Tim lijkt een normaal en gelukkig leven te leiden in Chicago. Niets is echter minder waar, want hij wordt achterna gezeten door een angstaanjagend verleden dat te maken heeft met het monster uit de slaapkamerkast: de Boogeyman. Wanneer Tims moeder overlijdt, met wie hij geen contact meer had, keert hij terug naar zijn ouderlijk huis op het platteland. Tim moet zijn angsten onder ogen komen en ze zien te overwinnen. De enige manier om dit te bereiken is een nacht alleen door te brengen in het mysterieuze vervallen Victoriaanse huis.
Nee, helaas is Boogeyman nog niet beschikbaar op Netflix in Nederland.
| Editing | John Axelrad | Editor |
| Production | Miranda Gooch | Casting |
| Production | Sam Raimi | Producer |
| Production | Marie Adams | Casting |
| Production | Joseph Drake | Executive Producer |
| Production | Lynn Kressel | Casting |
| Camera | Bobby Bukowski | Director of Photography |
| Production | Gary Bryman | Producer |
| Costume & Make-Up | Jane Holland | Costume Design |
| Crew | Hayley Stent | Stunt Double |
| Art | Nick Bassett | Art Direction |
| Art | Jill Cormack | Set Decoration |
| Art | Jackie Gilmore | Set Decoration |
| Art | Robert Gillies | Production Design |
| Art | Philip Ivey | Art Direction |
| Art | Jennifer Ward | Art Direction |
| Crew | Steve McQuillan | Stunt Coordinator |
| Camera | Kirsty Griffin | Still Photographer |
| Camera | Gavin Stroud | Additional Camera |
| Art | Fraser Harvey | Construction Foreman |
| Sound | Dave Whitehead | Supervising Sound Editor |
| Sound | Tim Prebble | Sound Designer |
| Sound | Gethin Creagh | Sound Re-Recording Mixer |
| Production | Karsten Kastelan | Publicist |
| Sound | Dave Whitehead | Sound Designer |
| Sound | Peter Mills | Sound Effects Editor |
| Sound | Michael Hedges | Sound Re-Recording Mixer |
| Visual Effects | Edward Trost | Visual Effects Producer |
| Production | Sue May | Publicist |
| Crew | Jack Schuster | Post Production Supervisor |
| Visual Effects | Brent Gilmartin | Visual Effects Supervisor |
| Visual Effects | George Port | Visual Effects Supervisor |
| Production | Clayton Tikao | Location Manager |
| Crew | Sean Button | Stunts |
| Directing | Stephen Kay | Director |
| Writing | Juliet Snowden | Screenplay |
| Sound | Ray Beentjes | Supervising Dialogue Editor |
| Writing | Stiles White | Screenplay |
| Sound | Joseph LoDuca | Original Music Composer |
| Directing | Paul Grinder | Second Unit Director |
| Art | Viv Kernick | Property Master |
| Sound | Chris Todd | Dialogue Editor |
| Sound | Robyn McFarlane | Sound Recordist |
| Sound | Carrie McLaughlin | Foley |
| Art | Roger Guise | Art Direction |
| Costume & Make-Up | Vanita Thomas | Makeup & Hair Assistant |
| Costume & Make-Up | Susie Glass | Hair Supervisor |
| Costume & Make-Up | Hayley May | Costume Assistant |
| Costume & Make-Up | Anna Bosley | Costume Standby |
| Lighting | Mark Teirney | Lighting Technician |
| Costume & Make-Up | Marjory Hamlin | Makeup Supervisor |
| Camera | Brenden Holster | First Assistant Camera |
| Directing | Simon Ambridge | First Assistant Director |
| Costume & Make-Up | Deb Watson | Key Hair Stylist |
| Costume & Make-Up | Olivia Dobson | Set Costumer |
| Camera | Evan Pardington | Best Boy Grip |
| Camera | Gareth Robinson | Grip |
| Costume & Make-Up | Susie Glass | Makeup Supervisor |
| Directing | Terri Kilmartin | Second Unit First Assistant Director |
| Production | Caroline Liem | Casting Associate |
| Camera | Aaron Morton | Second Unit Director of Photography |
| Costume & Make-Up | Deb Watson | Key Makeup Artist |
| Lighting | Ruru Reedy | Electrician |
| Lighting | Scott Harman | Lighting Technician |
| Costume & Make-Up | Marjory Hamlin | Hair Supervisor |
| Production | Sandy Holt | ADR Voice Casting |
| Lighting | John Bell | Lighting Technician |
| Camera | Dale Elena McCready | Steadicam Operator |
| Directing | Dianne Moffatt | Script Supervisor |
| Camera | Andrew McGeorge | First Assistant Camera |
| Production | Eric Kripke | Co-Producer |
| Writing | Eric Kripke | Screenplay |
