Fred Flintstone en Barney Rubble leven in een moderne versie van het stenen tijdperk. Fred geeft Barney een som geld zodat hij met zijn vrouw Betty een kind kan adopteren. In ruil hiervoor geeft Barney Fred zijn (betere) resultaten bij een test voor een belangrijke promotie. Fred krijgt de baan, maar heeft niet door dat hij gemanipuleerd wordt door Cliff Vandercave om zo als schuldige aangewezen te kunnen worden bij een groot schandaal. Live-action versie van de klassieke tekenfilmserie.
Nee, helaas is The Flinstones in Viva Rock Vegas nog niet beschikbaar op Netflix in Nederland.
| Production | William Hanna | Executive Producer |
| Art | Nancy Patton | Art Direction |
| Production | Nancy Nayor | Casting |
| Art | Rosemary Brandenburg | Set Decoration |
| Production | Joseph Barbera | Executive Producer |
| Directing | Brian Levant | Director |
| Costume & Make-Up | Rosanna Norton | Costume Design |
| Production | Colin Wilson | Producer |
| Sound | Ted Nichols | Original Music Composer |
| Production | Kathleen Kennedy | Executive Producer |
| Sound | Bill Getty | Sound Director |
| Sound | Richard Olso | Sound Director |
| Production | Bruce Cohen | Producer |
| Editing | Kent Beyda | Editor |
| Art | William James Teegarden | Art Direction |
| Sound | Marty Paich | Original Music Composer |
| Writing | Steven E. de Souza | Screenplay |
| Art | William Sandell | Production Design |
| Art | Christopher Burian-Mohr | Art Direction |
| Writing | Jim Jennewein | Screenplay |
| Writing | Tom S. Parker | Screenplay |
| Production | Steven Spielberg | Executive Producer |
| Production | David Kirschner | Executive Producer |
| Camera | Dean Cundey | Director of Photography |
| Production | Gerald R. Molen | Executive Producer |
| Sound | Curt Schulkey | Supervising ADR Editor |
| Camera | Sid Lucero | Best Boy Grip |
| Crew | Alex Gaona | Stunts |
| Costume & Make-Up | William Howard | Hairstylist |
| Sound | Donald Sylvester | ADR Editor |
| Editing | Gary Burritt | Negative Cutter |
| Art | Jay Johnson | Title Designer |
| Editing | Jim Passon | Color Timer |
| Camera | Ronald Batzdorff | Still Photographer |
| Costume & Make-Up | Christina Smith | Makeup Artist |
| Art | Caroline Quinn | Art Department Coordinator |
| Art | Chris L. Spellman | Leadman |
| Visual Effects | Michael Lantieri | Special Effects Supervisor |
| Costume & Make-Up | Linle White | Hairstylist |
| Camera | Raymond Stella | Camera Operator |
| Camera | Ron Cardarelli | Key Grip |
| Costume & Make-Up | Cynthia Barr | Key Makeup Artist |
| Costume & Make-Up | Mary Burton | Makeup Artist |
| Camera | Dave Wachtman | Dolly Grip |
| Costume & Make-Up | Larry Waggoner | Key Hair Stylist |
| Lighting | Michael Orefice | Chief Lighting Technician |
| Crew | Jeff Jensen | Stunts |
| Art | Cal DiValerio | Construction Coordinator |
| Crew | Brian Smrz | Stunts |
| Art | Bruce DiValerio | Construction Foreman |
| Crew | Kim Robert Koscki | Stunts |
| Crew | Pat Romano | Stunts |
| Crew | Gary Hymes | Stunt Coordinator |
| Crew | Norman Fessler | Stand In |
| Sound | Mark Mangini | Supervising Sound Editor |
| Crew | Adam Shankman | Choreographer |
| Crew | Rosine 'Ace' Hatem | Stunt Double |
| Sound | David Newman | Original Music Composer |
| Crew | Geoff Blain | Actor's Assistant |
| Directing | Marty P. Ewing | First Assistant Director |
| Production | Nancy Sandberg | Production Manager |
| Crew | Denny Caira | Transportation Coordinator |
| Art | Eloy Lobato | Production Design |
| Production | William Plant | Production Supervisor |
| Production | Allen Tinkley | Location Manager |
| Crew | Michelle Fandetti | Post Production Supervisor |
| Directing | Gary Hymes | Second Unit Director |
| Directing | Dana J. Kuznetzkoff | Second Assistant Director |
| Production | Paul Deason | Unit Production Manager |
| Directing | Annette Haywood-Carter | Script Supervisor |
| Directing | Susan Pickett | Second Second Assistant Director |
| Production | Elizabeth Campbell | Trainee Production Coordinator |
