarthy | Post Production Supervisor |
| Crew | Ashlee Burnette | Production Office Assistant |
| Crew | Marco Kyris | Stand In |
| Crew | Will Sweeney | Production Intern |
| Crew | Joseph Buonocore | Transportation Co-Captain |
| Production | Marion Billings | Publicist |
| Production | Bruce S. Pustin | Unit Production Manager |
| Sound | James Sabat | Sound Mixer |
| Art | James Bono | Assistant Property Master |
| Art | Dennis Causey | Set Dresser |
| Camera | Denise Schwab | Camera Loader |
| Camera | Patrick McGrath | Dolly Grip |
| Camera | Richard Guinness Jr. | Key Grip |
| Costume & Make-Up | Kevin Ritter | Key Costumer |
| Costume & Make-Up | Linda Grimes | Key Makeup Artist |
| Costume & Make-Up | Joanna Brett | Wardrobe Supervisor |
| Directing | Joseph P. Reidy | First Assistant Director |
| Directing | Christopher Surgent | Second Assistant Director |
| Production | Bruce Winant | ADR Voice Casting |
| Production | Karen Koula Sossiadis | Assistant Production Coordinator |
| Sound | Marissa Littlefield | ADR Editor |
| Sound | Debora Lilavois | Apprentice Sound Editor |
| Sound | Kate Eales | Assistant Sound Editor |
| Sound | Elmer Bernstein | Conductor |
| Sound | Benjamin Cheah | Foley Editor |
| Sound | Eugene Gearty | Sound Effects Designer |
| Sound | Becky Sullivan | Supervising ADR Editor |
| Crew | Blaise Corrigan | Stunts |
| Sound | Fred Rosenberg | Dialogue Editor |
| Sound | Laura Civiello | Dialogue Editor |
| Art | James Mazzola | Property Master |
| Camera | Joe Collins | First Assistant Camera |
| Crew | Rylend Grant | Post Production Assistant |
| Crew | Garf Brown | Scenic Artist |
| Crew | Lorinda Klein | Thanks |
| Production | Marcia DeBonis | Casting Associate |
| Sound | Kathy Durning | Music Editor |
| Visual Effects | Michael Owens | Senior Visual Effects Supervisor |
| Production | Hope Shaw | Post Production Accountant |
| Crew | James J. Sabat Jr. | Cableman |
| Crew | Leslie Saulter Yacuk | Charge Scenic Artist |
| Art | Tommy Boles | Construction Foreman |
| Art | Chris DeTitta | Leadman |
| Costume & Make-Up | Manlio Rocchetti | Special Effects Makeup Artist |
| Camera | Howard Davidson | Grip |
| Directing | Greg Hale | Second Second Assistant Director |
| Art | Jay Halligan | Construction Grip |
| Art | Thomas Yacuk | Key Construction Grip |
| Sound | David Boulton | ADR Recording Engineer |
| Sound | Alex Raspa | ADR Recordist |
| Sound | Marko Costanzo | Foley Artist |
| Sound | George A. Lara | Foley Recordist |
| Sound | Will Ralston | Foley Supervisor |
| Visual Effects | Nick Seuser | Additional Visual Effects |
| Visual Effects | Erin Collins Butler | Visual Effects Production Assistant |
| Crew | Jalil Jay Lynch | Stunt Driver |
| Camera | Will Arnot | Additional Grip |
| Camera | Tracey Gudwin | Assistant Camera |
| Camera | Glen Engels | Best Boy Grip |
| Camera | Jeanne Vienne | Second Assistant Camera |
| Editing | James Y. Kwei | Consulting Editor |
| Production | James D. Lee | Assistant Location Manager |
| Production | Damon Michael Gordon | Location Assistant |
| Visual Effects | Jon Alexander | Compositing Supervisor |
| Visual Effects | Eric Person | Digital Compositor |
| Visual Effects | Janos Pilenyi | Effects Supervisor |
| Production | Lee Genick | Extras Casting Assistant |
| Production | Theresa Marsh | First Assistant Accountant |
| Crew | Ronald Paul | Generator Operator |
| Crew | Rueven Halevi | Intern |
| Lighting | Billy Kerwick | Key Rigging Grip |
| Production | Penni Smith | Payroll Accountant |
| Production | Erica Bamforth | Production Assistant |
| Production | Reid Warman | Production Secretary |
| Production | Kellyann Wargo | Second Assistant Accountant |
| Writing | Narges Takesh | Story Editor |
| Crew | Susan Callahan | Technical Advisor |
| Writing | Joe Connelly | Novel |
| Crew | Joe Connelly | Technical Advisor |
| Art | John Davis | Storyboard Artist |
