Tijdens hun reis naar huis worden Trish en haar broer Darry bijna van de weg afgereden door een vies oud busje. Even later zien ze de bestuurder van het busje iets dumpen bij een verlaten kerk. Darry besluit om een kijkje te nemen en doet vervolgens een afschuwelijke ontdekking in de kelder van de kerk.
Nee, helaas is Jeepers Creepers nog niet beschikbaar op Netflix in Nederland.
| Production | Francis Ford Coppola | Executive Producer |
| Production | Barry Opper | Producer |
| Production | Mario Ohoven | Executive Producer |
| Camera | Don E. FauntLeRoy | Director of Photography |
| Sound | Bennett Salvay | Original Music Composer |
| Production | Tom Luse | Producer |
| Editing | Ed Marx | Editor |
| Crew | Jennifer Badger | Stunts |
| Crew | Jeff Moldovan | Stunts |
| Crew | Nick Brandon | Stunts |
| Crew | Thirl Haston | Stunts |
| Production | Tom Luse | Unit Production Manager |
| Crew | John Zimmerman | Stunts |
| Production | Kimberly Mullen | Casting |
| Costume & Make-Up | Emae Villalobos | Costume Design |
| Directing | Victor Salva | Director |
| Production | Linda Reisman | Executive Producer |
| Production | J. Todd Harris | Co-Producer |
| Production | Eberhard Kayser | Executive Producer |
| Production | Willi Bär | Executive Producer |
| Costume & Make-Up | Barnaby Smyth | Set Costumer |
| Crew | Robert Jepson | Driver |
| Art | Greg Smith | Sculptor |
| Camera | Gene Page | Still Photographer |
| Crew | Joe Foglia | Sound Recordist |
| Art | Barbara Peterson-Malesci | Set Decoration |
| Crew | Michael Matsumoto | Post Production Assistant |
| Art | Christopher Scheetz | Construction Coordinator |
| Costume & Make-Up | Gunnar Swanson | Key Hair Stylist |
| Art | Steven Legler | Production Design |
| Costume & Make-Up | Rex Christensen | Set Dressing Artist |
| Art | Daniel Williams | Greensman |
| Crew | James P. Crapser | Propmaker |
| Art | Kevin Egeland | Art Direction |
| Art | Alice Wymer | Art Department Coordinator |
| Art | Brad Parker | Production Illustrator |
| Crew | Drew Smith | Craft Service |
| Crew | Michael Arbogast | Special Effects Coordinator |
| Crew | Jerry Blohm | Armorer |
| Production | Leslie Stevens | Production Coordinator |
| Visual Effects | Scott Ramsey | Visual Effects Producer |
| Art | Andreas Zachai | Location Scout |
| Camera | Michael P. May | Camera Operator |
| Crew | Fred Moyse | Set Medic |
| Production | Barry Opper | Unit Production Manager |
| Sound | Randy Kerber | Orchestrator |
| Lighting | Shane Buttle | Lighting Technician |
| Sound | Angelo Palazzo | Sound Editor |
| Crew | Todd Sheridan Perry | CG Supervisor |
| Crew | Rolando Díaz | Telecine Colorist |
| Lighting | Robert Driskell | Gaffer |
| Sound | Shawn Murphy | Scoring Mixer |
| Visual Effects | Lisa Lavender | 3D Supervisor |
| Crew | Kurt Hockenberry | Utility Stunts |
| Sound | Александр Груздев | Sound Re-Recording Mixer |
| Sound | Ed Marx | Music Editor |
| Crew | James M. Churchman | Stunt Coordinator |
| Sound | Charlyn Bernal | Sound Designer |
| Sound | Andy Rosenthal | Sound Effects Editor |
| Crew | John Hines | Stand In |
| Editing | Geraud Brisson | First Assistant Editor |
| Production | Jeffrey Berk | Production Supervisor |
| Visual Effects | Robert W. Morgenroth | Visual Effects Supervisor |
| Crew | Roy Ceballos | Makeup Effects |
| Crew | Carla Bailey | Scenic Artist |
| Crew | Hank Amos | Stunts |
| Directing | Patricia A. Fullerton | Script Supervisor |
| Lighting | Paul Beaver | Rigging Grip |
| Crew | Michael Powels | Carpenter |
| Crew | Nancy Kirhoffer | Post Production Supervisor |
| Crew | Jerry Blohm | Property Master |
| Lighting | Thomas M. Allen | Electrician |
| Sound | James P. Lay | Supervising Sound Editor |
| Writing | Victor Salva | Writer |
| Costume & Make-Up | Tim Phoenix | Makeup Artist |
| Crew | Shane Ayon | Animal Wrangler |
| Sound | Cindy Jo Hinkleman | ADR Editor |
| Crew | Gloria Winship Ayon | Animal Coordinator |
| Editing | Rick Downey | Negative Cutter |
| Directing | George Bamber | First Assistant Director |
| Sound | Tim Bindel | ADR Supervisor |
| Camera | Ben Bardin | Key Grip |
| Camera | Marvin Haven | Grip |
| Directing | Jason Roberts | Second Assistant Director |
| Costume & Make-Up | Rodger Jacobs | Key Makeup Artist |
| Camera | Joe Mast | Dolly Grip |
| Sound | Kevin Connolly | Musician |
| Production | John Burt | Art Department Production Assistant |
| Sound | Richard Partlow | Foley Supervisor |
| Production | Jamie Burris | Post Production Coordinator |
| Production | Mary Sunshine | Accountant |
| Costume & Make-Up | Susie Mendez Pfister | Assistant Makeup Artist |
| Sound | Ron Ruzicka | Foley Recordist |
| Production | Dixie Jones | Assistant Accountant |
| Crew | Elle Alexander | Stunt Double |
| Production | Amy R. Trachtman | Assistant Production Coordinator |
| Lighting | Matthew Zeyn | Key Rigging Grip |
| Camera | Mike Walsh | Second Assistant Camera |
| Production | Angelique Midthunder | Additional Casting |
| Production | Cara Sachse | Location Assistant |
| Sound | Jeff Gomillion | ADR Recordist |
| Production | Marshal Clough | Production Assistant |
| Directing | Mary Kilgannon | Second Second Assistant Director |
| Sound | Dylan A. Flores | ADR Mixer |
| Production | Joann Guthrie | Key Set Production Assistant |
| Lighting | Robert Driskell | Chief Lighting Technician |
| Production | Shannon Lail | Production Executive |
| Editing | John Sellars | Colorist |
| Visual Effects | Scott Kirvan | Additional Visual Effects |
| Art | Graylan Franklin | Assistant Property Master |
| Crew | Joel P. Blanchard | Special Effects Technician |
| Camera | Scott Stuart | Best Boy Grip |
| Production | Burke P. Robinson | Assistant Location Manager |
| Sound | Robert Troy | Dialogue Editor |
| Crew | Paul Le Blanc | CGI Supervisor |
