Het is 2050. Kate Bowman leidt de belangrijkste missie van de 21ste eeuw: het voortbestaan van het menselijke ras. Ter voorbereiding van de kolonisatie gaat Bowman met haar crew naar Mars om de gebreken te herstellen van het Mars Terraforming Project.
Nee, helaas is Red Planet nog niet beschikbaar op Netflix in Nederland.
| Camera | Peter Suschitzky | Director of Photography |
| Sound | Graeme Revell | Original Music Composer |
| Production | Andrew Mason | Executive Producer |
| Editing | Robert K. Lambert | Editor |
| Editing | Dallas Puett | Editor |
| Writing | Chuck Pfarrer | Screenplay |
| Production | Bruce Berman | Producer |
| Production | Chuck Pfarrer | Executive Producer |
| Directing | Antony Hoffman | Director |
| Writing | Jonathan Lemkin | Screenplay |
| Production | Jorge Saralegui | Producer |
| Production | Mark Canton | Producer |
| Camera | Harry Panagiotidis | Steadicam Operator |
| Camera | Greg Tuohy | Dolly Grip |
| Camera | Katrina Crook | First Assistant "A" Camera |
| Camera | Geoffrey Wharton | Second Unit Director of Photography |
| Camera | Jem Rayner | First Assistant "B" Camera |
| Camera | Randy Nolen | Steadicam Operator |
| Camera | Aron Walker | Dolly Grip |
| Production | Lora Kennedy | Casting |
| Costume & Make-Up | Kym Barrett | Costume Design |
| Crew | Rachel Wyn Dunn | Compositors |
| Production | Charles J.D. Schlissel | Executive Producer |
| Production | Stephen Jones | Associate Producer |
| Art | Fletcher Moules | Props |
| Art | Owen Paterson | Production Design |
| Art | Brian Dusting | Set Decoration |
| Art | David Russell | Production Illustrator |
| Costume & Make-Up | John Casey | Costume Supervisor |
| Art | Steve Riera | Art Department Assistant |
| Art | David Monzingo | Painter |
| Camera | Ray Brown | Grip |
| Camera | Pete Cavaciuti | Steadicam Operator |
| Directing | Sophie Fabbri-Jackson | Script Supervisor |
| Production | Dick Beckett | Location Manager |
| Crew | Tom Davies | Special Effects Coordinator |
| Art | Catherine Mansill | Art Direction |
| Art | Gavin Jones | Sculptor |
| Crew | Dave Heazlewood | Transportation Captain |
| Crew | John Suhr | Transportation Coordinator |
| Crew | Brett Praed | Utility Stunts |
| Art | John Pickering | Construction Coordinator |
| Art | Fiona Donovan | Set Designer |
| Art | Constantine Sekeris | Conceptual Design |
| Costume & Make-Up | Jeanne DuPont | Assistant Costume Designer |
| Art | Hugh Bateup | Art Direction |
| Camera | Mitchell Amundsen | Camera Operator |
| Camera | Richard Bradshaw | First Assistant Camera |
| Camera | Jasin Boland | Still Photographer |
| Lighting | Tom Stanger | Electrician |
| Lighting | Gary Hill | Rigging Gaffer |
| Production | Bill Draper | Executive In Charge Of Production |
| Sound | Paul 'Salty' Brincat | Production Sound Mixer |
| Crew | Debbi Bossi | Post Production Supervisor |
| Production | Daniel R. Chavez | Executive In Charge Of Post Production |
| Sound | Wolfgang Amadeus | Scoring Mixer |
| Sound | Eric Cameron Hosmer | Sound Editor |
| Sound | Dane A. Davis | Supervising Sound Editor |
| Costume & Make-Up | Paul Engelen | Makeup Artist |
| Crew | Peta Black | Scenic Artist |
| Crew | Ben Farris | Systems Administrators & Support |
| Crew | Gus Duron | Visual Effects Editor |
| Sound | Thom Brennan | Foley |
| Visual Effects | Tony Anderson | Visual Effects |
| Visual Effects | Steve Markowski | Animation Supervisor |
| Visual Effects | Mark Kochinski | 3D Supervisor |
| Visual Effects | Kenneth Au | Digital Compositors |
| Crew | Jay Torta | Loader |
| Production | Stephen Jones | Unit Production Manager |
| Sound | Dane A. Davis | Sound Designer |
| Visual Effects | Rodney Burke | Special Effects Supervisor |
| Costume & Make-Up | Erica Wells | Hairstylist |
| Crew | Mike Hardison | CG Supervisor |
| Production | Lorelle Adamson | Production Coordinator |
| Sound | Nancy Barker | First Assistant Sound Editor |
| Visual Effects | Cosmas Paul Bolger Jr. | Visual Effects Supervisor |
| Crew | Damian Bradford | Stunts |
| Lighting | Andy Rennie | Rigging Grip |
| Production | Vicki Popplewell | Production Manager |
| Sound | Tim Simonec | Orchestrator |
| Crew | Fiona Searson | Unit Publicist |
| Visual Effects | Jack Geist | Visual Effects Coordinator |
| Crew | Scott Oshita | Machinist |
| Crew | Suzanne Lowe | Digital Producer |
| Production | Paul Messer | Unit Manager |
| Visual Effects | Thomas Boland | Visual Effects Producer |
| Crew | Jerry Weil | Digital Effects Supervisor |
| Crew | Guy Norris | Stunt Coordinator |
| Sound | Rod Conder | Boom Operator |
| Sound | Ashley Revell | Music Editor |
| Sound | Eric Lindemann | Sound Effects Editor |
| Production | Gary Jones | Production Accountant |
| Editing | David Orr | Color Timer |
| Sound | Chad Algarin | Sound Recordist |
| Sound | Jeremy Peirson | Sound Effects Editor |
| Sound | Julia Evershade | Supervising Sound Editor |
| Sound | Richard Adrian | Sound Effects Designer |
| Directing | Colin Fletcher | First Assistant Director |
| Sound | Andrew Lackey | Sound Effects Designer |
| Directing | Graeme Burfoot | Second Unit Director |
| Sound | Joe Dorn | Supervising ADR Editor |
| Sound | Stephanie Flack | Supervising Dialogue Editor |
| Art | Niamh Murphy | Textile Artist |
| Sound | Thomas J. O'Connell | ADR Mixer |
| Sound | Alyson Dee Moore | Foley Artist |
| Costume & Make-Up | Clare Howie | Costume Assistant |
| Costume & Make-Up | Lois DeArmond | Costume Illustrator |
| Costume & Make-Up | Vera Mitchell | Hairdresser |
| Editing | Mo Henry | Negative Cutter |
| Sound | Paul Haslinger | Music Programmer |
| Art | Timothy Burgard | Storyboard Artist |
| Visual Effects | Constance Bracewell | Lead Animator |
| Visual Effects | Feliciano di Giorgio | Compositing Supervisor |
| Production | John Follmer | Head of Production |
| Production | Abbie Mawhinney | Production Assistant |
| Visual Effects | Ramprasad Sampath | Visual Effects Technical Director |
| Lighting | Matt Buchan | Assistant Chief Lighting Technician |
| Production | Cian O'Clery | Production Runner |
| Visual Effects | Etienne Andlau | Rotoscoping Artist |
| Costume & Make-Up | Brenda Donoho | Key Costumer |
| Directing | Giovanni Pacialeo | Third Assistant Director |
| Production | Simon Lucas | Assistant Unit Manager |
| Production | Mandy Butler | First Assistant Accountant |
| Production | Michael Taylor | Production Executive |
| Production | Jo Pinter | Production Secretary |
| Crew | Dave Barkovitz | Special Effects Technician |
| Sound | Mary Jo Lang | Foley Mixer |
| Directing | Noni Roy | Assistant Director |
| Visual Effects | Lynne Cartwright | Additional Visual Effects |
| Visual Effects | Kelly L'Estrange | Visual Effects Production Manager |
| Production | Rutie Blum | Additional Casting |
| Production | Jacqueline King | Assistant Production Coordinator |
| Visual Effects | Christian Hatfield | CG Artist |
| Visual Effects | Erin M. Cullen | Roto Supervisor |
| Camera | Ian Bird | Best Boy Grip |
| Art | Liz van den Berg | Set Painter |
| Art | Brad Diebert | Standby Carpenter |
| Crew | Annette van Moorsel | Stunt Double |
| Camera | Illya Smith | Additional Grip |
| Camera | Jean-Yves Le Poulain | Assistant Camera |
| Crew | Laura Sivis | Security Coordinator |
| Camera | Steve Harding | Dolly Grip |
| Editing | Mark Bourgeois | Assistant Editor |
| Production | Ray Scalice | General Manager |
| Crew | Adam Khamis | Special Effects Assistant |
| Sound | Jeffrey Pollack | Music Consultant |
| Lighting | Peter Bushby | Chief Lighting Technician |
| Sound | Carolyn Tapp | Foley Recordist |
| Production | Jake Richter | Casting Assistant |
| Production | Patrick Plummer | Assistant Accountant |
| Production | Vicky Roper | Extras Casting |
| Crew | Kelly Port | CG Supervisor |
