Daniel reist samen met zijn leraar Miyagi naar Okinawa om daar Miyagi's op sterven liggende vader te bezoeken. Tijdens zijn verblijf in z'n geboorteland wordt Miyagi weer geconfronteerd met zijn aartsvijand en de nog altijd aanwezige vete tussen hen. Daniel leert veel over de oude Japanse tradities en de erecodes, wanneer ook hij verwikkeld raakt in deze vendetta.
Nee, helaas is The Karate Kid II nog niet beschikbaar op Netflix in Nederland.
| Editing | Jane Kurson | Editor |
| Directing | John G. Avildsen | Director |
| Editing | John G. Avildsen | Editor |
| Production | Jerry Weintraub | Producer |
| Editing | David Garfield | Editor |
| Camera | Craig Denault | Camera Operator |
| Directing | Clifford C. Coleman | First Assistant Director |
| Production | Diane Bandolas | Production Accountant |
| Production | Jan Foreman | Assistant Accountant |
| Crew | Linda Arvidson | Stunts |
| Crew | Roger Ito | Stunts |
| Camera | Ralph Nelson Jr. | Still Photographer |
| Crew | Mike Hassett | Stunts |
| Crew | Lori Lynn Ross | Stunts |
| Directing | Dennis Maguire | Second Assistant Director |
| Directing | Christine Larson | Second Second Assistant Director |
| Camera | Alan R. Disler | First Assistant Camera |
| Crew | Erik Felix | Stunts |
| Camera | Mario Zavala | Second Assistant Camera |
| Crew | Bill M. Ryusaki | Stunts |
| Sound | Brooks Arthur | Music Supervisor |
| Production | Jeannie Jeha | Production Coordinator |
| Camera | Stephen St. John | Steadicam Operator |
| Camera | Brad Edmiston | First Assistant Camera |
| Lighting | Ross A. Maehl | Chief Lighting Technician |
| Art | Danny Wynands | Construction Foreman |
| Crew | Paul H. Haines Jr. | Special Effects |
| Sound | David Stafford | Boom Operator |
| Art | Ronnie Wexler | Swing |
| Camera | O.T. Henderson | Dolly Grip |
| Sound | Don Digirolamo | Sound Re-Recording Mixer |
| Art | Glen Cooper | Standby Painter |
| Art | Lee Poll | Set Decoration |
| Sound | Robert 'Buzz' Knudson | Sound Re-Recording Mixer |
| Sound | Robert Glass | Sound Re-Recording Mixer |
| Crew | William M. Randall Jr. | Cableman |
| Editing | Karen Kory | Assistant Editor |
| Sound | Tom C. McCarthy | Supervising Sound Editor |
| Crew | Harry Ueshiro | Transportation Coordinator |
| Crew | Paul De Rolf | Choreographer |
| Art | William James Teegarden | Set Designer |
| Crew | Tino Caira | Transportation Captain |
| Editing | Douglas Brumer | Assistant Editor |
| Sound | Michael P. Redbourn | Sound Editor |
| Sound | Joseph Holsen | Sound Editor |
| Art | Mark Hite | Leadman |
| Art | Michael Van Dyke | Construction Foreman |
| Directing | Marshall Schlom | Script Supervisor |
| Camera | James M. Sheppherd | Key Grip |
| Art | Richard Leon | Props |
| Crew | Gary Walter Dion | Special Effects |
| Editing | Penelope Shaw | Assistant Editor |
| Sound | William Randall Jr. | Sound Mixer |
| Crew | Alan Falco | Transportation Coordinator |
| Sound | Bob Cornett | Sound Editor |
| Camera | John Lubin | Best Boy Grip |
| Sound | Jim Bullock | Foley Editor |
| Crew | Peter Benoit | Unit Publicist |
| Art | Sam Gordon | Property Master |
| Art | Hendrik Wynands | Construction Coordinator |
| Crew | Al Wininger | Special Effects |
| Art | Mike Wynands | Construction Foreman |
| Sound | Neil Burrow | Sound Editor |
| Sound | Doreen A. Dixon | Supervising ADR Editor |
| Sound | Jay Kamen | ADR Editor |
| Sound | Richard Friedman | ADR Editor |
| Production | Pete Corral | Location Manager |
| Sound | Blake R. Cornett | Assistant Sound Editor |
| Crew | 宮本信子 | Choreographer |
| Crew | Jose De Vega | Choreographer |
| Editing | Reid Burns | Color Timer |
| Crew | Zenko Heshiki | Technical Advisor |
| Sound | Martha Burns Holsen | Assistant Sound Editor |
| Sound | Jack Eskew | Orchestrator |
| Sound | Stephen A. Hope | Music Editor |
| Production | Marge Spencer | Extras Casting |
| Costume & Make-Up | Eddie Marks | Costume Supervisor |
| Costume & Make-Up | Elizabeth Pine | Costume Supervisor |
| Lighting | Phil Walker | Best Boy Electric |
| Sound | Carly Simon | Songs |
| Writing | Robert Mark Kamen | Writer |
| Production | Caro Jones | Casting |
| Art | William F. Matthews | Art Direction |
| Sound | Bill Conti | Original Music Composer |
| Production | Howard Pine | Unit Production Manager |
| Costume & Make-Up | John M. Elliott Jr. | Key Makeup Artist |
| Costume & Make-Up | Jim Kail | Makeup Artist |
| Production | R.J. Louis | Executive Producer |
| Production | Karen Rosenfelt | Associate Producer |
| Costume & Make-Up | Steve Elsbree | Hairstylist |
| Production | William J. Cassidy | Associate Producer |
| Camera | James Crabe | Director of Photography |
| Production | Susan Ekins | Associate Producer |
| Crew | Pat E. Johnson | Martial Arts Choreographer |
| Art | William J. Cassidy | Production Design |
| Costume & Make-Up | Cheri Ruff | Key Hair Stylist |
| Costume & Make-Up | Mary Malin | Costume Designer |
| Writing | Robert Mark Kamen | Characters |
| Production | Jennifer Erskine | Producer's Assistant |
| Production | Julie Weintraub | Producer's Assistant |
| Production | Jamie Weintraub | Producer's Assistant |
| Production | Jody Weintraub | Producer's Assistant |
| Camera | Stephen St. John | Camera Operator |
| Art | Robert Branham | Production Illustrator |
| Art | David J. Negrón Jr. | Production Illustrator |
| Sound | Dan Wallin | Scoring Mixer |
| Visual Effects | Syd Dutton | Visual Effects |
| Visual Effects | Bill Taylor | Visual Effects |
| Crew | Yasukazu Takushi | Technical Advisor |
| Sound | Peter Cetera | Theme Song Performance |
| Writing | Peter Cetera | Lyricist |
| Writing | David Foster | Lyricist |
| Writing | Diane Nini | Lyricist |
