Fred Flintstone en Barney Rubble leven in een moderne versie van het stenen tijdperk. Fred geeft Barney een som geld zodat hij met zijn vrouw Betty een kind kan adopteren. In ruil hiervoor geeft Barney Fred zijn (betere) resultaten bij een test voor een belangrijke promotie. Fred krijgt de baan, maar heeft niet door dat hij gemanipuleerd wordt door Cliff Vandercave om zo als schuldige aangewezen te kunnen worden bij een groot schandaal. Live-action versie van de klassieke tekenfilmserie.
Nee, helaas is The Flinstones in Viva Rock Vegas nog niet beschikbaar op Netflix in Nederland.
Writing | Tom S. Parker | Screenplay |
Writing | Jim Jennewein | Screenplay |
Writing | Steven E. de Souza | Screenplay |
Production | Bruce Cohen | Producer |
Camera | Dean Cundey | Director of Photography |
Editing | Kent Beyda | Editor |
Production | Nancy Nayor | Casting |
Art | William Sandell | Production Design |
Art | Christopher Burian-Mohr | Art Direction |
Art | Nancy Patton | Art Direction |
Art | William James Teegarden | Art Direction |
Art | Rosemary Brandenburg | Set Decoration |
Costume & Make-Up | Rosanna Norton | Costume Design |
Production | Joseph Barbera | Executive Producer |
Production | Kathleen Kennedy | Executive Producer |
Production | David Kirschner | Executive Producer |
Production | Gerald R. Molen | Executive Producer |
Production | Steven Spielberg | Executive Producer |
Production | Colin Wilson | Producer |
Production | William Hanna | Executive Producer |
Sound | Ted Nichols | Original Music Composer |
Sound | Marty Paich | Original Music Composer |
Sound | Bill Getty | Sound Director |
Sound | Richard Olso | Sound Director |
Directing | Brian Levant | Director |
Sound | Curt Schulkey | Supervising ADR Editor |
Sound | Donald Sylvester | ADR Editor |
Editing | Jim Passon | Color Timer |
Editing | Gary Burritt | Negative Cutter |
Art | Jay Johnson | Title Designer |
Camera | Ronald Batzdorff | Still Photographer |
Art | Caroline Quinn | Art Department Coordinator |
Camera | Raymond Stella | Camera Operator |
Visual Effects | Michael Lantieri | Special Effects Supervisor |
Costume & Make-Up | Cynthia Barr | Key Makeup Artist |
Costume & Make-Up | Mary Burton | Makeup Artist |
Costume & Make-Up | Christina Smith | Makeup Artist |
Costume & Make-Up | Larry Waggoner | Key Hair Stylist |
Costume & Make-Up | Linle White | Hairstylist |
Costume & Make-Up | William Howard | Hairstylist |
Lighting | Michael Orefice | Chief Lighting Technician |
Camera | Ron Cardarelli | Key Grip |
Camera | Sid Lucero | Best Boy Grip |
Camera | Dave Wachtman | Dolly Grip |
Art | Chris L. Spellman | Leadman |
Art | Cal DiValerio | Construction Coordinator |
Art | Bruce DiValerio | Construction Foreman |
Crew | Gary Hymes | Stunt Coordinator |
Crew | Brian Smrz | Stunts |
Crew | Jeff Jensen | Stunts |
Crew | Pat Romano | Stunts |
Crew | Kim Robert Koscki | Stunts |
Crew | Alex Gaona | Stunts |
Crew | Norman Fessler | Stand In |
Sound | Mark Mangini | Supervising Sound Editor |
Crew | Adam Shankman | Choreographer |
Crew | Rosine 'Ace' Hatem | Stunt Double |
Sound | David Newman | Original Music Composer |
Crew | Geoff Blain | Actor's Assistant |
Art | Eloy Lobato | Production Design |
Production | Paul Deason | Unit Production Manager |
Crew | Michelle Fandetti | Post Production Supervisor |
Production | William Plant | Production Supervisor |
Production | Nancy Sandberg | Production Manager |
Production | Elizabeth Campbell | Trainee Production Coordinator |
Directing | Marty P. Ewing | First Assistant Director |
Directing | Gary Hymes | Second Unit Director |
Directing | Dana J. Kuznetzkoff | Second Assistant Director |
Directing | Susan Pickett | Second Second Assistant Director |
Production | Allen Tinkley | Location Manager |
Directing | Annette Haywood-Carter | Script Supervisor |
Crew | Denny Caira | Transportation Coordinator |