Er breekt een burgeroorlog uit in de Russische Federatie, en de leider van de rebellen is voorstander van nucleaire interventie. De onderzeeër USS Alabama wordt in opperste paraatheid gebracht. Frank Ramsey, de kapitein van de onderzeeër, krijgt het aan de stok met zijn eerste officier Ron Hunter, als een eerder bevel om tien atoomraketten af te vuren niet kan worden bevestigd door een storing in de verbindingsapparatuur.
Nee, helaas is Crimson Tide nog niet beschikbaar op Netflix in Nederland.
| Sound | Hans Zimmer | Original Music Composer |
| Editing | Chris Lebenzon | Editor |
| Writing | Michael Schiffer | Story |
| Production | Don Simpson | Producer |
| Directing | Tony Scott | Director |
| Writing | Michael Schiffer | Screenplay |
| Production | Jerry Bruckheimer | Producer |
| Writing | Richard P. Henrick | Story |
| Sound | Michael McCormack | Utility Sound |
| Visual Effects | Matsune Suzuki | Modeling |
| Art | Michael White | Production Design |
| Sound | William B. Kaplan | Sound mixer |
| Sound | Gregory H. Watkins | Sound Re-Recording Mixer |
| Sound | Bob Badami | Music Editor |
| Sound | Will Kaplan | Music Editor |
| Art | Mickey S. Michaels | Set Decoration |
| Sound | Rick Kline | Sound Re-Recording Mixer |
| Costume & Make-Up | George L. Little | Costume Design |
| Sound | George Watters II | Supervising Sound Editor |
| Directing | P.R. Tooke | Script Supervisor |
| Camera | Linda R. Chen | Still Photographer |
| Camera | Dariusz Wolski | Director of Photography |
| Sound | Kevin O'Connell | Sound Re-Recording Mixer |
| Camera | Richard Foreman Jr. | Still Photographer |
| Costume & Make-Up | Ellis Cohen | Costume Supervisor |
| Production | Victoria Thomas | Casting |
| Art | Dianne Wager | Art Direction |
| Production | James W. Skotchdopole | Associate Producer |
| Production | Bill Unger | Executive Producer |
| Production | Lucas Foster | Executive Producer |
| Production | Mike Moder | Executive Producer |
| Art | James J. Murakami | Art Direction |
| Art | Donald B. Woodruff | Art Direction |
| Crew | Chuck Picerni Jr. | Stunts |
| Crew | Conn Horgan | Stunts |
| Crew | Don Charles McGovern | Stunts |
| Crew | Pete Antico | Stunts |
| Crew | Tom Bruggemann | Stunts |
| Crew | Darren A. Caperna | Stunts |
| Crew | Carl Mergenthaler | Stunts |
| Crew | Jimmy Nickerson | Stunts |
| Crew | Alan Oliney | Stunts |
| Crew | Bob Arnold | Stunts |
| Crew | Big Daddy Wayne | Stunts |
| Crew | Gary Price | Stunts |
| Camera | Kurt E. Soderling | Aerial Camera |
| Art | John Hinkle | Standby Painter |
| Directing | James W. Skotchdopole | First Assistant Director |
| Camera | Dan Mindel | Additional Photography |
| Art | Edward G. Fitzgerald | Leadman |
| Art | Michael Papac | Property Master |
| Crew | Chris Haynes | Driver |
| Crew | Jan Richter-Friis | Lighting Camera |
| Art | Dow Griffith | Location Scout |
| Camera | J. Michael Popovich | Key Grip |
| Crew | Angie Russell | Digital Producer |
| Production | Jan Garner | Production Accountant |
| Camera | Tom Boyd | Underwater Camera |
| Crew | Dan DeLeeuw | Digital Effects Supervisor |
| Crew | Eddie A. Canett | Transportation Captain |
| Crew | Steve Picerni | Stunt Coordinator |
| Crew | Gabriela Gutentag | Unit Publicist |
| Production | Matthew Barry | Casting Associate |
| Camera | Martin Schaer | Camera Operator |
| Costume & Make-Up | Ellen Wong | Makeup Artist |
| Crew | Miguel Ángel Poveda | Post Production Supervisor |
| Crew | Darrell Pritchett | Special Effects |
| Lighting | Michael S. Adler | Electrician |
| Sound | Bruce Fowler | Orchestrator |
| Crew | Peggy Names | Cableman |
| Visual Effects | Monte Swann | 24 Frame Playback |
| Lighting | Ted Lewis | Rigging Grip |
| Sound | Fred Burke | Foley Editor |
| Sound | Midge Costin | Sound Editor |
| Sound | Kevin Clark | Sound Effects Editor |
| Art | Steven E. Fegley | Construction Foreman |
| Camera | Dan Kneece | Steadicam Operator |
| Crew | John P. Fasal | Special Sound Effects |
| Sound | Marva Fucci | Assistant Sound Editor |
| Camera | Hilary Klym | Grip |
| Crew | Christopher Ward | Additional Music |
| Visual Effects | John Murrah | Compositing Artist |
| Editing | Rick Howe | First Assistant Editor |
| Production | Crys Forsyth-Smith | Production Coordinator |
| Production | Michael Fottrell | Unit Production Manager |
| Art | Daniel Maltese | Assistant Art Director |
| Art | Richard Lawrence | Set Designer |
| Costume & Make-Up | Ron Scott | Hairstylist |
| Visual Effects | Cecil Kramer | Visual Effects Producer |
| Camera | Jim Dickson | Underwater Director of Photography |
| Production | Craig Pointes | Location Manager |
| Visual Effects | Tim Sassoon | Visual Effects |
| Crew | Thomas R. Bryant | Visual Effects Editor |
| Sound | Earl Sampson | Boom Operator |
| Lighting | David Bartholomew | Gaffer |
| Art | Dennis DeWaay | Construction Coordinator |
| Art | Sean Hargreaves | Production Illustrator |
| Camera | Dennis J. Laine | First Assistant Camera |
| Crew | Al Di Sarro | Special Effects Coordinator |
| Crew | Michael Antunez | Transportation Coordinator |
| Editing | Bob Putynkowski | Color Timer |
| Visual Effects | Hoyt Yeatman | Visual Effects Supervisor |
| Crew | Ernest H. Lauterio | Craft Service |
| Sound | Matt Araki | Sound Recordist |
| Sound | Greg P. Russell | Additional Sound Re-Recording Mixer |
| Crew | Gustavo R. Ferreyra | Special Effects Technician |
| Camera | Duane Mieliwocki | Assistant Camera |
| Lighting | Claudio Miranda | Chief Lighting Technician |
| Production | Vanessa Bendetti | Production Assistant |
| Camera | Larry Sweet | Dolly Grip |
| Editing | David Dresher | Associate Editor |
| Camera | Thomas Gibson | Best Boy Grip |
| Sound | Nick Glennie-Smith | Conductor |
| Directing | John Wildermuth | Second Assistant Director |
| Camera | Shai Greenberg | Camera Loader |
| Editing | Andrea Bottigliero | Assistant Editor |
| Production | David Anthony | Extras Casting |
| Sound | Denise Horta | ADR Editor |
| Art | Rick Chavez | Assistant Property Master |
| Camera | John Ellingwood | Second Assistant Camera |
| Lighting | Al DeMayo | Assistant Chief Lighting Technician |
| Directing | Angela C. Tortu | Second Second Assistant Director |
| Sound | Juno J. Ellis | Supervising ADR Editor |
| Production | Mark B. Johnson | Assistant Location Manager |
| Production | Jennifer Good | Assistant Production Coordinator |
| Crew | Skip Beard | Technical Advisor |
| Art | Robert Camron | Swing |
| Sound | Bob Baron | ADR Mixer |
| Production | Linda C. Azevedo | Second Assistant Accountant |
| Production | Barbara Harris | ADR Voice Casting |
| Sound | Kevin Bartnof | Foley Artist |
| Editing | Mary Beth Smith | Negative Cutter |
| Visual Effects | Blaine Kennison | Compositing Supervisor |
| Art | Robert Dawson | Title Designer |
| Sound | Bruno Roussel | Assistant Sound Engineer |
| Sound | Eric Gotthelf | Foley Mixer |
| Production | Linden Johnson | First Assistant Accountant |
