Daniel reist samen met zijn leraar Miyagi naar Okinawa om daar Miyagi's op sterven liggende vader te bezoeken. Tijdens zijn verblijf in z'n geboorteland wordt Miyagi weer geconfronteerd met zijn aartsvijand en de nog altijd aanwezige vete tussen hen. Daniel leert veel over de oude Japanse tradities en de erecodes, wanneer ook hij verwikkeld raakt in deze vendetta.
Nee, helaas is The Karate Kid II nog niet beschikbaar op Netflix in Nederland.
| Editing | John G. Avildsen | Editor |
| Directing | John G. Avildsen | Director |
| Production | Jerry Weintraub | Producer |
| Editing | David Garfield | Editor |
| Editing | Jane Kurson | Editor |
| Crew | Linda Arvidson | Stunts |
| Crew | Lori Lynn Ross | Stunts |
| Directing | Clifford C. Coleman | First Assistant Director |
| Directing | Dennis Maguire | Second Assistant Director |
| Directing | Christine Larson | Second Second Assistant Director |
| Camera | Brad Edmiston | First Assistant Camera |
| Lighting | Ross A. Maehl | Chief Lighting Technician |
| Crew | Mike Hassett | Stunts |
| Production | Jan Foreman | Assistant Accountant |
| Camera | Mario Zavala | Second Assistant Camera |
| Crew | Erik Felix | Stunts |
| Production | Jeannie Jeha | Production Coordinator |
| Camera | Stephen St. John | Steadicam Operator |
| Crew | Bill M. Ryusaki | Stunts |
| Camera | Alan R. Disler | First Assistant Camera |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Sound | Brooks Arthur | Music Supervisor |
| Production | Diane Bandolas | Production Accountant |
| Camera | Craig Denault | Camera Operator |
| Crew | Roger Ito | Stunts |
| Sound | William Randall Jr. | Sound Mixer |
| Crew | William M. Randall Jr. | Cableman |
| Art | Ronnie Wexler | Swing |
| Art | Hendrik Wynands | Construction Coordinator |
| Art | Glen Cooper | Standby Painter |
| Editing | Karen Kory | Assistant Editor |
| Sound | Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
| Camera | John Lubin | Best Boy Grip |
| Sound | David Stafford | Boom Operator |
| Sound | Jim Bullock | Foley Editor |
| Crew | 宮本信子 | Choreographer |
| Art | Michael Van Dyke | Construction Foreman |
| Sound | Joseph Holsen | Sound Editor |
| Sound | Richard Friedman | ADR Editor |
| Production | Pete Corral | Location Manager |
| Crew | Peter Benoit | Unit Publicist |
| Camera | O.T. Henderson | Dolly Grip |
| Art | Lee Poll | Set Decoration |
| Art | Sam Gordon | Property Master |
| Crew | Alan Falco | Transportation Coordinator |
| Sound | Don Digirolamo | Sound Re-Recording Mixer |
| Sound | Bob Cornett | Sound Editor |
| Camera | James M. Sheppherd | Key Grip |
| Art | Richard Leon | Props |
| Art | William James Teegarden | Set Designer |
| Sound | Jack Eskew | Orchestrator |
| Crew | Paul H. Haines Jr. | Special Effects |
| Crew | Al Wininger | Special Effects |
| Crew | Tino Caira | Transportation Captain |
| Sound | Tom C. McCarthy | Supervising Sound Editor |
| Sound | Michael P. Redbourn | Sound Editor |
| Art | Mark Hite | Leadman |
| Crew | Harry Ueshiro | Transportation Coordinator |
| Art | Mike Wynands | Construction Foreman |
| Editing | Douglas Brumer | Assistant Editor |
| Crew | Gary Walter Dion | Special Effects |
| Editing | Penelope Shaw | Assistant Editor |
| Sound | Neil Burrow | Sound Editor |
| Sound | Doreen A. Dixon | Supervising ADR Editor |
| Sound | Jay Kamen | ADR Editor |
| Directing | Marshall Schlom | Script Supervisor |
| Crew | Zenko Heshiki | Technical Advisor |
| Crew | Paul De Rolf | Choreographer |
| Production | Marge Spencer | Extras Casting |
| Sound | Stephen A. Hope | Music Editor |
| Sound | Martha Burns Holsen | Assistant Sound Editor |
| Art | Danny Wynands | Construction Foreman |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Sound | Blake R. Cornett | Assistant Sound Editor |
| Crew | Jose De Vega | Choreographer |
| Editing | Reid Burns | Color Timer |
| Costume & Make-Up | Eddie Marks | Costume Supervisor |
| Costume & Make-Up | Elizabeth Pine | Costume Supervisor |
| Lighting | Phil Walker | Best Boy Electric |
| Sound | Carly Simon | Songs |
| Writing | Robert Mark Kamen | Writer |
| Art | William F. Matthews | Art Direction |
| Sound | Bill Conti | Original Music Composer |
| Production | Caro Jones | Casting |
| Costume & Make-Up | Jim Kail | Makeup Artist |
| Art | William J. Cassidy | Production Design |
| Camera | James Crabe | Director of Photography |
| Costume & Make-Up | Mary Malin | Costume Designer |
| Production | Karen Rosenfelt | Associate Producer |
| Production | Howard Pine | Unit Production Manager |
| Costume & Make-Up | Cheri Ruff | Key Hair Stylist |
| Costume & Make-Up | John M. Elliott Jr. | Key Makeup Artist |
| Production | R.J. Louis | Executive Producer |
| Production | William J. Cassidy | Associate Producer |
| Production | Susan Ekins | Associate Producer |
| Crew | Pat E. Johnson | Martial Arts Choreographer |
| Costume & Make-Up | Steve Elsbree | Hairstylist |
| Writing | Robert Mark Kamen | Characters |
| Production | Jennifer Erskine | Producer's Assistant |
| Production | Julie Weintraub | Producer's Assistant |
| Production | Jamie Weintraub | Producer's Assistant |
| Production | Jody Weintraub | Producer's Assistant |
| Camera | Stephen St. John | Camera Operator |
| Art | Robert Branham | Production Illustrator |
| Art | David J. Negrón Jr. | Production Illustrator |
| Sound | Dan Wallin | Scoring Mixer |
| Visual Effects | Syd Dutton | Visual Effects |
| Visual Effects | Bill Taylor | Visual Effects |
| Crew | Yasukazu Takushi | Technical Advisor |
| Sound | Peter Cetera | Theme Song Performance |
| Writing | Peter Cetera | Lyricist |
| Writing | David Foster | Lyricist |
| Writing | Diane Nini | Lyricist |
