Tess en Ben Finnagan zijn een getrouwd koppel dat hun geld verdient met het zoeken naar schatten. Helaas hebben ze al jaren niets meer gevonden en zitten ze dus ook aan de rand van bankroet. Als gevolg daarvan loopt hun huwelijk ook niet bepaald soepel meer en ze besluiten een scheiding aan te vragen.
Nee, helaas is Fool's Gold nog niet beschikbaar op Netflix in Nederland.
| Writing | Andy Tennant | Screenplay |
| Directing | Andy Tennant | Director |
| Camera | Don Burgess | Director of Photography |
| Writing | Daniel Zelman | Screenplay |
| Writing | John Claflin | Screenplay |
| Directing | Kristin Witcombe | Script Supervisor |
| Directing | Pamela Willis | Script Supervisor |
| Production | Fiona McMaster | Extras Casting |
| Crew | Eric Chambers | Stunts |
| Crew | Mark Norby | Stunt Double |
| Writing | John Claflin | Story |
| Writing | Daniel Zelman | Story |
| Art | Peter Russell | Art Direction |
| Production | Wink Mordaunt | Executive Producer |
| Production | Seth Yanklewitz | Casting |
| Editing | Troy Takaki | Editor |
| Art | Ray Chan | Supervising Art Director |
| Production | Jon Klane | Producer |
| Editing | Tracey Wadmore-Smith | Editor |
| Production | Juel Bestrop | Casting |
| Art | Charles Wood | Production Design |
| Production | James Dyer | Unit Production Manager |
| Production | James Dyer | Executive Producer |
| Production | Donald De Line | Producer |
| Production | Stephen Jones | Co-Producer |
| Art | Damien Drew | Art Direction |
| Production | Bernie Goldmann | Producer |
| Sound | George Fenton | Original Music Composer |
| Production | Jennifer Cornwell | Unit Production Manager |
| Crew | Brett Praed | Stunts |
| Production | Christine King | Location Casting |
| Art | Katie Sharrock | Standby Art Director |
| Camera | Colin Deane | First Assistant Camera |
| Directing | Drew Bailey | Second Assistant Director |
| Crew | Rene Perrin | Stunts |
| Art | Brian Dusting | Set Decoration |
| Camera | Christian Luxton | Second Assistant Camera |
| Sound | Rod Conder | Boom Operator |
| Costume & Make-Up | Pip Lingard | Costume Supervisor |
| Costume & Make-Up | Helen Maggs | Key Costumer |
| Crew | Craig Hosking | Stunts |
| Directing | Paul Sullivan | Second Assistant Director |
| Crew | Steve Daddow | Stunts |
| Crew | R.A. Rondell | Stunt Coordinator |
| Crew | Malachi Waters | Stunts |
| Crew | Mark Norby | Stunts |
| Crew | Tove Petterson | Stunts |
| Crew | Renee Bowen | Stunts |
| Crew | Shea Adams | Stunts |
| Crew | Lee Adamson | Stunts |
| Directing | Toby Pease | First Assistant Director |
| Crew | Glenn Ruehland | Stunts |
| Crew | Ric Anderson | Stunts |
| Crew | Jimmy Waitman | Stunts |
| Sound | Julianne Jordan | Music Supervisor |
| Crew | Yasca Sinigaglia | Stunts |
| Editing | Kirsty Bruce | Assistant Editor |
| Costume & Make-Up | Nadine Wilkie | Makeup Artist |
| Camera | Jason McPhee | Best Boy Grip |
| Camera | Brett McDowell | Dolly Grip |
| Costume & Make-Up | Alecia de Marco | Costume Assistant |
| Costume & Make-Up | Anita Morgan | Makeup & Hair |
| Lighting | Shaun Conway | Gaffer |
| Production | Kim glad | Assistant Unit Manager |
| Editing | Bryan Lamoureux | First Assistant Editor |
| Costume & Make-Up | Amy Mitchell | Costume Assistant |
| Costume & Make-Up | Sam Walker | Costume Assistant |
| Production | Jasmin Lyford | Production Secretary |
| Crew | Carol Dantuono | Post Production Supervisor |
| Costume & Make-Up | Marada Manussen | Costume Assistant |
| Costume & Make-Up | Dalia Fernandez | Makeup & Hair |
| Art | Michael Bell | Assistant Art Director |
| Editing | Matt Evans | Associate Editor |
| Production | Simon Lucas | Unit Manager |
| Crew | Dean Hood | Production Controller |
| Editing | David Birrell | Assistant Editor |
| Camera | Helen Ward | Second Assistant Camera |
| Lighting | Mick O'Brien | Rigging Gaffer |
| Camera | Peter McCaffrey | Camera Operator |
| Costume & Make-Up | Liz McGregor | Assistant Costume Designer |
| Art | Maya Gorman | Assistant Set Decoration |
| Art | Maxine Dennett | Art Department Coordinator |
| Camera | Damien Kwocksun | Dolly Grip |
| Directing | Michael Bate | Third Assistant Director |
| Lighting | Alex Laguna | Best Boy Electric |
| Camera | David Nichols | Key Grip |
| Visual Effects | Brian Cox | Special Effects Supervisor |
| Crew | Leanne Brooks | Special Effects Coordinator |
| Directing | Mark Bishop | Second Second Assistant Director |
| Camera | Calum McFarlane | Camera Operator |
| Sound | Paul 'Salty' Brincat | Production Sound Mixer |
| Costume & Make-Up | Paige Badenoch | Makeup & Hair |
| Production | Kerry Mulgrew | Production Office Coordinator |
| Camera | Matt Windon | First Assistant Camera |
| Production | Duncan Foster | Producer's Assistant |
| Camera | Vince Valitutti | Still Photographer |
| Art | Kristin Reuter | Assistant Property Master |
| Art | Jack Watford | Construction Coordinator |
| Production | Chris Lemos | Producer's Assistant |
| Art | Jane Culverhouse | Property Master |
| Production | Lynsey Jones | Producer's Assistant |
| Crew | Gay Holmes-Browne | Set Production Assistant |
| Lighting | Anthony Tulloch | Best Boy Electric |
| Production | Sarah Romney | Executive Producer's Assistant |
| Production | Suzie Freeman | Production Accountant |
| Crew | Rhonda Bostock | Set Production Assistant |
| Production | Michele Berumen | Casting Associate |
| Crew | Stuart Lynch | Set Production Assistant |
| Camera | Jem Rayner | First Assistant Camera |
| Production | Tara Aucoin | Executive Producer's Assistant |
| Crew | Aaron Burgers | Transportation Coordinator |
| Crew | Kayce Brown | Actor's Assistant |
| Crew | Fiona Searson | Unit Publicist |
| Camera | Mike Thomas | Second Unit Director of Photography |
| Crew | Nikko Mackintosh | Set Production Assistant |
| Crew | Keiran Shelvin | Set Production Assistant |
| Production | Josh Levitan | Producer's Assistant |
| Crew | Gabriel Diaz | Post Production Assistant |
| Camera | Leigh Tait | Dolly Grip |
| Production | Freya Krasnow | Casting Assistant |
| Crew | Nathalia Rayfield | Production Office Assistant |
| Production | Nicholas Copping | Production Coordinator |
| Lighting | Mark Watson | Best Boy Electric |
| Crew | John Chaney | Actor's Assistant |
| Production | Karen Jones | Location Manager |
| Art | Andrew Gardiner | Construction Manager |
| Crew | Lisa Mitchell | Set Production Assistant |
| Crew | Simon Vsn Oorde | Set Production Assistant |
| Camera | Ben Plant | Second Assistant Camera |
| Directing | Jamie Crooks | Second Unit First Assistant Director |
| Camera | Maurice McKay | Best Boy Grip |
| Sound | Allen Hartz | Dialogue Editor |
| Editing | Skip Kimball | Digital Intermediate Colorist |
| Sound | Paul Rabjohns | Music Editor |
| Sound | Andrew Bock | Assistant Sound Editor |
| Visual Effects | Chad Malbon | Visual Effects Producer |
| Editing | Mo Henry | Negative Cutter |
| Sound | Geoff Alexander | Orchestrator |
| Crew | Lance Julian | Marine Coordinator |
| Crew | Chris Sheen | Set Production Assistant |
| Sound | Christopher Flick | Foley Supervisor |
| Visual Effects | Suzanne Evans-Booth | Visual Effects Coordinator |
| Visual Effects | Fiona Crawford | Visual Effects Producer |
| Sound | Linda Yeaney | Assistant Sound Editor |
| Sound | Michael T. Ryan | Supervising Music Editor |
| Camera | Josh Flavell | Second Assistant Camera |
| Production | Merilyn Cook | Production Secretary |
| Camera | Pat Nash | Key Grip |
| Crew | Nathanial Purdon | Set Production Assistant |
| Sound | Richard King | Supervising Sound Editor |
| Sound | Michael Magill | Dialogue Editor |
| Sound | Doug Hemphill | Sound Re-Recording Mixer |
| Crew | Jason Rowling | Set Production Assistant |
| Crew | Gary Ticehurst | Aerial Coordinator |
| Crew | Bruce Rieck | Set Production Assistant |
| Lighting | Paul Johnstone | Gaffer |
| Production | Lehi Tahau | Unit Manager |
| Sound | Ron Bartlett | Sound Re-Recording Mixer |
| Sound | Hugo Weng | Dialogue Editor |
| Sound | David Bach | ADR Supervisor |
| Sound | Richard King | Sound Designer |
| Sound | Jonathan Klein | Foley Editor |
| Sound | John Roesch | Foley Artist |
| Sound | Doc Kane | ADR Mixer |
| Sound | Michael W. Mitchell | Sound Effects Editor |
| Sound | Paul Berolzheimer | Sound Effects Editor |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Visual Effects | Chris Godfrey | VFX Supervisor |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Camera | Hans Bjerno | Aerial Director of Photography |
| Sound | Laura Graham | ADR Editor |
| Visual Effects | Danielle Rubin | Visual Effects Coordinator |
| Sound | Alyson Dee Moore | Foley Artist |
| Sound | Richard A. Harrison | Music Editor |
| Visual Effects | Holly Radcliffe | Visual Effects Producer |
| Visual Effects | David Nelson | VFX Supervisor |
| Visual Effects | Jayne Herrmann | Visual Effects Coordinator |
| Sound | Kimberly Harris | ADR Supervisor |
| Sound | Michael Dressel | Foley Editor |
| Costume & Make-Up | Ngila Dickson | Costume Designer |
| Directing | Alexander Witt | Second Unit Director |
| Production | Duncan Jones | Location Manager |
| Art | Adrian Dalton | Lead Set Dresser |
| Art | Joanna Pullen | Lead Set Dresser |
| Art | Greg Tuckwell | Leadman |
| Crew | Jordan Corngold | Temp Music Editor |
| Sound | Steve Price | Scoring Mixer |
