Als het bedrijf gaat reorganiseren verwacht de gelukkig getrouwde computerexpert Tom Sanders een flinke promotie. De baan gaat echter naar een vrouw, Meredith Johnson, met wie hij vroeger een relatie had. Meredith wordt Toms baas en is vastbesloten om het te gaan maken binnen het bedrijf. Ook wil ze de relatie weer oppikken. Tom kan haar bijna niet weerstaan, maar wijst haar toch af. Hij klaagt haar aan wegens seksuele intimidatie, maar het bedrijf kan deze negatieve publiciteit niet gebruiken.
Nee, helaas is Disclosure nog niet beschikbaar op Netflix in Nederland.
| Camera | Tony Pierce-Roberts | Director of Photography |
| Production | Barry Levinson | Producer |
| Directing | Barry Levinson | Director |
| Writing | Paul Attanasio | Screenplay |
| Editing | Stu Linder | Editor |
| Production | Andrew Wald | Co-Producer |
| Production | Michael Crichton | Producer |
| Art | Neil Spisak | Production Design |
| Production | Patricia Churchill | Associate Producer |
| Camera | Jeff Hand | First Assistant Camera |
| Crew | Michael Runyard | Stunts |
| Production | Peter Giuliano | Executive Producer |
| Directing | Shery Blanc | Second Assistant Director |
| Writing | Michael Crichton | Novel |
| Crew | Jeff Joy | Stunts |
| Directing | Kate Davey | First Assistant Director |
| Camera | Bob Gorelick | Steadicam Operator |
| Production | Patricia Churchill | Unit Production Manager |
| Directing | Julie Herrin | Second Second Assistant Director |
| Art | Garrett Lewis | Set Decoration |
| Crew | Sandy Berumen | Stunts |
| Camera | Cal Roberts | First Assistant "B" Camera |
| Costume & Make-Up | Gloria Gresham | Costume Design |
| Production | Ellen Chenoweth | Casting |
| Directing | Julie Pitkanen | Script Supervisor |
| Crew | Blair Daily | Post Production Supervisor |
| Camera | Michael St. Hilaire | Camera Operator |
| Camera | Brian Hamill | Still Photographer |
| Art | Richard Toyon | Art Direction |
| Sound | Steve Cantamessa | Production Sound Mixer |
| Art | Charles William Breen | Art Direction |
| Sound | Gary Thomas | Boom Operator |
| Costume & Make-Up | Cheri Minns | Makeup Artist |
| Sound | Tim Gedemer | Sound Effects Editor |
| Crew | Ronald E. Hairston | Craft Service |
| Visual Effects | Kim Bromley | Visual Effects Producer |
| Sound | Ken Teaney | Sound Re-Recording Mixer |
| Crew | Spooky Stevens | Unit Publicist |
| Visual Effects | Greg Maloney | Digital Compositor |
| Crew | Morgan Guynes | Special Effects |
| Costume & Make-Up | Rudolph Garcia | Set Costumer |
| Sound | Cathie Speakman | Supervising Dialogue Editor |
| Sound | Vince Nicastro | Foley Artist |
| Crew | TyRuben Ellingson | Visual Effects Art Director |
| Lighting | Scott Fieldsteel | Assistant Chief Lighting Technician |
| Editing | Mo Henry | Negative Cutter |
| Visual Effects | Thomas Rosseter | Digital Compositor |
| Production | Debra Zane | Casting Associate |
| Editing | Bob Kaiser | Color Timer |
| Visual Effects | Eric Brevig | Visual Effects Supervisor |
| Crew | Bill Kimberlin | Visual Effects Editor |
| Production | John Panzarella | Location Manager |
| Art | Francis N. 'Lucky' Costello | Standby Painter |
| Sound | David Farmer | Sound Effects Editor |
| Sound | Robert Guastini | ADR Editor |
| Sound | Harry Cohen | Supervising Sound Editor |
| Sound | Ann Scibelli | Sound Effects Editor |
| Visual Effects | Steve Galich | Special Effects Supervisor |
| Lighting | Richard Smock | Rigging Gaffer |
| Camera | John Janusek | Key Grip |
| Camera | Scott Hillman | Best Boy Grip |
| Sound | William Dotson | Dialogue Editor |
| Costume & Make-Up | Adrienne Manhan | Set Costumer |
| Costume & Make-Up | Mitchell Ray Kenney | Set Costumer |
| Sound | James Flamberg | Music Editor |
| Sound | Marc Fishman | Supervising Sound Editor |
| Art | Marvin Salsberg | Construction Coordinator |
| Costume & Make-Up | Stephen Robinette | Hairstylist |
| Sound | Gregg Barbanell | Foley Artist |
| Sound | Randy Thom | Sound Re-Recording Mixer |
| Sound | Lora Hirschberg | Sound Re-Recording Mixer |
| Art | John Hoskins | Construction Foreman |
| Crew | Jeff Frink | Special Effects |
| Lighting | Patrick Murray | Chief Lighting Technician |
| Lighting | Stephen Johnstone | Assistant Chief Lighting Technician |
| Production | Kathy Petty | Production Accountant |
| Editing | Blair Daily | Associate Editor |
| Editing | Mark Daily | Assistant Editor |
| Sound | Eric Thompson | Foley Mixer |
| Art | Sean Mannion | Property Master |
| Sound | Ricardo Broadus | Sound Effects Editor |
| Sound | Jeff Vaughn | Foley Editor |
| Art | Mark Woods | Leadman |
| Sound | Michele Perrone | ADR Supervisor |
| Sound | Paul Menichini | Sound Effects Editor |
| Crew | Bill M. Puluti | Transportation Coordinator |
| Visual Effects | Rob Coleman | Animation |
| Crew | Steve Galich | Special Effects |
| Sound | Ennio Morricone | Original Music Composer |
| Sound | William Freesh | Sound Re-Recording Mixer |
